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    <loc>https://www.fashionstudiesjournal.org/commentary/2021/1/28/we-were-one-of-the-stories-now</loc>
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    <lastmod>2021-06-17</lastmod>
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      <image:title>Fashion &amp; Motherhood Content 1/Mothering in the Pandemic - We Were One of the Stories Now</image:title>
      <image:caption>Reunited as a family at home.</image:caption>
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      <image:title>Fashion &amp; Motherhood Content 1/Mothering in the Pandemic - We Were One of the Stories Now</image:title>
      <image:caption>Aimee’s husband Justin being picked up at the hospital in his RAD DAD shirt.</image:caption>
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    <loc>https://www.fashionstudiesjournal.org/commentary/2021/1/31/letter-from-the-editor-laura-snelgrove</loc>
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    <lastmod>2021-02-07</lastmod>
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      <image:title>Fashion &amp; Motherhood Content 1/Mothering in the Pandemic - Covid Mom: A Year in Five Garments</image:title>
      <image:caption>Image: Sultana Bambino</image:caption>
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      <image:title>Fashion &amp; Motherhood Content 1/Mothering in the Pandemic - Covid Mom: A Year in Five Garments</image:title>
      <image:caption>Image: Sultana Bambino</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612129820750-4GPYGUZV9IGDF1D6BNY4/covimom4+%281%29.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 1/Mothering in the Pandemic - Covid Mom: A Year in Five Garments</image:title>
      <image:caption>Image: Sultana Bambino</image:caption>
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      <image:title>Fashion &amp; Motherhood Content 1/Mothering in the Pandemic - Covid Mom: A Year in Five Garments</image:title>
      <image:caption>Image: Sultana Bambino</image:caption>
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      <image:title>Fashion &amp; Motherhood Content 1/Mothering in the Pandemic - Covid Mom: A Year in Five Garments</image:title>
      <image:caption>Image: Sultana Bambino</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/commentary/2021/1/31/dressing-motherhood-from-pregnancy-to-lockdown-through-depression</loc>
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    <lastmod>2021-02-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612131110516-3H08ZWL0GS80PVPKE4WZ/stripedhat.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 1/Mothering in the Pandemic - Confinement — From Pregnancy    to Lockdown</image:title>
      <image:caption>Aimee Gilmore, Striped Hat (rubber series) 2018, 9" x 9"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612131159050-KX3FJ272TM4JESGVLEJH/pinksocks.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 1/Mothering in the Pandemic - Confinement — From Pregnancy    to Lockdown</image:title>
      <image:caption>Aimee Gilmore, Pink Socks (rubber series), 2018, 9" x 9"</image:caption>
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    <loc>https://www.fashionstudiesjournal.org/everything-else</loc>
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    <lastmod>2018-09-18</lastmod>
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    <image:image>
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      <image:title>1. Everything Else (Profiles, Reading Lists, From the Archives) - Unexpected Talent Scouting</image:title>
      <image:caption>Photograph taken by Giovacchino Forzano, undated. Central Archives of the State, Segreteria Particolare del Duce, Carteggio Riservato, busta 85 Forzano. Property of the author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474281286377-YR5RJTFCLLSV41VFBDUP/545.jpg</image:loc>
      <image:title>1. Everything Else (Profiles, Reading Lists, From the Archives) - Unexpected Talent Scouting</image:title>
      <image:caption>Letter to Alessandro Chiavolini from Giovacchino Forzano. Central Archives of the State, Segreteria Particolare del Duce, Carteggio Riservato, busta 85 Forzano. Property of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474281450657-NRMSN9S53Z7RU5VNZIVW/540.jpg</image:loc>
      <image:title>1. Everything Else (Profiles, Reading Lists, From the Archives) - Unexpected Talent Scouting</image:title>
      <image:caption>Photograph taken by Giovacchino Forzano, undated. Central Archives of the State, Segreteria Particolare del Duce, Carteggio Riservato, busta 85 Forzano. Property of the author.</image:caption>
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    <loc>https://www.fashionstudiesjournal.org/reviews/2020/4/29/exhibition-review-boro-textiles-sustainable-aesthetics</loc>
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    <lastmod>2020-05-04</lastmod>
    <image:image>
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      <image:title>1. Reviews - Exhibition Review: Boro Textiles: Sustainable Aesthetics</image:title>
      <image:caption>Figure 1. Installation view of Boro Textiles: Sustainable Aesthetics. Photograph by Alina Osokina.</image:caption>
    </image:image>
    <image:image>
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      <image:title>1. Reviews - Exhibition Review: Boro Textiles: Sustainable Aesthetics</image:title>
      <image:caption>Figure 2. Mounts made of laser-cut rings of forms to give the objects body with the animating light effect. Photograph by Alina Osokina.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588167984503-3Y70KA24OWKYBOCZPTEB/3.jpeg</image:loc>
      <image:title>1. Reviews - Exhibition Review: Boro Textiles: Sustainable Aesthetics</image:title>
      <image:caption>Figure 3. Boro bottoms — mataware, tattsuke and women’s monpe — with the reflective mounts under each pair of objects. Photograph by Alina Osokina.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588168132289-HP9NMBBS3VWSYJ31V4HR/4.jpeg</image:loc>
      <image:title>1. Reviews - Exhibition Review: Boro Textiles: Sustainable Aesthetics</image:title>
      <image:caption>Figure 4. Kyoichi Tsuzuki, Boro Aomori series, 2018. Photograph by Alina Osokina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588168138739-XDPASNGVDN8CJMPPG7SI/5.jpeg</image:loc>
      <image:title>1. Reviews - Exhibition Review: Boro Textiles: Sustainable Aesthetics</image:title>
      <image:caption>Figure 5. Tabi and other accessories on a specially designed display. Photograph by Alina Osokina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588168120315-JIUM4OQBJOT4ZKR4DA2T/6.jpeg</image:loc>
      <image:title>1. Reviews - Exhibition Review: Boro Textiles: Sustainable Aesthetics</image:title>
      <image:caption>Figure 6. Christina Kim, Kaya (detail). Photograph by Alina Osokina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588168118651-YO8Z896P5DIZ38S4KYI6/8.jpeg</image:loc>
      <image:title>1. Reviews - Exhibition Review: Boro Textiles: Sustainable Aesthetics</image:title>
      <image:caption>Figure 7. Rei Kawakubo/Comme des Garçons dress from Adult Delinquent collection, S/S 2010. The Mary Baskett Collection. Photograph by Alina Osokina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588168118502-VDMD0A2E7L7NSS7KAFRJ/7.jpeg</image:loc>
      <image:title>1. Reviews - Exhibition Review: Boro Textiles: Sustainable Aesthetics</image:title>
      <image:caption>Figure 8. Issey Miyake 3-d seam stretch coat, F/W 2015. The Mary Baskett Collection. Photograph by Alina Osokina.</image:caption>
    </image:image>
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    <loc>https://www.fashionstudiesjournal.org/reviews/2016/10/5/vogue-100-a-century-of-style</loc>
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    <lastmod>2018-09-18</lastmod>
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      <image:title>1. Reviews - Vogue 100: A Century of Style</image:title>
      <image:caption>Photo by Nathan Chandler. Courtesy Manchester Art Gallery.</image:caption>
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    <lastmod>2020-02-06</lastmod>
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      <image:title>1. Reviews - Empire of Cotton: A Global History</image:title>
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    <lastmod>2019-07-25</lastmod>
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    <lastmod>2019-01-29</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-exhibitions/2019/6/1/minimalismmaximalism-fashion-extremes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-29</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-exhibitions/2019/9/21/tim-walker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-03</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/2016/8/30/how-i-learned-to-love-the-button-down</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473857362455-SHPPHDRS401RXPFOHCNI/IMG_0035.jpeg</image:loc>
      <image:title>1. What We're Wearing - How I Learned to Love the Button Down</image:title>
      <image:caption>Illustration by Mike Thompson, 2016.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/2016/8/30/changing-rooms-a-cross-dresser-confronts-the-fashion-system</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101943816-4B7PRWVCFH5CL9VXG6JS/Screen+Shot+2016-09-17+at+10.30.56.png</image:loc>
      <image:title>1. What We're Wearing - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101342719-LWJFKGMKEBQM45LZY41P/Screen+Shot+2016-09-17+at+10.30.37.png</image:loc>
      <image:title>1. What We're Wearing - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101611317-C6XQQ4DXBF982OS0AZ84/Screen+Shot+2016-09-17+at+10.31.09.png</image:loc>
      <image:title>1. What We're Wearing - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101239436-KCS0IUCOF18XBX5V3OET/Screen+Shot+2016-09-17+at+10.31.18.png</image:loc>
      <image:title>1. What We're Wearing - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101759629-8V1WDGYAIPWG3HWXC5Y7/Screen+Shot+2016-09-17+at+10.31.29.png</image:loc>
      <image:title>1. What We're Wearing - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/2016/8/30/my-jacket-is-japanese-not-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474010351256-5EC4IX6J3SUN9Y50QUVI/Screen+Shot+2016-09-16+at+09.09.22.png</image:loc>
      <image:title>1. What We're Wearing - My Jacket is Japanese, Not Me</image:title>
      <image:caption>A Eurasian in Morocco, Marrakech (April 2013). Copyright Anushka Tay.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/category/What+We%27re+Wearing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/5-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/Crossdressing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/Identity+Politics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/Style</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/Orientalism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/10-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/Identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/Menswear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/Sartorial+Biography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing/tag/Self-Fashioning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/2016/8/15/alex-katz-and-american-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473573153020-LH1F581DRL0U2GGBR9RZ/Jean.png</image:loc>
      <image:title>1. Essays - Alex Katz and American Fashion</image:title>
      <image:caption>Jean (1953). Oil on masonite, 48x34 inches. Colby College Museum of Art, Waterville, ME.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473573401627-1RA0KIMY4MWV46V8BQQE/The+Black+Dress.png</image:loc>
      <image:title>1. Essays - Alex Katz and American Fashion</image:title>
      <image:caption>The Black Dress (1960). Oil on linen, 72x94 inches. Collection of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473573564538-UXDPB3CDSIW1520N2N0C/Pas+Pe+Deux.png</image:loc>
      <image:title>1. Essays - Alex Katz and American Fashion</image:title>
      <image:caption>Pas de Deux (1983). Oil on Canvas, 132x360 inches. Colby College Museum of Art, Waterville, ME.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473573770986-Q2Y9E0JDKCETO7LY3G45/The+Cocktail+Party.png</image:loc>
      <image:title>1. Essays - Alex Katz and American Fashion</image:title>
      <image:caption>The Cocktail Party (1965). Oil on Canvas, 72x96 inches.  Collection Paul Jacques Schupf, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473574087977-1SO0T55LEXS1GR4PNHSI/Lawn+Party.png</image:loc>
      <image:title>1. Essays - Alex Katz and American Fashion</image:title>
      <image:caption>Lawn Party (1965). Oil on Canvas, 108x144 inches. Collection of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473574414558-KMSQ5NQS2HYZSNYVI7OY/Impala.png</image:loc>
      <image:title>1. Essays - Alex Katz and American Fashion</image:title>
      <image:caption>Impala (1968). Oil on canvas, 72x95 inches. The Cleveland Museum of Art, OH, Mr. and Mrs. William H. Marlatts Fund and Gift of the Eppler Family Foundation and Agnes Gund.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473574620244-BKY9MMFRT65FTK7EREV9/Summer+Triptych.png</image:loc>
      <image:title>1. Essays - Alex Katz and American Fashion</image:title>
      <image:caption>Summer Triptych (1985). Oil on canvas, each panel 78x48 inches, overall 78x144 inches. The Saatchi Collection, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/2016/9/11/points-of-touch-towards-a-fashion-epistemology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473587631424-WE9V2Z96W08MTFAW5ZR4/Screen+Shot+2016-09-11+at+11.53.09+AM.png</image:loc>
      <image:title>1. Essays - Points of Touch: Towards a Fashion Epistemology</image:title>
      <image:caption>Maison Martin Margiela SS '09 Fashion Show. Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473708798785-969LCC8NLHMHG6XFQK2Y/Fig+78+copy.jpg</image:loc>
      <image:title>1. Essays - Points of Touch: Towards a Fashion Epistemology</image:title>
      <image:caption>Yohji Yamamoto AW ’91-’92 catalogue. Words, Yohji Yamamoto. Copyright, Yohji Yamamoto. Catalog is held in the Fashion Museum of the Province of Antwerp (MoMu) Archive. Images courtesy MoMu.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/2016/9/11/on-the-black-designer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/category/Essays</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Art</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Epistemology</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/American+Fashion</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Identity+Politics</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Ephemera</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Fashion+Designer</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Black+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Fashion+and+Race</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Fashion+Show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/30-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Martin+Margiela</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/10-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Yohji+Yamomoto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/20-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays/tag/Alex+Katz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/2016/8/30/the-life-and-work-of-anne-lowe-zelda-wynn-valdes-and-ruby-bailey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474814066264-0P0LSCTYZ283XRKCY6VM/Ruby+Bailey2.jpg</image:loc>
      <image:title>1. Histories - The Life and Work of Ruby Bailey, Zelda Wynn Valdes, and Ann Lowe</image:title>
      <image:caption>Ruby Bailey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474814493654-ZWP2EAV6TE9A4DJNA1CN/Ruby+Bailey+at+the+Bal+de+tete.jpg</image:loc>
      <image:title>1. Histories - The Life and Work of Ruby Bailey, Zelda Wynn Valdes, and Ann Lowe</image:title>
      <image:caption>Ruby Bailey in her "Eve and the Apple" ensemble at the Bal de Tete, New York Amsterdam News (November 16, 1963).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474814591101-9QD9AE0NBOA795FQHS72/Ann+Lowe+in+Ebony+%281966%29.jpg</image:loc>
      <image:title>1. Histories - The Life and Work of Ruby Bailey, Zelda Wynn Valdes, and Ann Lowe</image:title>
      <image:caption>Ann Lowe in Ebony (December 1966), p. 136</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/2016/8/30/pret-a-porter-paris-and-the-image-of-women-1945-1968</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474884745852-V48DZAVHEIXHT7VK8JFE/Screen+Shot+2016-09-26+at+10.30.15+AM.png</image:loc>
      <image:title>1. Histories - Oral History and Dress History:  Monique Naudeix in 1960s Paris</image:title>
      <image:caption>Monique Naudeix in a photograph taken by her husband, in the mid-1960s in a furniture shop in Rome. Naudeix’s description: “It’s a dress from the Elle [magazine] boutique that was in the Opéra neighbourhood, known as a Bon Magique. Limited distribution.” (Author’s translation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474884824530-PVMA1QQZKV924O8QPHUJ/Screen+Shot+2016-09-26+at+12.13.17+PM.png</image:loc>
      <image:title>1. Histories - Oral History and Dress History:  Monique Naudeix in 1960s Paris</image:title>
      <image:caption>Monique Naudeix in a photograph taken by her husband in her in-laws home in Versailles, France. Naudeix’s description: “I’m in a Sonia Rykiel sweater, knitwear imitating lace, plum coloured, and the collar has a white border.” (Author’s translation)</image:caption>
    </image:image>
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    <loc>https://www.fashionstudiesjournal.org/histories/category/Histories</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/French+Fashion</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/New+York</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/Methodology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/Fashion+History</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/Ebony</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/Oral+History</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/Style</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/10-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/Women+Designers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/Black+Fashion+History</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/histories/tag/20-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-perspectives-the-fashion-show</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-perspectives-the-fashion-show/2016/8/30/preface-rethinking-the-fashion-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-30</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-perspectives-the-fashion-show/2016/8/30/refashioning-masculinity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877147856-AMHPL7F57I82MQN8HUSF/IMG_7419.jpg</image:loc>
      <image:title>1. Notes from the Field - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877121921-1HR4QK7K0KGLHJ7HRGHI/DU2A1075.jpg</image:loc>
      <image:title>1. Notes from the Field - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877220907-JC8TK5WTNTIGTIZBL7FP/Rethinking_Masculinity12.jpg</image:loc>
      <image:title>1. Notes from the Field - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877148847-IPW3X5Y64ZZMVKY0XAHM/IMG_7699.jpg</image:loc>
      <image:title>1. Notes from the Field - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877253868-NEYD49Z2WY4KWEV4GUNM/Rethinking_Masculinity85.jpg</image:loc>
      <image:title>1. Notes from the Field - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877524561-3C82VGXAZ5PRME7OIV8B/IMG_7407bw.jpg</image:loc>
      <image:title>1. Notes from the Field - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
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      <image:title>1. Notes from the Field - Refashioning Masculinity</image:title>
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      <image:title>1. Notes from the Field - Refashioning Masculinity</image:title>
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      <image:title>1. Notes from the Field - The Grand Trompe L'oeil</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
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      <image:title>2. Histories (2) - A Space for Self-Fashioning: The Countess of Castiglione’s Photographic Self-Image</image:title>
      <image:caption>Ritrosetta.1861-64. Reproduced with permission from The Metropolitan Museum of Art, New York City.</image:caption>
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      <image:caption>Blackwell's Durham Fashion Doll, ca. 1895. Courtesy of The New York Public Library Digital Collections.</image:caption>
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      <image:title>2. Histories (2) - Dressed Up in Paper: What Will I Be?</image:title>
      <image:caption>Paper Doll Fashions Issued by The Sunday Herald Chicago, ca. 1896. Courtesy of The Library of Congress.</image:caption>
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    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field</loc>
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    <lastmod>2018-09-18</lastmod>
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    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/2016/12/19/new-insights-practice-based-methods-in-fashion-research</loc>
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    <lastmod>2016-12-20</lastmod>
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    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/2016/12/17/episode-1</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
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      <image:title>2. Notes from the Field (3) - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>The Arabia campus of Aalto ARTS. Photo courtesy the authors.</image:caption>
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    <image:image>
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      <image:title>2. Notes from the Field (3) - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>‘Näytös’, the annual fashion show of Aalto ARTS (May 2016). Photo courtesy the authors.</image:caption>
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    <image:image>
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      <image:title>2. Notes from the Field (3) - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>A scene from the Design Research course in 2016. Photo courtesy the authors.</image:caption>
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    <image:image>
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      <image:title>2. Notes from the Field (3) - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>Skype session in February 2016 with Otto von Busch (Parsons School of Design) during the pilot seminar. Photo courtesy the authors.</image:caption>
    </image:image>
    <image:image>
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      <image:title>2. Notes from the Field (3) - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>Poster for the info session of the course. Photo courtesy the authors.</image:caption>
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    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/2016/12/12/consumes-me</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
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      <image:title>2. Notes from the Field (3) - CONSUME(s) ME - Images from One of the CONSUME(s) ME Clothing Swaps Held at Recess, NYC</image:title>
      <image:caption>All images courtesy the author.</image:caption>
    </image:image>
    <image:image>
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      <image:caption />
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      <image:title>2. Notes from the Field (3) - CONSUME(s) ME</image:title>
    </image:image>
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      <image:title>2. Notes from the Field (3) - CONSUME(s) ME</image:title>
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      <image:title>2. Notes from the Field (3) - CONSUME(s) ME</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571495741-7GSE1PIO6TW628IO3QBM/9.jpg</image:loc>
      <image:title>2. Notes from the Field (3) - CONSUME(s) ME</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571496356-QKJFG0QQ24FRTBFIUKI1/21.jpg</image:loc>
      <image:title>2. Notes from the Field (3) - CONSUME(s) ME</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481572574325-S0GJP6670FDZH3LCQQL9/IMG_0036_2.jpg</image:loc>
      <image:title>2. Notes from the Field (3) - CONSUME(s) ME - Responses from Swap Participants</image:title>
      <image:caption>All images courtesy the author.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481572541450-XTW31DVASX46PA91MF6F/IMG_0032.jpg</image:loc>
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      <image:title>2. Notes from the Field (3) - CONSUME(s) ME</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481572562992-WX3OIJJFHSJQUTHZGGLZ/IMG_0034.jpg</image:loc>
      <image:title>2. Notes from the Field (3) - CONSUME(s) ME</image:title>
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      <image:title>2. Notes from the Field (3) - CONSUME(s) ME</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481577554284-3J9URAXL9210SSTHALYZ/Artisianal-page-001.jpg</image:loc>
      <image:title>2. Notes from the Field (3) - CONSUME(s) ME</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/category/Notes+from+the+Field</loc>
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  <url>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/tag/Trade</loc>
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  <url>
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  <url>
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  <url>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/tag/30-Minute+Read</loc>
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    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/tag/Fashion+Practice</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/tag/Community</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/tag/20-Minute+Read</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes-from-the-field/tag/Textiles</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/2016/11/29/whats-so-fashionable-about-hiv</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481455732877-WLN6P6YV7NJBZIEMH9CI/Screen+Shot+2016-12-11+at+12.28.02+PM.png</image:loc>
      <image:title>2. Essays (2) - What's so Fashionable About HIV?</image:title>
      <image:caption>Franca Sozzani in “L’Aids é di Moda” campaign, Terry Richardson, 2016. Reproduced with permission from Convivio.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481456401966-MDBDSRFFI8PO15AYBZQA/bruce.png</image:loc>
      <image:title>2. Essays (2) - What's so Fashionable About HIV?</image:title>
      <image:caption>“Safe Sex is Hot Sex” campaign, Bruce Weber/Steven Meisel, 1991. Reproduced with permission from the Red Hot Organization.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481456613670-XP8KL596VDFXM8XC3SDY/Screen+Shot+2016-12-11+at+12.43.00+PM.png</image:loc>
      <image:title>2. Essays (2) - What's so Fashionable About HIV?</image:title>
      <image:caption>“Check Your Love Life” campaign, Anoush Abrar &amp; Aimée Hoving , 2007. Reproduced with permission from Love Life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481456805218-QBZJSI1XQTYI15JF77YY/Screen+Shot+2016-12-11+at+12.46.05+PM.png</image:loc>
      <image:title>2. Essays (2) - What's so Fashionable About HIV?</image:title>
      <image:caption>“Play Smart” campaign, Aaron Cobbett, 2010. Reproduced with permission from Visual AIDS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481456918693-XLD0BC4W130DL13PYKCA/Screen+Shot+2016-12-11+at+12.47.46+PM.png</image:loc>
      <image:title>2. Essays (2) - What's so Fashionable About HIV?</image:title>
      <image:caption>“AIDS Changes Everything” campaign, Robert Laliberté, 2007. Reproduced with permission from the AIDS Committee of Durham Region.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481457087137-W5Q7W52I8NF6F00JDRKV/Screen+Shot+2016-12-11+at+12.50.37+PM.png</image:loc>
      <image:title>2. Essays (2) - What's so Fashionable About HIV?</image:title>
      <image:caption>“AIDS Changes Everything” campaign, Robert Laliberté, 2007. Reproduced with permission from the AIDS Committee of Toronto.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/2016/11/29/seeing-the-future-the-methods-of-trend-forecasting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482168383291-7D1R4SHRCCVCTGO77C9G/image1.JPG</image:loc>
      <image:title>2. Essays (2) - Seeing the Future? The Methods of Trend Forecasting</image:title>
      <image:caption>"Crystal Ball." Illustration by Carly Martin/Clementine Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/category/Essays</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/HIV%2FAids</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/Masculinity</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/Health</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/Fashion+Industry</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/Trend+Forecasting</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/Bodies</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/Fashion+Practice</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/Internship</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/20-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/essays-1/tag/Self-Fashioning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/2017/1/3/hair-by-sam-mcknight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1483456249701-D9XT47QU8PGSTGKLI8QV/Hair+by+Sam+McKnight+at+Somerset+House+Installation+Image.+2+November+2016+-+12+March+2017+-+credit+Peter+MacDiarmid-2.jpeg</image:loc>
      <image:title>2. Exhibition Reviews (2) - Hair by Sam McKnight</image:title>
      <image:caption>Photo by Peter MacDiarmid. Image courtesy Somerset House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1483456475579-0SK7OH7RSI1JH4XC12I1/Hair+by+Sam+McKnight+at+Somerset+House+Installation+Image.+2+November+2016+-+12+March+2017+-+credit+Peter+MacDiarmid-3.jpeg</image:loc>
      <image:title>2. Exhibition Reviews (2) - Hair by Sam McKnight</image:title>
      <image:caption>Photo by Peter MacDiarmid. Image courtesy Somerset House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1483456640601-U95N3Q85NSHL5DETNI0U/Hair+by+Sam+McKnight+at+Somerset+House+Installation+Image.+2+November+2016+-+12+March+2017+-+credit+Peter+MacDiarmid-4.jpeg</image:loc>
      <image:title>2. Exhibition Reviews (2) - Hair by Sam McKnight</image:title>
      <image:caption>Photo by Peter MacDiarmid. Image courtesy Somerset House.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/2016/11/19/antonio-lopez-future-funk-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481474095095-VTRA5U1HPBBJNQF8UF44/DSC_9364+%281%29.jpg</image:loc>
      <image:title>2. Exhibition Reviews (2) - Antonio Lopez: Future, Funk, Fashion</image:title>
      <image:caption>Installation image. Reproduced with permission from Museo del Barrio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481473914150-9T2OZRSCQDCCUUF7KOXV/1986.+Mick+Jagger+%26+Tina+Turner.jpg</image:loc>
      <image:title>2. Exhibition Reviews (2) - Antonio Lopez: Future, Funk, Fashion</image:title>
      <image:caption>Antonio Lopez, Tina Turner and Mick Jagger, 1986, Pencil/watercolor on paper, 17” x 14”, Courtesy of the Estate of Antonio Lopez &amp; Juan Ramos. Reproduced with permission from Museo del Barrio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/2016/12/11/black-fashion-designers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481739951771-K49FU42N6MNVQL20KHYY/30336138852_4147f7e7c6_o.jpg</image:loc>
      <image:title>2. Exhibition Reviews (2) - Black Fashion Designers</image:title>
      <image:caption>Andre Walker, ensemble, spring 2016, USA. Museum purchase, 2016.68.1. Photograph by Eileen Costa, courtesy The Museum at FIT.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/category/Symposium+Review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/category/Exhibition+Review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/Black+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/Hair</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/Illustration</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/Exhibitions</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/Museums</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/10-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/Fashion+Practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/Fashion+Institute+of+Technology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/Styling</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-1/tag/Fashion+Curation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing-1/2016/12/12/the-scrunchie-an-icon-of-bad-taste-turned-ironic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481702078541-3K4C1M33S3IOISN0PU7L/Scrunchie.jpg</image:loc>
      <image:title>2. What We're Wearing (3) - The Scrunchie: An Icon of Bad Taste Turned Ironic</image:title>
      <image:caption>Illustration by our very own Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481552932218-73E2RWAOLNM3LA2C5WGQ/IMG_1027.JPG</image:loc>
      <image:title>2. What We're Wearing (3) - The Scrunchie: An Icon of Bad Taste Turned Ironic</image:title>
      <image:caption>Lisa in 1993. Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481540849812-58J6K215EKCNXQ64IPOL/IMG_1035.JPG</image:loc>
      <image:title>2. What We're Wearing (3) - The Scrunchie: An Icon of Bad Taste Turned Ironic</image:title>
      <image:caption>Lisa in 1991 or so. As Dolly Parton once famously said, "The higher the hair, the closer to God." Image courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing-1/2016/12/17/glitter-hive-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482141839438-0EY59WX1887TT4NZEJZQ/edaasabb.png</image:loc>
      <image:title>2. What We're Wearing (3) - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
      <image:caption>Eda as a child with her brother in Turkey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481967100408-4JYNXQVP7BG9OEW1V8RK/eda1.jpg</image:loc>
      <image:title>2. What We're Wearing (3) - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481967124620-ECWMZDCP7L0OVXFANSHG/colleen2.JPG</image:loc>
      <image:title>2. What We're Wearing (3) - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481967140002-MLMV4X8DBE5BBLB0NHOJ/eda2.jpg</image:loc>
      <image:title>2. What We're Wearing (3) - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481967155283-SFPIVFW07PWNQFM4S95T/colleen1.jpg</image:loc>
      <image:title>2. What We're Wearing (3) - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482141953798-I5NA0PRA0XYA0L30INA3/colleen2008.JPG</image:loc>
      <image:title>2. What We're Wearing (3) - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
      <image:caption>Colleen in 2008.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/what-were-wearing-1/2016/12/12/coming-of-age-after-mao</loc>
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    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481562585482-KTLM3AUUAAXVMEF3TTAN/before.JPG</image:loc>
      <image:title>2. What We're Wearing (3) - My Mother's Clothes: Coming of Age After Mao</image:title>
      <image:caption>Elena's mom in Mao-era China, standing on the Great Wall. Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481562784006-1DT7VNAK7N1OKR6HSQ6C/after.jpg</image:loc>
      <image:title>2. What We're Wearing (3) - My Mother's Clothes: Coming of Age After Mao</image:title>
      <image:caption>Elena's mom in the 1980s, after Mao instituted the Open Door policy. Image courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
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  </url>
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    <loc>https://www.fashionstudiesjournal.org/what-were-wearing-1/tag/Uniforms</loc>
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  <url>
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    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/2016/12/13/authorship-feminism-and-consumption</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/category/Reading+List</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  </url>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/Consumption</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/Activism</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/Femininity</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/15-Minute+Read</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/Fashion+Criticism</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/Museums</loc>
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    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/Fashion+Practice</loc>
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    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/Resources</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/20-Minute+Read</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/Self-Fashioning</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-1/tag/Fashion+Curation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/2016/11/19/sex-and-suits-the-evolution-of-modern-dress</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481187847044-L1JZVYESJ5QLLT6F431B/Screen+Shot+2016-12-08+at+10.03.34+AM.png</image:loc>
      <image:title>2. Book Reviews (3) - Sex and Suits: The Evolution of Modern Dress</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/2016/9/27/the-beautiful-fall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1480676471682-VBATJ37GNZ3JRLGK73O3/Screen+Shot+2016-12-02+at+12.00.58.png</image:loc>
      <image:title>2. Book Reviews (3) - The Beautiful Fall: Fashion, Genius and Glorious Excess in 1970s Paris</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/2016/11/19/the-suit-form-function-and-style</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482182153281-EAOMLK850RRTODRI0TCQ/Chloe%2C+The+Suit.png</image:loc>
      <image:title>2. Book Reviews (3) - The Suit: Form, Function and Style</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/category/Book+Review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Christopher+Breward</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Designer</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Anne+Hollander</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Re-Reviews</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Fashion+History</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/10-Minute+Read</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Yves+Saint+Laurent</loc>
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    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Menswear</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Paris</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Couture</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-book-reviews/tag/Karl+Lagerfeld</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-profiles-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/2016/10/17/aida-dame-zandra-rhodes-21st-century-approach-to-egyptian-opera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479487235783-JJGMQSU7MVDTVDB73HAU/Aida+1.png</image:loc>
      <image:title>2. Profiles (2) - Zandra Rhodes’ Approach to “Egyptian” Opera - Aida, Princess' Servant</image:title>
      <image:caption>Lest you think the hairstyle is a bit exaggerated, many ancient references exist with similar silhouettes, and it is known that Egyptian women typically shaved or cropped their hair and wore wigs, to avoid the tropical parasites common in the Nile area. In this sketch we can also see the diaphanous pleated garments worn by women of the time. (Sketch by Zandra Rhodes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479487239745-HKAM0IY3L0ADHKG67EIO/Aida+2.png</image:loc>
      <image:title>2. Profiles (2) - Zandra Rhodes’ Approach to “Egyptian” Opera - Radames</image:title>
      <image:caption>Captain of the Egyptian Guard and love interest of both Aida and Amneris. Here shown cleverly depicted in profile, like the characters found inside Tutankhamen’s tomb. This drawing shows the ancient Egyptian man’s pleated and draped skirt or schenti. (Sketch by Zandra Rhodes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479488736822-Y6YPQ42EFN3SQ7D04T3V/Screen+Shot+2016-11-18+at+6.04.46+PM.png</image:loc>
      <image:title>2. Profiles (2) - Zandra Rhodes’ Approach to “Egyptian” Opera - The King of Egypt and Ramfis</image:title>
      <image:caption>King of Egypt (left) Here we can also see Zandra’s iconic motif which she calls her "wiggle." Its art history moniker is vermicelli, literally “little worms” in Italian, and used in reference to textiles from the 19th century on. This is a great example of Zandra’s design imprint, which she uses frequently in her fashion designs, as the wiggly lines were not part of the Egyptian aesthetic. (Photo by Cory Weaver, San Francisco Opera) Ramfis (right), High Priest, with garment of gold lamé pleats worn over a hooped skirt for volume. He also wears an animal skin which priests were allowed to do, and eventually they used fake animal skins for their rituals, with leopard spots painted onto the cloth (so here we have art imitating history imitating nature). The Greek historian Herodotus observed that priests had shaven heads, when he visited Egypt. (Photo by Cory Weaver)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489103999-NIOA1NULZ7GYAMY9YSSB/Aida4.png</image:loc>
      <image:title>2. Profiles (2) - Zandra Rhodes’ Approach to “Egyptian” Opera - Amneris</image:title>
      <image:caption>Daughter of the King of Egypt. (Sketch by Zandra Rhodes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489456372-9E14WSHOXE5F30R49BR2/priest.jpg</image:loc>
      <image:title>2. Profiles (2) - Zandra Rhodes’ Approach to “Egyptian” Opera - Priest</image:title>
      <image:caption>This sketch shows the shaved head with blue tattoos (mentioned below), the pleated garment (the width of which is exaggerated by the use of a crinoline), the placket, the draped animal skin, and the Eye of Horus hanging like a name-tag around the priest’s neck. Also called a Wadjet, it was a symbol of protection. (Sketch by Zandra Rhodes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489475364-ACM3CLYM1PGB4X2Q6BOX/amneris.jpg</image:loc>
      <image:title>2. Profiles (2) - Zandra Rhodes’ Approach to “Egyptian” Opera - Amneris</image:title>
      <image:caption>We know the Egyptians loved gold and turquoise for it covers their tombs. The ombre effect of the turquoise blues and the golden geometric hand printing is evident in the realized costume for Amneris. (Photo by Lynn Lane)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489752705-PUZSWYB57EQWFFUA0OXZ/elephant.jpg</image:loc>
      <image:title>2. Profiles (2) - Zandra Rhodes’ Approach to “Egyptian” Opera - The Giant Elephant Puppet</image:title>
      <image:caption>This extraordinary pièce de résistance in the Triumphal March was wrangled by a number of humans and features turquoise and gold, with Zandra’s "wiggle" motif prominent. The trunk is dead on center, so the actual length cannot be seen. Truly worth seeing live! (Photo by Cory Weaver)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489976880-1VPD7SCI3DP1AQSUW83S/zandra.jpg</image:loc>
      <image:title>2. Profiles (2) - Zandra Rhodes’ Approach to “Egyptian” Opera</image:title>
      <image:caption>Zandra Rhodes with her costumes for Aida. (Photo by Kelly Nicolaisen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/2016/8/30/maayan-sherris-feminist-swimwear-designer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479492939060-OERXWGVDW7MS1FTD4E2C/babes+2.jpeg</image:loc>
      <image:title>2. Profiles (2) - Talking Shop : Swimwear Designer Maayan Sherris</image:title>
      <image:caption>Photo courtesy Maayan Sherris.</image:caption>
    </image:image>
  </url>
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    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/category/Profiles</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/tag/Minimalism</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/tag/performance</loc>
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  <url>
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    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/tag/sketches</loc>
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    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/tag/Fashion+Practice</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/tag/10-Minute+Read</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/tag/costume</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-profiles-2/tag/Zandra+Rhodes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/2016/12/10/the-vulgar-fashion-redefined</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481383186140-VSFBD509IAMLIN4QNLK7/1.+The+Vulgar_Fashion+Redefined.+Barbican+Art+Gallery.+Michael+Bowles_Getty+Images.JPG</image:loc>
      <image:title>2. More Exhibition Reviews (2) - The Vulgar: Fashion Redefined</image:title>
      <image:caption>Installation view Barbican Art Gallery, London (13 October 2016 – 5 February 2017), © Michael Bowles / Getty Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481383266904-J5U1WV88CX232AQLS3E5/5.+The+Vulgar_Fashion+Redefined.+Barbican+Art+Gallery%2C+2016.+Photo+Michael+Bowles_Getty+Images.JPG</image:loc>
      <image:title>2. More Exhibition Reviews (2) - The Vulgar: Fashion Redefined</image:title>
      <image:caption>Installation view Barbican Art Gallery, London (13 October 2016 – 5 February 2017), © Michael Bowles / Getty Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481383347242-RUQOMYIK0ZT9T5BVYJ00/13.+The+Vulgar_Fashion+Redefined.+Barbican+Art+Gallery.+Michael+Bowles_Getty+Images.JPG</image:loc>
      <image:title>2. More Exhibition Reviews (2) - The Vulgar: Fashion Redefined</image:title>
      <image:caption>Installation view Barbican Art Gallery, London (13 October 2016 – 5 February 2017), © Michael Bowles / Getty Images</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/2016/11/19/masterworks-unpacking-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481381870335-B41OWPFF6LIQJSAMFYXO/09.Masterworks%2CStairwellGalleryView.jpg</image:loc>
      <image:title>2. More Exhibition Reviews (2) - Masterworks: Unpacking Fashion</image:title>
      <image:caption>Gallery View, Stairwell Entryway, © The Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481381936310-K4KQBHW0X74W32X3WKSE/12.Masterworks%2CEarlyTwentiethCenturyGalleryView.jpg</image:loc>
      <image:title>2. More Exhibition Reviews (2) - Masterworks: Unpacking Fashion</image:title>
      <image:caption>Gallery View, Early Twentieth Century, © The Metropolitan Museum of Art</image:caption>
    </image:image>
  </url>
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    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/category/Exhibition+Review</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/Curating</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/Met+Museum</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/15-Minute+Read</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/London</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/Exhibitions</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/Museums</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/Judith+Clark</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/History</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/Barbican</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/2-more-exhibition-reviews/tag/Fashion+Curation</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-17</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2023/2/28/call-for-papers-black-beauty-perspectives-views-and-representations-special-issue</loc>
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    <priority>0.5</priority>
    <lastmod>2023-02-28</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2023/1/13/archiving-fashion-conference-mapping-fashion-collections</loc>
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    <priority>0.5</priority>
    <lastmod>2023-01-13</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2022/10/12/africa-fashion-conference-at-the-vampa</loc>
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    <priority>0.5</priority>
    <lastmod>2022-10-12</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2022/6/2/call-for-proposals-toronto-chic-symposium</loc>
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    <lastmod>2022-06-03</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2022/5/30/cfp-fashion-and-politics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-20</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2022/5/10/cfp-critical-studies-in-fashion-amp-beauty-special-issue-transgender-embodiment-in-fashion-and-beauty</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-10</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2022/4/29/cfp-the-future-of-international-fashion-and-design-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-29</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2022/1/28/call-for-visual-contributors-fashion-amp-digital-engagement-issue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-31</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2022/1/28/call-for-reviewers-fashion-amp-digital-engagement-issue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-28</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/12/7/job-posting-associatefull-professor-of-fashion-design-amp-social-justice-donna-karan-dir-mfa-fashion-design-amp-society</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-07</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/12/1/cfp-the-new-research-in-dress-history-conference</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-01</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/9/29/job-posting-faculty-in-dress-fashion-amp-textile-history-bard-graduate-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-29</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/9/22/cfp-radical-fashion-practices-a-workbook-of-modes-amp-methods</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-22</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/9/2/cfp-fsjs-partnershiptogetherness-issue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/9/1/cfp-border-garments-fashion-feminisms-and-disobedience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-21</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/3/24/fashion-studies-volume-3-issue-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-25</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/3/24/fashion-studies-special-issues-proposals</loc>
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    <priority>0.5</priority>
    <lastmod>2021-09-02</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/4/15/cfp-special-issue-of-dobras-fat-fashion-cross-cultural-perspectives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-01</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2021/3/31/cfp-fashion-amp-mental-health</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-01</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2020/11/11/cfp-fashion-forward</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-12</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2020/2/4/cfp-fashion-amp-motherhood</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-05</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/callsforpapers/2018/10/1/costume-amp-textiles-internship-collections-management</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-23</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/2017/3/31/the-patriot-games</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490991897558-3CO3RP7UNOBRZG455FHC/Patriot_Games_Illustration.jpg</image:loc>
      <image:title>Essays - The Patriot Games: Ralph Lauren, Captain America, and the Fashioning of American Identity</image:title>
      <image:caption>Illustration by Rachel Kinnard</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/2017/3/31/race-in-vogue</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490992592567-LWM57WE2I8YSZPMKDVT2/VogueCover.jpg</image:loc>
      <image:title>Essays - Race in Vogue: Finding Myself in a Space of Exclusion</image:title>
      <image:caption>Illustration by Kelly Abeln.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/2017/3/31/swagger-and-flow-fashion-masculinity-and-redressing-gender-failure-in-seduction-communities</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
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      <image:title>Essays - Swagger and Flow: Fashion, Masculinity, and Redressing Gender Failure in Seduction Communities</image:title>
      <image:caption>Illustration by Rachel Kinnard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/category/Essays</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Masculinity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Hillary+Clinton</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Anna+Wintour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/American+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Sex</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/15-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Suits</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Vogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Race</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Models</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Politics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/10-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-essays-3/tag/Ralph+Lauren</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/2017/4/2/the-profit-value-of-dress-to-protest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491286385828-TZEB6XLHU8DY5HQ0SJIM/Ida_Wells_Feminist_Fashion.jpg</image:loc>
      <image:title>What We're Wearing - The Profit Value of Dress to Protest</image:title>
      <image:caption>Illustration by Rachel Kinnard. Original image from The New York Public Library's Public Domain Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491286463822-JQATND9U921LSOY5H2Q0/stanton.jpg</image:loc>
      <image:title>What We're Wearing - The Profit Value of Dress to Protest</image:title>
      <image:caption>Illustration by Rachel Kinnard. Original image from The New York Public Library's Public Domain Collections.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/2017/4/2/on-shopping-for-a-maternity-bikini</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491193584100-8522K6FEQC82HHLLVVZB/maternity-bikini.png</image:loc>
      <image:title>What We're Wearing - On Shopping for a Maternity Bikini</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/2017/4/2/kim-chi-and-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491110464561-FWBIPDEGF50BR7ANZQOO/kimchi.jpg</image:loc>
      <image:title>What We're Wearing - Kim Chi and Me</image:title>
      <image:caption>Kim Chi fan art by Yakir Levy. Yakir is a Tel Aviv-based illustrator and devout RPDR fan. He was drawn to the show because he's always been fascinated by strong, female characters. Kim Chi in particular resonated with Yakir because he does what he loves and he's a survivor. We found Yakir on a RPDR Facebook fan page upon which fan art like this flourishes. Since creating this illustration of Kim, Yakir has since moved on to drawing Pearl. You can see all of his illustrations on his Instagram.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491242549200-MC87AU1X3OYJNX3L5U7H/Screen+Shot+2017-04-03+at+8.00.17+PM.png</image:loc>
      <image:title>What We're Wearing - Kim Chi and Me</image:title>
      <image:caption>Photo of the author. Courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/category/What+We%27re+Wearing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/5-Minute+Read</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/Maternity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/Queer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/Protest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/Drag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/London</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/Politics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/Identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/Swimwear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-what-were-wearing-3/tag/Self-Fashioning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-histories-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-histories-1/2017/4/4/shes-got-legs-a-history-of-hemlines-and-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491370428841-LQ9ST8YGR1B5C4U6SVQM/Screen+Shot+2017-04-05+at+7.26.55+AM.png</image:loc>
      <image:title>Histories - She's Got Legs: A History of Hemlines and Fashion</image:title>
      <image:caption>Illustration by Rachel Kinnard. Original images provided by the authors and from WikiCommons.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-histories-1/category/Histories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-histories-1/tag/The+Body</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-histories-1/tag/Dance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-histories-1/tag/10-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-histories-1/tag/Modernism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-exhibition-reviews-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-exhibition-reviews-3/2017/4/2/pantsula-4-lyf-popular-dance-and-fashion-in-johannesburg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491114627309-TP257LN6PRN2I9AS1KEB/Saunders_Intellectuals.jpg</image:loc>
      <image:title>Reviews - PANTSULA 4 LYF: Popular Dance and Fashion in Johannesburg</image:title>
      <image:caption>Chris Saunders, Intellectuals. Photo provided by the Fowler Museum at UCLA.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Installation image. Courtesy of Museum of Transology.</image:caption>
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      <image:caption>lipstick from the collection. Photo by Katy Davies.</image:caption>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
      <image:caption>Installation shot.</image:caption>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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    <image:image>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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      <image:title>Notes from the Field - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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      <image:title>From the Archives - The Ruth Finley Collection</image:title>
      <image:caption>Image provided by the author. Courtesy of Special Collections at The Fashion Institute of Technology.</image:caption>
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      <image:title>From the Archives - The Ruth Finley Collection</image:title>
      <image:caption>Image provided by the author. Courtesy of Special Collections at The Fashion Institute of Technology.</image:caption>
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      <image:title>From the Archives - The Ruth Finley Collection</image:title>
      <image:caption>Image provided by the author. Courtesy of Special Collections at The Fashion Institute of Technology.</image:caption>
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      <image:caption>Illustration by Mike Thompson.</image:caption>
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      <image:title>Visual Essays - Creases, Crumples, and Folds</image:title>
      <image:caption>Ellen Sampson (2015) Cloth (Photograph. Silk, gauze, copper leaf, leather shoes). Copyright 2016 Ellen Sampson.</image:caption>
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      <image:title>Visual Essays - Creases, Crumples, and Folds</image:title>
      <image:caption>Ellen Sampson (2015). Cloth (Photograph. Silk, gauze, copper leaf, leather shoes). Copyright 2016 Ellen Sampson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491127107677-HAKPFOXSYJGX09B0LBUD/Ellen_Sampson_Cloth_10.jpg</image:loc>
      <image:title>Visual Essays - Creases, Crumples, and Folds</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491127124436-0OLCJ01J0TV2A2L9ZIMJ/Ellen_Sampson_Cloth_15.jpg</image:loc>
      <image:title>Visual Essays - Creases, Crumples, and Folds</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491127208154-O1RJNEP12LCW3ZH1OUY1/Ellen_Sampson_Cloth_09.jpg</image:loc>
      <image:title>Visual Essays - Creases, Crumples, and Folds</image:title>
      <image:caption>Ellen Sampson (2015). Cloth (Photograph. Silk, gauze, copper leaf, leather shoes). Copyright 2016 Ellen Sampson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-visual-essays-2/2017/4/2/purity-or-promiscuity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491129681849-PXV2F4IUF2OIJ3DYQF43/Screen+Shot+2017-04-02+at+12.41.41.png</image:loc>
      <image:title>Visual Essays - Purity or Promiscuity?</image:title>
      <image:caption>Purus et Promiscus (2014). Gloves and pubic hair.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491129838778-I4Q7Q07CXFDCFOUEK72M/Screen+Shot+2017-04-02+at+12.44.23.png</image:loc>
      <image:title>Visual Essays - Purity or Promiscuity?</image:title>
      <image:caption>Bodily Nature/The Great Orifice (2014-2015). Pubic hair, horse hair and oxidised silver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491129955530-16Y34R8U2YAD5T5HDRHS/Screen+Shot+2017-04-02+at+12.46.07.png</image:loc>
      <image:title>Visual Essays - Purity or Promiscuity?</image:title>
      <image:caption>Bodily Nature/The Great Orifice (2014-2015). Pubic hair, horse hair and oxidised silver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491130058015-9GFK9XP7BOPDS57CWW07/Screen+Shot+2017-04-02+at+12.47.41.png</image:loc>
      <image:title>Visual Essays - Purity or Promiscuity?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491130060071-E318YJN48269PJEWC1UW/Screen+Shot+2017-04-02+at+12.47.36.png</image:loc>
      <image:title>Visual Essays - Purity or Promiscuity?</image:title>
      <image:caption>Bodily Nature/Turf (2015). My own hair and gold.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-visual-essays-2/category/Visual+Essays</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-visual-essays-2/tag/Hair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-visual-essays-2/tag/5-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-visual-essays-2/tag/Wear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-visual-essays-2/tag/The+Body</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-visual-essays-2/tag/Practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-visual-essays-2/tag/Shoes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/2-visual-essays-2/tag/Embodiment</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/2017/3/31/19th-century-fashion-in-detail</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490989017473-J2J5Z9EJB04LJB6891P1/19th-Century+Fashion+in+Detail.png</image:loc>
      <image:title>Reviews - 19th-Century Fashion in Detail</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/2017/3/31/experimental-fashion-performance-art-carnival-and-the-grotesque-body</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490989892767-J9VM4W4YXEXNDCECQT28/Experimental+Fashion.png</image:loc>
      <image:title>Reviews - Experimental Fashion: Performance Art, Carnival and the Grotesque Body</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/2017/3/31/philosophical-perspectives-on-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490990232958-E6WWV8A8YK0RAV1JY0BD/Philosophical+Perspectives+on+Fashion.png</image:loc>
      <image:title>Reviews - Philosophical Perspectives on Fashion</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/category/Book+Review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/Simmel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/5-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/Construction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/Costume+History</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/Avant-Garde+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/Pedagogy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/Costume</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/Dress+History</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/The+Body</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/1990s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/10-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/Performance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-4/tag/Philosophy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/2017/4/2/fashioningtheblackbody-syllabus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491118706845-GAO2DVMNOKIP89M3JZVO/conference+poster.jpg</image:loc>
      <image:title>Reading List &amp; Profile - #FashioningTheBlackBody Reading List</image:title>
      <image:caption>Conference poster, "Fashioning the Black Body in Bondage &amp; Freedom." Art by Damien Davis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421111407-HKADXBYJPAFP1FG31LB9/Camille+Murray+2.jpg</image:loc>
      <image:title>Reading List &amp; Profile - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421118675-P97RPED4E4RH8GJSXMEY/Camille+Murray+11.jpg</image:loc>
      <image:title>Reading List &amp; Profile - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421110974-KP4KCEOFC4DO2ZZDQ6X9/Camille+Murray+6.jpg</image:loc>
      <image:title>Reading List &amp; Profile - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421129084-VKM6OGR1FLY7N7SIJ2QO/Camille+Murray+5.jpg</image:loc>
      <image:title>Reading List &amp; Profile - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421160026-TH4D9QGMFUPN2WOAPVYO/Jonathan+Michael+Square.jpg</image:loc>
      <image:title>Reading List &amp; Profile - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/2017/4/2/joan-juliet-buck-former-editor-of-french-vogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491119332099-BY17XKI5X1EKZZ2R4FDS/52728b92df85dcb0a61b2c57f54e083f.jpg</image:loc>
      <image:title>Reading List &amp; Profile - Joan Juliet Buck, Former Editor of French Vogue</image:title>
      <image:caption>Vogue Paris (August 1994). Buck's tenure spanned he years 1994-2001. Image via Pinterest.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/category/Reading+List</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/category/Profiles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/category/Profile</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/tag/5-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/tag/Black+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/tag/Vogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/tag/Pedagogy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/tag/Fashion+Industry</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/tag/Magazines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/tag/Identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-reading-list-1/tag/Self-Fashioning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/2017/4/2/paris-refashioned-1957-1968</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491117481418-IQM3UETUOGWUTF72HZSX/31545610134_991e5b0ee0_o.jpg</image:loc>
      <image:title>Reviews - Paris Refashioned, 1957-1968</image:title>
      <image:caption>Yves Saint Laurent Rive Gauche, raincoat, 1966, gift of Ethel Scull. 77.21.4 Photograph by Eileen Costa, courtesy of the Museum at FIT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491117555875-DA1PDTUBZ8JITOHM4Y55/32349114066_4a691d07de_o.jpg</image:loc>
      <image:title>Reviews - Paris Refashioned, 1957-1968</image:title>
      <image:caption>Paco Rabanne, dress, circa 1966, gift of Montgomery Ward. 81.48.1. Photograph by Eileen Costa, Courtesy of the Museum at FIT.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/2017/3/31/a-life-in-fashion-the-wardrobe-of-cecil-beaton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490989458074-AUVAYRS0GJGC2TOH76PP/A+Life+in+Fashion.png</image:loc>
      <image:title>Reviews - A Life in Fashion: The Wardrobe of Cecil Beaton</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/category/Exhibition+Review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/category/Book+Review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/tag/5-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/tag/Photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/tag/FIT</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/tag/Curating</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/tag/Cecil+Beaton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/tag/Exhibitions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/tag/Wardrobe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/tag/Paris</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/3-book-reviews-2-2/tag/Personal+Style</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/4-histories-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/4-histories-2/2017/8/1/bikini</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501572771706-VK288U4WX4TC6I86JSTQ/IMG_0151.jpg</image:loc>
      <image:title>4. Histories (2) - The Itsy Bitsy, Teenie Weenie, Atomic Bikini</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/4-histories-2/2017/8/1/smuggled-in-the-bustle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501593573788-JO1VZ9ZVSBMBEIDHNEOJ/getimage.exe.jpeg</image:loc>
      <image:title>4. Histories (2) - Smuggled in the Bustle</image:title>
      <image:caption>“Les Modes Parisiennes.” Peterson’s Magazine, July 1868. (From University of Washington Libraries)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501593710567-E43JQNHBZMM7Q8N1KWMJ/Screen+Shot+2017-08-01+at+3.21.11+PM.png</image:loc>
      <image:title>4. Histories (2) - Smuggled in the Bustle</image:title>
      <image:caption>“The Wanamaker Store” Advertisement. New York Times, March 31, 1898. (New York Times Digital Archives.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501593865261-V4C9YCC5THZS63QUO02E/Screen+Shot+2017-08-01+at+3.23.30+PM.png</image:loc>
      <image:title>4. Histories (2) - Smuggled in the Bustle</image:title>
      <image:caption>“Codfish Exodus.” Puck Magazine, May 12, 1880.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501594148330-B4UIETYK4EUO0LEHXFCO/Screen+Shot+2017-08-01+at+3.27.47+PM.png</image:loc>
      <image:title>4. Histories (2) - Smuggled in the Bustle</image:title>
      <image:caption>The Custom-House Code of Morals Under Our Beautiful Tariff System,” Puck Magazine, October 14 1885. (Library of Congress)</image:caption>
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      <image:caption>“Female Smuggler before and After Examination,” Harper’s Magazine, June 1871.</image:caption>
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      <image:title>4. Histories (2) - Smuggled in the Bustle</image:title>
      <image:caption>“McKinley and the Fashions,” Puck Magazine, September 23, 1891.</image:caption>
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      <image:title>4. What We're Wearing (3) - Meeting at the Beach Through Memories: My Grandmother, Fashion, and Me</image:title>
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      <image:caption>Fabric manipulation inspired by the gallery visit.</image:caption>
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      <image:caption>Fabric manipulation inspired by the gallery visit.</image:caption>
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      <image:title>4. Emerging Scholar (1) - The Influence of Communication Technology on Our Lives</image:title>
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    <lastmod>2018-09-18</lastmod>
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      <image:caption>Illustration by Rachel Kinnard.</image:caption>
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      <image:caption>Westbrook at a press conference after Game 1 of the 2012 Finals, wearing a Prada shirt and lensless, plastic glasses. Image via GQ.</image:caption>
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      <image:title>4. Essays (3) - Whys and Why Nots: Reading the Stakes and Meanings of Russell Westbrook’s NBA Style Revolution</image:title>
      <image:caption>A sampling of Westbrook’s gender-bending silhouettes.</image:caption>
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      <image:title>4. Essays (3) - Whys and Why Nots: Reading the Stakes and Meanings of Russell Westbrook’s NBA Style Revolution</image:title>
      <image:caption>Westbrook in Daniel Riley's GQ feature "Why Not Russell Westbrook?" (October 2016). Image via GQ.</image:caption>
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      <image:title>4. Essays (3) - Whys and Why Nots: Reading the Stakes and Meanings of Russell Westbrook’s NBA Style Revolution</image:title>
      <image:caption>Illustration by Rachel Kinnard.</image:caption>
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    <loc>https://www.fashionstudiesjournal.org/4-essays-/2017/7/28/safe-spaces-of-desire-advertisements-in-the-nineteenth-century-fashion-press-of-berlin-paris-and-new-york</loc>
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    <lastmod>2018-09-18</lastmod>
    <image:image>
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      <image:title>4. Essays (3) - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501398852956-PMXDPKYDFDCCVP4NIDJD/Figure+2.jpg</image:loc>
      <image:title>4. Essays (3) - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Front cover of La Mode Illustrée, January 1878. Image courtesy of Kent State University Museum. An identical illustration appeared on the cover of Der Bazar in January 1878.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501398898211-R3N8US6X5LVJQRJQNMWM/Figure+3.jpg</image:loc>
      <image:title>4. Essays (3) - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>“Sitzdouche” advertisement in Der Bazar 1898. Image courtesy of Universitaets- und Landesbibliothek Duesseldorf.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501398947283-F8AIWQ6FDCV47LU92B07/Figure+4.jpg</image:loc>
      <image:title>4. Essays (3) - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Harper’s Bazar 1894. Image courtesy of The Museum of Menstruation and Women’s Health.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501399061864-Q6YI46HTLY4AQ7HBUOWY/Figure+5.jpg</image:loc>
      <image:title>4. Essays (3) - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Bicycle advertisement in Der Bazar 1898. Image courtesy of Universitaets- und Landesbibliothek Duesseldorf.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501399111475-UL54WNBY934Q1SSI8AE1/Figure+6.jpg</image:loc>
      <image:title>4. Essays (3) - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Migraine medication in Der Bazar 1898. Image courtesy of Universitaets- und Landesbibliothek Duesseldorf.</image:caption>
    </image:image>
  </url>
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    <loc>https://www.fashionstudiesjournal.org/4-essays-/2017/7/28/cool-poses-with-leather-jackets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
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      <image:title>4. Essays (3) - Looking Cool in Black Leather</image:title>
      <image:caption>The Ramones in Perfecto jackets. Illustration by Catharina Russ.</image:caption>
    </image:image>
    <image:image>
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      <image:title>4. Essays (3) - Looking Cool in Black Leather</image:title>
      <image:caption>Marlon Brando. Illustration by Catharina Russ.</image:caption>
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      <image:caption>Hiver 1962, Balenciaga Archives Paris; Cape 1961, Balenciaga Archives Paris; Cape 1951, Balenciaga Archives Paris; Robe 1956, Collection Palais Galliera. Copyright Julien Vidal/Galliera/Roger-Viollet.</image:caption>
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      <image:title>4. Reviews (2b) - Balenciaga: A Tale of Two Stagings</image:title>
      <image:caption>Balenciaga. Robe 1962. Copyright Julien Vidal/Galliera/Roger-Viollet.</image:caption>
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      <image:caption>Photo courtesy Fashion Museum Bath.</image:caption>
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      <image:caption>Photo courtesy Fashion Museum Bath.</image:caption>
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      <image:caption>All images courtesy Anna Luisa Petrisko.</image:caption>
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    <lastmod>2018-09-18</lastmod>
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      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Correspondence with Bob Neuser. February 28, 1967. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>4. From the Archives (1) - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Eugenia Sheppard, "A Mini for Men?" New York World Journal Tribune (February 27, 1967), 9-10. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
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      <image:title>5. Essays (2) - L’Orient Exotique: Couture, Culture, and the Colonial Dreamscape</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519588730574-KFGB2CFQBDEI8Z515BUR/Screen+Shot+2018-02-25+at+2.58.33+PM.png</image:loc>
      <image:title>5. Essays (2) - L’Orient Exotique: Couture, Culture, and the Colonial Dreamscape</image:title>
      <image:caption>From Sabyasachi Mukherjee's Instagram: The Udaipur Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519588996729-YL08VIXPWWBBSF453V0W/Screen+Shot+2018-02-25+at+3.02.58+PM.png</image:loc>
      <image:title>5. Essays (2) - L’Orient Exotique: Couture, Culture, and the Colonial Dreamscape</image:title>
      <image:caption>From Sabyasachi Mukherjee's Instagram: The Golden Goddess. Gold kanjeevaram sari with uncut diamond and pearl studded heritage gold jewellery by Sabyasachi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-essays/2018/2/25/everything-is-wrong-a-search-for-order-in-the-ethnometaphysical-chaos-of-sustainable-luxury-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520206103103-W4HFXKNIWOXLOKRPCUTD/eco-marketing.png</image:loc>
      <image:title>5. Essays (2) - “Everything is Wrong”: A Search for Order in the Ethnometaphysical Chaos of Sustainable Luxury Fashion</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519870122529-THIR5YWJ4XVO8V4OVG94/on+asceticism.png</image:loc>
      <image:title>5. Essays (2) - “Everything is Wrong”: A Search for Order in the Ethnometaphysical Chaos of Sustainable Luxury Fashion</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
  </url>
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    <changefreq>monthly</changefreq>
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    <changefreq>monthly</changefreq>
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    <changefreq>monthly</changefreq>
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    <loc>https://www.fashionstudiesjournal.org/5-essays/tag/Race</loc>
    <changefreq>monthly</changefreq>
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    <changefreq>monthly</changefreq>
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    <changefreq>monthly</changefreq>
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    <loc>https://www.fashionstudiesjournal.org/5-essays/tag/India</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/5-essays/tag/Marketing</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-profiles</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-profiles/2018/3/4/connie-wang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520186681594-B2279VRR4HJYEUJH84ZM/Screen+Shot+2018-03-04+at+1.03.17+PM.png</image:loc>
      <image:title>5. Profiles 1 (2) - Connie Wang</image:title>
      <image:caption>From Connie Wang's Instagram, @conconwang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520187026811-APIQBCQO3WTBX0RRTCT8/Screen+Shot+2018-03-04+at+1.10.01+PM.png</image:loc>
      <image:title>5. Profiles 1 (2) - Connie Wang</image:title>
      <image:caption>Connie Wang on location in Windhoek, Namibia, from her Instagram, @conconwang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520186922191-5RV0VN41JM3J5CXLY9UH/Screen+Shot+2018-03-04+at+1.08.24+PM.png</image:loc>
      <image:title>5. Profiles 1 (2) - Connie Wang</image:title>
      <image:caption>Connie Wang on location in Calabasas, California, from her Instagram, @conconwang</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-profiles/2018/3/1/uwdgle2i9tgqm6k8x2q2mxhggzkwj3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
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      <image:title>5. Profiles 1 (2) - Sara Ziff</image:title>
      <image:caption>Sara Ziff. Photo by Kreg Holt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519959872165-B8PROXX1IE3QK8MVC9IF/Screen+Shot+2018-03-01+at+10.03.53+PM.png</image:loc>
      <image:title>5. Profiles 1 (2) - Sara Ziff</image:title>
      <image:caption>From the Model Alliance Instagram, @modelallianceny</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519959984264-UJJUSA0ZFOOBLUYGOMHG/Screen+Shot+2018-03-01+at+10.06.03+PM.png</image:loc>
      <image:title>5. Profiles 1 (2) - Sara Ziff</image:title>
      <image:caption>From the Model Alliance Instagram, @modelallianceny</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519960110463-9R70H5SJ0RDG7DRSCSKO/Screen+Shot+2018-03-01+at+10.08.05+PM.png</image:loc>
      <image:title>5. Profiles 1 (2) - Sara Ziff</image:title>
      <image:caption>From the Model Alliance Instagram, @modelallianceny</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519960353791-PKDXLW6JK2XHBD2GYPRA/Screen+Shot+2018-03-01+at+10.10.34+PM.png</image:loc>
      <image:title>5. Profiles 1 (2) - Sara Ziff</image:title>
      <image:caption>From the Model Alliance Instagram, @modelallianceny</image:caption>
    </image:image>
  </url>
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    <changefreq>monthly</changefreq>
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    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3/2018/2/17/super-sharp-fashion-space-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518897474886-ICOLX9WVOH17IVVNJ1T7/Super+Sharp.jpeg</image:loc>
      <image:title>5. Reviews (3a) - Super Sharp: Fashion Space Gallery</image:title>
      <image:caption>Photograph by Mark Alesky, taken at club night ‘Thunder &amp; Joy’ held at RAW, December 1994. Image courtesy LCF.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518898371430-JFCERFXE4NIA9L1L6RVX/Press_3.jpg</image:loc>
      <image:title>5. Reviews (3a) - Super Sharp: Fashion Space Gallery</image:title>
      <image:caption>Club night ‘Heat’ held at Hastings Pier, May 1997, photograph by Tristan O’Neill. Image courtesy LCF.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518912348012-5XMWHRQ4QCTZ6NKSTDBM/One+Nation_27th+September+1997_Tristan+O_Neill_2.jpeg</image:loc>
      <image:title>5. Reviews (3a) - Super Sharp: Fashion Space Gallery</image:title>
      <image:caption>Club night ‘One Nation’, September 1997, photograph by Tristan O’Neill. Image courtesy of LCF.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518912347492-Y3I0WFOZ4535WLFGCJCT/Innovation+Camden+Palace_17th+August+1996_Tristan+O_Neill.jpeg</image:loc>
      <image:title>5. Reviews (3a) - Super Sharp: Fashion Space Gallery</image:title>
      <image:caption>Club night ‘Innovation’ held at Camden Palace, 1996, photograph by Tristan O’Neill. Image courtesy of LCF.</image:caption>
    </image:image>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518916981537-75469GPQ54DW5AOIZ99Y/image5.jpg</image:loc>
      <image:title>5. Reviews (3a) - RUN Church, RUN Restaurant, RUN Store</image:title>
      <image:caption>Susan Cianciolo, Circle of Chairs, (2016-17) on view at Modern Art, London. Photo courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518917453363-SWWBJ3POBPXM4J7206SR/image6.jpg</image:loc>
      <image:title>5. Reviews (3a) - RUN Church, RUN Restaurant, RUN Store</image:title>
      <image:caption>Susan Cianciolo, Kids Outfit Kit (2015) on view at Modern Art, London. Photo courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518917831793-MF240KARQ951EGKO6WCL/image4.jpg</image:loc>
      <image:title>5. Reviews (3a) - RUN Church, RUN Restaurant, RUN Store</image:title>
      <image:caption>Susan Cianciolo, Tapestry 1 (2010-17) on view at Modern Art, London. Photo courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3/2018/2/17/house-style-five-centuries-of-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518914029664-3GQ9910ALUZVMSV4MADG/figureone.jpg</image:loc>
      <image:title>5. Reviews (3a) - House Style: Five Centuries of Fashion</image:title>
      <image:caption>An Alexander McQueen dress worn by Stella Tennant in British Vogue is displayed in The Painted Hall at Chatsworth House. Image courtesy of Chatsworth Trust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518914591593-RZZ16C7VRT4GTBQEO3PH/figurefour.jpg</image:loc>
      <image:title>5. Reviews (3a) - House Style: Five Centuries of Fashion</image:title>
      <image:caption>Four wedding worn at family weddings displayed in the estates chapel. Image courtesy of Chatsworth Trust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518914357220-N4Q42ZHV9Y9P23UQVHP7/figurethree.jpg</image:loc>
      <image:title>5. Reviews (3a) - House Style: Five Centuries of Fashion</image:title>
      <image:caption>Photograph of traditional coronation robes, worn at three consecutive coronations displayed in The Painted Hall. Image courtesy of Chatsworth Trust.</image:caption>
    </image:image>
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    <changefreq>monthly</changefreq>
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    <loc>https://www.fashionstudiesjournal.org/5-reviews-3/tag/British+Fashion</loc>
    <changefreq>monthly</changefreq>
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    <loc>https://www.fashionstudiesjournal.org/5-reviews-3/tag/DIY</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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    <loc>https://www.fashionstudiesjournal.org/5-reviews-3/tag/Sustainability</loc>
    <changefreq>monthly</changefreq>
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    <changefreq>monthly</changefreq>
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    <loc>https://www.fashionstudiesjournal.org/5-reviews-3/tag/Exhibitions</loc>
    <changefreq>monthly</changefreq>
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    <loc>https://www.fashionstudiesjournal.org/5-reviews-3/tag/Alexander+McQueen</loc>
    <changefreq>monthly</changefreq>
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    <loc>https://www.fashionstudiesjournal.org/5-reviews-3/tag/Conceptual+Art</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/2018/2/28/why-working-in-fashion-was-kind-of-great-and-not-in-the-way-you-think</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519874135412-29W5PFU7QU4CVGJ8QXJ1/Laura_Jane.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Why Working in Fashion Was Kind of Great (And Not In The Way You Think)</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519957549758-8IPHZUU7PBBOM9TDCXWP/Screen+Shot+2018-02-28+at+10.43.15+PM.png</image:loc>
      <image:title>5. Notes from the Field (5) - Why Working in Fashion Was Kind of Great (And Not In The Way You Think)</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/save-the-garment-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520043807494-BD9BYWSBN4FTTUAWLZ3S/11_ext_42width_bricken+buildings+p135+edited.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Save the Garment Center</image:title>
      <image:caption>The Garment Center, Fortieth Street Between Sixth and Seventh Avenues, Berenice Abbott, 1938. Works Progress Administration, Collection of The Skyscraper Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520044699635-S3FM2FLCD13FXJWLAPUE/Screen+Shot+2018-03-02+at+9.34.28+PM.png</image:loc>
      <image:title>5. Notes from the Field (5) - Save the Garment Center</image:title>
      <image:caption>Heatmap of garment producers listed by the CFDA. Visualization courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520207226254-JN66VMW1XC2WIENFQCBJ/Screen+Shot+2018-03-04+at+6.46.08+PM.png</image:loc>
      <image:title>5. Notes from the Field (5) - Save the Garment Center</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042869701-NTUH77ZTJE27MYGQ4UVB/GC_1.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042869981-27LPGMVDANROV76PUB4D/GC_2.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042871758-GQWY4ESODJCC6GKDV3DA/GC_3.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042871931-3Q8B7NQUB3FXKHYPYB40/GC_4.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042872652-0QQ04L8CVTLZM85BSGNC/GC_5.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042872796-IQ9GGNLG65MUPU6Y36GA/GC_6.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/2018/3/1/vintage-selling-and-the-responsibilities-of-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519956181410-MDJMX745HO4U5RSV662R/4.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Vintage Selling and the Responsibilities of Care</image:title>
      <image:caption>Beaded 1920s gown. Courtesy Guermantes Vintage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519956472984-CIA5S6CZSWZC0QU35Z3D/4-1.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Vintage Selling and the Responsibilities of Care</image:title>
      <image:caption>Blue lamé 1930s gown. Courtesy Guermantes Vintage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519955839133-4GU80FKLHDIDCHJ4RRN6/beaded+1920s+gown+Guermantes+Vintage.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Vintage Selling and the Responsibilities of Care</image:title>
      <image:caption>Beaded 1920s gown. Courtesy Guermantes Vintage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519956314318-DQY3QB6XXNZ0YBXD1ZMY/il_fullxfull.808992842_6ttf.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Vintage Selling and the Responsibilities of Care</image:title>
      <image:caption>Gold lamé 1920s gown. Courtesy Guermantes Vintage.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/2018/3/1/reimagine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519954149455-EHIY4CXGS09ASYGA9Q3G/Image+6.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Re.Imagine</image:title>
      <image:caption>Photo by Denise Borré featuring model Veronika Kocarikova. Courtesy the authors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519954463761-N2ZEF68V0LU9MU391PL4/Image+7.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Re.Imagine</image:title>
      <image:caption>Photo by Denise Borré featuring model Veronika Kocarikova. Courtesy the authors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519954650566-TO5NR0AWOL0HPY919EUH/textileland.png</image:loc>
      <image:title>5. Notes from the Field (5) - Re.Imagine</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519954910617-MXMX6GZ99S2ZNTXH3A7J/Image+5.jpg</image:loc>
      <image:title>5. Notes from the Field (5) - Re.Imagine</image:title>
      <image:caption>Photo by Denise Borré featuring model Veronika Kocarikova. Courtesy the authors.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/2018/2/28/to-communicate-sustainable-fashion-in-a-sustainable-manner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519875150334-MBCDL32AZQVIOHB5WVW2/greenwashing.png</image:loc>
      <image:title>5. Notes from the Field (5) - To Communicate Sustainable Fashion in a Sustainable Manner</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/category/Notes+from+the+Field</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Sustainable+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/5-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Conservation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Fashion+Business</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Vintage+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Marketing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Retail</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Fashion+Industry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Eco+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Sustainability</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/10-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Denim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-notes-from-the-field/tag/Charity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/2018/3/4/the-eye-of-the-beholder</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520187307126-0A9YQ0394KVXOHJ1XIW2/239DB7BA-B917-4A55-B6CD-1CF5FC0F0425.JPG</image:loc>
      <image:title>5. Reviews (2b) - The Eye of the Beholder: Decade-Defining Lids, Lashes, &amp; Brows</image:title>
      <image:caption>Photo courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520187514142-BEA42NRS15CBUJNRW7K1/9DE13046-D010-41D9-9A62-889158182C86.jpeg</image:loc>
      <image:title>5. Reviews (2b) - The Eye of the Beholder: Decade-Defining Lids, Lashes, &amp; Brows</image:title>
      <image:caption>Photo courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/2018/3/2/charlotte-collects-contemporary-couture-and-fabulous-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520041439348-OFFATE95EH6U0ZXKW9HS/Install+view.jpg</image:loc>
      <image:title>5. Reviews (2b) - Charlotte Collects: Contemporary Couture and Fabulous Fashion</image:title>
      <image:caption>Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520041559528-1FXAQJHVRWZ0T2S7BFHN/Delpozo.jpg</image:loc>
      <image:title>5. Reviews (2b) - Charlotte Collects: Contemporary Couture and Fabulous Fashion</image:title>
      <image:caption>Image courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/category/Exhibition+Reviews</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/tag/5-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/tag/Beauty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/tag/Curating</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/tag/Makeup</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/tag/Exhibitions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/tag/History</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/tag/Wardrobe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-reviews-3c/tag/Couture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/2018/2/25/tailoring-cultural-change-in-the-1960s-pierre-cardins-cylinder-suit-jacket</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519593214699-5GVQTV8WVI56DM0S6B89/Cardin.jpg</image:loc>
      <image:title>5. Histories (3) - Tailoring Cultural Change in the 1960s: Pierre Cardin’s Cylinder Suit Jacket</image:title>
      <image:caption>Illustration by Rachel Kinnard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519873265521-5S4KWH5C8UPAK3LLNKIJ/Screen+Shot+2018-02-28+at+10.00.11+PM.png</image:loc>
      <image:title>5. Histories (3) - Tailoring Cultural Change in the 1960s: Pierre Cardin’s Cylinder Suit Jacket</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/2018/2/27/ethel-traphagen-american-fashion-pioneer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519779823989-RSE9IR1R75CNOPNLL0AP/Traphagen+portrait.jpg</image:loc>
      <image:title>5. Histories (3) - Ethel Traphagen: American Fashion Pioneer</image:title>
      <image:caption>Traphagen in 1933 at age fifty-one. Source: The Silhouette (New York: Traphagen School of Fashion, 1933). Image courtesy of Fashion Institute of Technology|SUNY, FIT Library Special Collections and College Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519870966253-R2Z7FWDEJ4VLT68DH6BE/Screen+Shot+2018-02-28+at+9.19.58+PM.png</image:loc>
      <image:title>5. Histories (3) - Ethel Traphagen: American Fashion Pioneer</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519779974605-TP36P5OPDGEDGGA31JZE/Traphagen_image.jpg</image:loc>
      <image:title>5. Histories (3) - Ethel Traphagen: American Fashion Pioneer</image:title>
      <image:caption>Traphagen‟s winning design in the New York Times’ American Fashion Contest. Source: Ethel Traphagen, Costume Design and Illustration, 2nd ed. (New York: John Wiley &amp; Sons, Inc., 1932).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/2018/2/25/appropriation-and-legacy-the-rise-of-vetements</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519908548346-RDOZPUT31Y5VS0W1LWC6/vetements-v2.png</image:loc>
      <image:title>5. Histories (3) - Appropriation and Legacy: A Recent History of Vetements</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519872524912-MMPTQZIXU3QR35TKSLRO/Screen+Shot+2018-02-28+at+9.48.07+PM.png</image:loc>
      <image:title>5. Histories (3) - Appropriation and Legacy: A Recent History of Vetements</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/category/Histories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/1920s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/5-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Pret-a-Porter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/American+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Suit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Menswear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Avant-garde</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Couture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Ethel+Traphagen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Industry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Fashion+History</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Fashion+Education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/High+Fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Vetements</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/10-Minute+Read</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-histories/tag/Archives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-letter-from-the-editor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-02</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-letter-from-the-editor/2018/3/2/bhjrkw7w1cq9lw1uhnlhiiy8fdgr0u</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519997812249-6GYZ5BK46UJR59UD68JU/IMG_20180301_0001.jpg</image:loc>
      <image:title>5. Letter from the Editor - Letter From the Editor: On the Industry</image:title>
      <image:caption>From the classic 2013 zine Say Yes To The Bread.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-letter-from-the-editor/category/Letter+from+the+Editor</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/5-industry-survey</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-03-04</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/5-industry-survey/2018/3/4/the-industry-survey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-05</lastmod>
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      <image:title>5. Industry Survey - The Industry Survey</image:title>
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    <image:image>
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      <image:title>5. Industry Survey - The Industry Survey</image:title>
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    <image:image>
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      <image:title>5. Industry Survey - The Industry Survey</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
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    <image:image>
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      <image:title>5. Industry Survey - The Industry Survey</image:title>
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    <image:image>
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      <image:title>5. Industry Survey - The Industry Survey</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/profiles-2-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profiles-2-2/2018/2/27/the-overworked-body-dialogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781378360-6YNL1ZGGZNGHAS28LJLP/VSCO+Cam-1.jpg</image:loc>
      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
      <image:caption>All photos by Yair Oelbaum, © MINI/Goethe-Institut Curatorial Residencies Ludlow 38.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781550106-XX5QPWZ4JHCSNL8HV7VO/22610006.JPG</image:loc>
      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781673417-LDJLR06ZQUDSENLQNZBB/22590029.JPG</image:loc>
      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519872171888-4N4SB4J6HHAU711WUPF0/Screen+Shot+2018-02-28+at+9.42.23+PM.png</image:loc>
      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781769127-S8OAP80BJ81QL6KEHUQR/22590006.JPG</image:loc>
      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781800555-22LU4L4K0IQR0ZFAXD8R/22600031.JPG</image:loc>
      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781943320-HUMJVAXV5YLDO604063O/22610027.JPG</image:loc>
      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
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    <image:image>
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      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
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      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519782197719-EMEWLMBOHYFCPNW7RNNF/22610015.JPG</image:loc>
      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519782312059-4DWF57COGHVZB2B89Y4Q/22590013.JPG</image:loc>
      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
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    <image:image>
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      <image:title>5. Profiles 2 (2) - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
  </url>
  <url>
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    <lastmod>2018-09-18</lastmod>
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      <image:title>5. Profiles 2 (2) - Mar Martinez</image:title>
      <image:caption>“Stop The Wage Theft,” Photo courtesy Garment Worker Center</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519783178222-LEZA755ZXM4G1N7PD9IB/GWC_5.jpg</image:loc>
      <image:title>5. Profiles 2 (2) - Mar Martinez</image:title>
      <image:caption>Photo courtesy Garment Worker Center.</image:caption>
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    <image:image>
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      <image:title>5. Profiles 2 (2) - Mar Martinez</image:title>
      <image:caption>Photo courtesy Garment Worker Center.</image:caption>
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    <image:image>
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      <image:title>5. Profiles 2 (2) - Mar Martinez</image:title>
      <image:caption>“Stop the Theft of Our Health,” Photo courtesy Garment Worker Center.</image:caption>
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    <image:image>
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      <image:title>5. Profiles 2 (2) - Mar Martinez</image:title>
      <image:caption>“We Want All the Factories to be Investigated for Wage Theft” Photo courtesy Garment Worker Center.</image:caption>
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  <url>
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    <changefreq>monthly</changefreq>
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  <url>
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    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profiles-2-2/tag/Worker+Rights</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/profiles-2-2/tag/Fashion+Industry</loc>
    <changefreq>monthly</changefreq>
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    <changefreq>monthly</changefreq>
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    <changefreq>monthly</changefreq>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-18</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2021/1/20/texture-feeling-and-the-clothing-libido</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-20</lastmod>
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      <image:title>Longform - Texture, Feeling, and the Clothing Libido</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/12/8/for-they-know-not-what-they-don-fashion-as-ideology-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1607442016751-VXQZWS74Q5R0FCT7RNYR/cruella-2267126_1280.png</image:loc>
      <image:title>Longform - For they know not what they don: Fashion as Ideology, Part 1</image:title>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/9/23/fashioning-the-public-sphere-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
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      <image:title>Longform - Fashioning the Public Sphere, Pt. 1</image:title>
      <image:caption>American model Renée Gunter modeling Haute Couture clothing in Japan in the 1970s (Source: Wikimedia Commons)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/10/21/fashion-as-collective-action</loc>
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    <priority>0.5</priority>
    <lastmod>2021-11-18</lastmod>
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      <image:title>Longform - Fashion as Collective Action</image:title>
      <image:caption>Angel Chang’s NYFW presentation, February 2007. Photo: Erique Zhang.</image:caption>
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      <image:title>Longform - Fashion as Collective Action</image:title>
      <image:caption>Christian Lacroix’s Fall 2009 Haute Couture collection.</image:caption>
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    <image:image>
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      <image:title>Longform - Fashion as Collective Action</image:title>
      <image:caption>Angel Chang’s NYFW presentation, February 2007. Photo: Erique Zhang.</image:caption>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/10/22/op-ed-designing-our-futures-fashioning-small-markets</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2021-11-18</lastmod>
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      <image:caption>Photo credit: Ted Belton, courtesy the author.</image:caption>
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      <image:title>Longform - Op-Ed: Designing Our Futures — Fashioning Small Markets</image:title>
      <image:caption>Photo credit: Ted Belton, courtesy the author.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/10/27/sacrifice-and-scarcity-the-realities-of-museum-work</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-18</lastmod>
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      <image:title>Longform - Sacrifice and Scarcity: The Realities of Museum Work</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/10/13/marc-jacobs-aw2020-runway-show-a-creative-collaboration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-27</lastmod>
    <image:image>
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      <image:title>Longform - Op-Ed: Marc Jacobs AW2020—A Creative Collaboration</image:title>
      <image:caption>Filippo Fior/gorunway.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/9/12/screening-fashion-and-the-virtual-commons-part-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
    <image:image>
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      <image:title>Longform - Screening Fashion and the Virtual Commons, Part 2</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/9/23/alexander-mcqueen-the-sublime-and-melancholy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-24</lastmod>
    <image:image>
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      <image:title>Longform - Alexander McQueen: The Sublime and Melancholy</image:title>
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    <image:image>
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      <image:title>Longform - Alexander McQueen: The Sublime and Melancholy</image:title>
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    <image:image>
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      <image:title>Longform - Alexander McQueen: The Sublime and Melancholy</image:title>
      <image:caption>Rebecca Horn, High Moon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1600889135500-2T35F3JPE6X2FH686OKB/Kate+Moss+McQueen+The+Widows+of+Culloden+2.jpg</image:loc>
      <image:title>Longform - Alexander McQueen: The Sublime and Melancholy</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1600889325915-M86NX331W1Q8IGH2UJRC/image-asset.jpeg</image:loc>
      <image:title>Longform - Alexander McQueen: The Sublime and Melancholy</image:title>
      <image:caption>John Henry Pepper, Pepper’s Ghost</image:caption>
    </image:image>
    <image:image>
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      <image:title>Longform - Alexander McQueen: The Sublime and Melancholy</image:title>
      <image:caption>Michael Nyman, The Piano</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/8/5/screening-fashion-and-the-virtual-commons-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1598287627272-CP6FW53XFY217UAC4X36/IMG_0513.jpg</image:loc>
      <image:title>Longform - Screening Fashion and the Virtual Commons, Part 1</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/8/5/draft-christo-and-jeanne-claude-couturiers-of-and-for-the-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-05</lastmod>
    <image:image>
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      <image:title>Longform - Christo and Jeanne-Claude, Couturiers of and for the City</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/4/26/sansa-stark</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587995664992-HKH3EKQ1X6CZ6AC0RCNI/FSJ_Sansa_1.jpg</image:loc>
      <image:title>Longform - Dressing Game of Thrones: The Telling Story in Sansa Stark's Fashion</image:title>
      <image:caption>Sansa in the capital, King’s Landing, in the Southern region in season one.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587996324990-IHMFQFEDR4CU7S3MU2RL/dark+sansa.jpg</image:loc>
      <image:title>Longform - Dressing Game of Thrones: The Telling Story in Sansa Stark's Fashion</image:title>
      <image:caption>The ‘Dark Sansa’ look in season four.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587996561661-JB86AET28SY7JG34FA6J/sansa_lady+Olenna.jpg</image:loc>
      <image:title>Longform - Dressing Game of Thrones: The Telling Story in Sansa Stark's Fashion</image:title>
      <image:caption>Sansa meets Lady Olenna Tyrell in a purple and grey dress in season three.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587996561868-Q6MAVBLE2ECA5BYE734W/regular+purple+dress.jpg</image:loc>
      <image:title>Longform - Dressing Game of Thrones: The Telling Story in Sansa Stark's Fashion</image:title>
      <image:caption>A purple dress Sansa is regularly seen wearing throughout the series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587996562581-RU6L09QDPNGEH2PLC6PX/purple+wedding.jpg</image:loc>
      <image:title>Longform - Dressing Game of Thrones: The Telling Story in Sansa Stark's Fashion</image:title>
      <image:caption>Sansa at ‘The Purple Wedding’ in season four.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587996821238-BG67YA3LATC4R80AFOFJ/chain.jpg</image:loc>
      <image:title>Longform - Dressing Game of Thrones: The Telling Story in Sansa Stark's Fashion</image:title>
      <image:caption>Sansa’s chain necklace in season eight.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587996912106-A4H9WU69DQ4DJ2UW9RB2/Screen+Shot+2019-09-04+at+11.51.40+PM.png</image:loc>
      <image:title>Longform - Dressing Game of Thrones: The Telling Story in Sansa Stark's Fashion</image:title>
      <image:caption>Sansa marries Tyrion Lannister in season three. The Lannister sigil is seen on her arm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587996907879-NTPJA093DWH7RVKVVCUM/blue+velvet.jpg</image:loc>
      <image:title>Longform - Dressing Game of Thrones: The Telling Story in Sansa Stark's Fashion</image:title>
      <image:caption>Sansa’s blue velvet dress with an embroidered wolf and flowers in season six.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587996910884-XZY7LWYBIUQZGUGSKTN8/Screen+Shot+2019-09-05+at+12.32.41+AM.png</image:loc>
      <image:title>Longform - Dressing Game of Thrones: The Telling Story in Sansa Stark's Fashion</image:title>
      <image:caption>Sansa’s coronation outfit and tiara in the season eight finale.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/7/8/fashionable-resistance-and-the-danger-of-the-multi-colored-cloak</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1594216299151-CQA9KC20TSB17ULYVM8O/Mike_Nemli.jpg</image:loc>
      <image:title>Longform - Fashionable Resistance and the Danger of the Multi-Colored Cloak</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/4/30/sex-on-the-beach-swimwear-and-the-politics-of-gender</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1593045263480-JB4SEAWW52KLK3YD0INX/IMG_0478.jpg</image:loc>
      <image:title>Longform - Sex on the Beach: Swimwear and the Politics of Gender</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/6/24/the-material-is-the-message-or-us-democrats-in-kente-cloth-and-the-system-of-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1593041710273-FSHZXKWVSD2SX9WL42LO/Nemli-+Kente+image.png</image:loc>
      <image:title>Longform - The Material is the Message: Or, U.S. Democrats in Kente Cloth and the System of Fashion</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/5/17/alexander-mcqueen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589731678825-LJIF7LWC8AMTOB28WEFZ/ALEXANDER-MCQUEEN-SPRING-1997-RTW-47-DEBRA-SHAW.jpg</image:loc>
      <image:title>Longform - La Poupee and Voss: Alexander McQueen's Heterotopias</image:title>
      <image:caption>Alexander McQueen, La Poupée (1997). Photo: Vogue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589731913854-3CDFTAE8X21H9JQ1D3UC/ALEXANDER-MCQUEEN-SPRING-1997-RTW-24.jpg</image:loc>
      <image:title>Longform - La Poupee and Voss: Alexander McQueen's Heterotopias</image:title>
      <image:caption>Alexander McQueen, La Poupée (1997). Photo: Vogue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589731623691-APY8OOPPSEC9QZHCI721/ALEXANDER-MCQUEEN-SPRING-1997-RTW-DETAIL-16.jpg</image:loc>
      <image:title>Longform - La Poupee and Voss: Alexander McQueen's Heterotopias</image:title>
      <image:caption>Alexander McQueen, La Poupée (1997). Photo: Vogue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589731558711-CPBFDA6QQDXO8A2VMPGZ/catwalking-mcqueen_ss01_fina_0039.jpg</image:loc>
      <image:title>Longform - La Poupee and Voss: Alexander McQueen's Heterotopias</image:title>
      <image:caption>Alexander McQueen, VOSS (2001).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589731811316-10DGDE7WOYONAG4QJL1V/100015087.jpg</image:loc>
      <image:title>Longform - La Poupee and Voss: Alexander McQueen's Heterotopias</image:title>
      <image:caption>Alexander McQueen, VOSS (2001).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2020/4/27/dressing-for-the-protest-the-abortion-movement-in-buenos-aires</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587998547711-BL3ADYJ1K4E3UT6Z9B3S/image3.jpg</image:loc>
      <image:title>Longform - Dressing for Protest: The Abortion Movement in Buenos Aires</image:title>
      <image:caption>This photo was taken by Candelaria Botto, who mentioned to me that in the winter time, the most important thing is that everyone is dressed for the weather! The handkerchiefs are key, but so are their warm coats. The handkerchief positioned on the neck represents what it’s like to show up as a “militante,” which means militant and/or soldier, a potent position for women to occupy in this struggle. “Militante” is a widely used word in Argentina, often used to describe activists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587998549821-A73PZPYB0H6J8O6ORJQK/image4.jpg</image:loc>
      <image:title>Longform - Dressing for Protest: The Abortion Movement in Buenos Aires</image:title>
      <image:caption>In contrast to the winter months, summer protest wear can significantly look different, though comfort is still paramount, as the sneakers in this image demonstrate. One of my observations during my time in Buenos Aires was that music and chants were a significant aspect of demonstrations. Many women from different organizations come to protests with their drums as part of their gear. Young girls are also encouraged to participate, wearing their green handkerchiefs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587998640672-AG9R6JD4TNJCMVPRTFFD/image2.jpg</image:loc>
      <image:title>Longform - Dressing for Protest: The Abortion Movement in Buenos Aires</image:title>
      <image:caption>Crucial to this campaign has been the inclusion of different age groups. Regardless of age, all activists show up to demonstrations with their green gear, demonstrating solidarity with one another. Note the women to the right of this picture, where one is helping to position a sticker onto the other’s face. This was something that I observed often: women acting in solidarity with one another, helping place stickers and glitter on each other’s faces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587998544133-ZH96I8BD8ESPC67EGAFU/image1.jpg</image:loc>
      <image:title>Longform - Dressing for Protest: The Abortion Movement in Buenos Aires</image:title>
      <image:caption>Candelaria B. with members of her organization after getting ready for a demonstration. A lot of glitter, green stickers, and green handkerchiefs around their necks. Most activist groups meet before a demonstration in order to remain together as it could be difficult to find each other during and after the march.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1587998670137-3VSUG5LXMRQO8H54VWMW/image5.jpg</image:loc>
      <image:title>Longform - Dressing for Protest: The Abortion Movement in Buenos Aires</image:title>
      <image:caption>Young women consult about their looks while waiting for a march to begin. A lot of pleasure is taken in dressing in a way that both conveys their opposition to the law and suits their ideas of fun self-expression.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2019/3/17/more-than-sight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1552872831917-Q8NFFM3G76QPZ9WV2B19/IMG_0331.jpg</image:loc>
      <image:title>Longform - More Than Sight: Embodying Blindness at Dialogue in the Dark</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2019/2/22/the-best-costume-for-today-fashion-as-seen-in-grey-gardens-jkdca</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1550882949360-BEOVDD4IQZU47UIW75CM/FSJ%2B-%2BGrey%2BGardens%2B-%2BFig%2B1.jpg</image:loc>
      <image:title>Longform - The Best Costume for Today: The Impact of Grey Gardens</image:title>
      <image:caption>Albert Maysles, David Maysles, Ellen Hovde, and Muffie Meyer, directors. Grey Gardens. Portrait Films, 1975.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1550884434418-5KQZBRRN52YSHWA9HN1U/FSJ%2B-%2BGrey%2BGardens%2B-%2BFig%2B5.jpg</image:loc>
      <image:title>Longform - The Best Costume for Today: The Impact of Grey Gardens</image:title>
      <image:caption>Michael Sucsy, director. Grey Gardens. HBO Films, 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1550884373688-556QUPASR6OMTV40YW94/FSJ%2B-%2BGrey%2BGardens%2B-%2BFig%2B4.jpg</image:loc>
      <image:title>Longform - The Best Costume for Today: The Impact of Grey Gardens</image:title>
      <image:caption>Michael Sucsy, director. Grey Gardens. HBO Films, 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1550884542577-YM3HI4DDNLGZTMIB9EG6/FSJ+-+Grey+Gardens+-+Fig+7.jpg</image:loc>
      <image:title>Longform - The Best Costume for Today: The Impact of Grey Gardens</image:title>
      <image:caption>Albert Maysles, David Maysles, Ellen Hovde, and Muffie Meyer, directors. Grey Gardens. Portrait Films, 1975 (source: imdb).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1550884605271-RAIOVTPXE0RFEJGK2C48/FSJ+-+Grey+Gardens+-+Fig+8.jpg</image:loc>
      <image:title>Longform - The Best Costume for Today: The Impact of Grey Gardens</image:title>
      <image:caption>Vogue España, October 2010, photographed by Mark Seliger (source: http://grey-gardens.tumblr.com/post/22473594573/the-november-issue-of-vogue-spain-contains-an).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1550884764078-XWCXDSB3M0QNDBP7VZ2M/FSJ+-+Grey+Gardens+-+Fig+9.jpg</image:loc>
      <image:title>Longform - The Best Costume for Today: The Impact of Grey Gardens</image:title>
      <image:caption>Vogue, September 2005, photographed by Tim Walker (source: The Vogue Archive).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1550884848013-KYRTL7I0QJGPOQNYJXHS/FSJ+-+Grey+Gardens+-+Fig+11.jpg</image:loc>
      <image:title>Longform - The Best Costume for Today: The Impact of Grey Gardens</image:title>
      <image:caption>Vogue, January 2008, photographed by Steven Meisel (source: The Vogue Archive).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2019/1/31/the-neverending-story-what-can-we-learn-from-unfinished-artworks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548974376167-TCYDEKGKO0VLM4B9LR33/Gustav_Klimt_-_Posthumous_Portrait_of_Ria_Munk_III-1.jpg</image:loc>
      <image:title>Longform - The Neverending Story: What Can We Learn from Unfinished Artworks?</image:title>
      <image:caption>Gustav Klimt, Posthumous Portrait of Ria Munk. Image via The Met Breuer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548974150163-Z8JM0YPO9357JNHTLPKZ/Betty+Eldad+crinoline.jpg</image:loc>
      <image:title>Longform - The Neverending Story: What Can We Learn from Unfinished Artworks?</image:title>
      <image:caption>Betty Eldad, from the exhibition “Je t'aime, Ronit Elkabetz” at Design Museum Holon. Photo: Shay Ben Efraim. Courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548974301636-GQT8TFPTPKSUUWY8A2BX/Betty+Eldad+dress.jpg</image:loc>
      <image:title>Longform - The Neverending Story: What Can We Learn from Unfinished Artworks?</image:title>
      <image:caption>Betty Eldad's dress, from the exhibition “Je t'aime, Ronit Elkabetz” at Design Museum Holon. Photo by Shay Ben Efraim. Courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2019/1/25/readdressing-passivity-protest-dress-in-1960s-civil-rights-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548458426407-9AE1JYV5CKU2G59TPXP0/Fig1.jpeg</image:loc>
      <image:title>Longform - Readdressing Passivity : Protest Dress in 1960s Civil Rights Photography</image:title>
      <image:caption>Fig. 1. Bruce Davidson, New York City 1961-65, Gelatin Silver Print, pg. 25 in Time of Change: Bruce Davidson Civil Rights Photographs 1961-65</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548458530586-WPR68DHTL7AJ74TP20IR/Fig2+copy.jpg</image:loc>
      <image:title>Longform - Readdressing Passivity : Protest Dress in 1960s Civil Rights Photography</image:title>
      <image:caption>Fig. 2. Ivan Massar, Doris Wilson on the Selma to Montgomery March, Alabama, 1965, Gelatin silver print. Image copyright Ivan Massar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548458648114-GFP1PHVJYQ7FMNMVUOXW/fig3+%281%29.jpg</image:loc>
      <image:title>Longform - Readdressing Passivity : Protest Dress in 1960s Civil Rights Photography</image:title>
      <image:caption>Fig. 3. Danny Lyon, Fannie Lou Hamer, Hattiesburg, Mississippi, 1964, Gelatin silver print. Image copyright Danny Lyon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548458735484-RZIS00CXZM5EJ9H2BNV0/fig4.jpeg</image:loc>
      <image:title>Longform - Readdressing Passivity : Protest Dress in 1960s Civil Rights Photography</image:title>
      <image:caption>Fig. 4. Student Nonviolent Coordinating Committee Button, circa, 1964. Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548458859613-UJ8G0DS35LA3T8U6IBML/unnamed+%281%29+%281%29.jpg</image:loc>
      <image:title>Longform - Readdressing Passivity : Protest Dress in 1960s Civil Rights Photography</image:title>
      <image:caption>Fig. 5. Student Nonviolent Coordinating Committee Button, circa, 1964. Image courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2019/1/25/the-red-shirt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548435907439-09G43C2GU0L3W4BBCOR8/oupa.JPG</image:loc>
      <image:title>Longform - The Red Shirt</image:title>
      <image:caption>Oupa. Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548435549410-FOSNU7UNLZ5KL9HLNHEF/Red%2BShirt.jpg</image:loc>
      <image:title>Longform - The Red Shirt</image:title>
      <image:caption>The author as a child. Image courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2019/1/25/adventures-in-superheroic-style</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548433762277-AUMHME6LD6W7X0CFB3FA/comicon_shi%27ar+imperial+guard.jpg</image:loc>
      <image:title>Longform - Adventures in Superheroic Style</image:title>
      <image:caption>Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548433911680-2KY59LJ2SHCM1SJ2VX4E/comicon_wolverine+shirt.jpg</image:loc>
      <image:title>Longform - Adventures in Superheroic Style</image:title>
      <image:caption>Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548433955128-QZBEECGQS2H4EMGBOAHB/comicon_jumpsuit+blue.jpg</image:loc>
      <image:title>Longform - Adventures in Superheroic Style</image:title>
      <image:caption>Image courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2019/1/12/carlo-casini-we-invented-bell-bottoms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547340823970-Q2BAIMSBRN5ZZ7OTV1Q8/ortebello.jpg</image:loc>
      <image:title>Longform - Carlo Casini: We Invented Bell Bottoms</image:title>
      <image:caption>The Italian town of Orbetello in Tuscany. Photograph by Federica Pischiutta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547341057763-7KTIJQBU6T5888OORKT3/YoungCasini.jpg</image:loc>
      <image:title>Longform - Carlo Casini: We Invented Bell Bottoms</image:title>
      <image:caption>Photograph of young Carlo Casini, date unknown. Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547342398417-QLWG0KT23411S28A0IAL/CasiniWorkshop.jpg</image:loc>
      <image:title>Longform - Carlo Casini: We Invented Bell Bottoms</image:title>
      <image:caption>Carlo Casini in his former workshop. Photograph by Federica Pischiutta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547344420494-HMKBB0KBD8G6JOMGJT3O/WorkshopExterior.jpg</image:loc>
      <image:title>Longform - Carlo Casini: We Invented Bell Bottoms</image:title>
      <image:caption>Exterior of Casini’s workshop. Photograph by Federica Pischiutta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547345403458-MGVLIA7AO66IJFTEXAO7/originalvelvet.jpg</image:loc>
      <image:title>Longform - Carlo Casini: We Invented Bell Bottoms</image:title>
      <image:caption>The original velvet that Casini used to make his bell bottoms. Photograph by Federica Pischiutta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547344258687-TU1AIXND09MTDX6ZGXSZ/cosettayoung.jpg</image:loc>
      <image:title>Longform - Carlo Casini: We Invented Bell Bottoms</image:title>
      <image:caption>Young Cosetta Bimbi, August 1960. Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547347992375-SJRAHCNZ02SURBOW1A8J/velvet3pants.jpg</image:loc>
      <image:title>Longform - Carlo Casini: We Invented Bell Bottoms</image:title>
      <image:caption>Pairs of Casini’s pantoloni a zampa d’elefante hang on a wall in his pensione. Photograph by Federica Pischiutta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547346423184-BRHEBSYSBQAWRB8ALYFQ/fullsizeoutput_11fa.jpeg</image:loc>
      <image:title>Longform - Carlo Casini: We Invented Bell Bottoms</image:title>
      <image:caption>Raffaella Carrà on Canzonissima an Italian musical variety show broadcast by RAI 1. Image courtesy of Rai Teche.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2019/1/10/love-loss-and-what-david-bowie-wore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547157842762-2LLG64IL6IFXKMKB9V22/IMG_0310.jpg</image:loc>
      <image:title>Longform - Love, Loss, and What David Bowie Wore</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547158177139-5HNURTNIZD1R6NTOFG8M/bowie+copy.png</image:loc>
      <image:title>Longform - Love, Loss, and What David Bowie Wore</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/12/11/prousts-muse-symposium-j5pat</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-22</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2018/9/15/transformable-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1537056977508-LHTYR7I5VB471VEA3AT0/figure4.jpg</image:loc>
      <image:title>Longform - Transformable Fashion: The Biggest Sustainable Clothing Trend That Never Was</image:title>
      <image:caption>A sample of garments that can be assembled using Rahman and Gong's modular fashion prototype. Image from Rahman and Gong, 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1537059573762-CZHGC29BH76CL5WXLVNR/figure1.JPG</image:loc>
      <image:title>Longform - Transformable Fashion: The Biggest Sustainable Clothing Trend That Never Was</image:title>
      <image:caption>A transforming dress in Hussein Chalayan's Fall 2013 runway show. Image from Vogue.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1537059956353-K9ZX4JGA0YV63MOX3WX8/figure2.JPG</image:loc>
      <image:title>Longform - Transformable Fashion: The Biggest Sustainable Clothing Trend That Never Was</image:title>
      <image:caption>A transforming dress in Hussein Chalayan's Fall 2013 runway show. Image from Vogue.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1537060060202-H1YUS98CVQZ576F6ROU6/figure3.JPG</image:loc>
      <image:title>Longform - Transformable Fashion: The Biggest Sustainable Clothing Trend That Never Was</image:title>
      <image:caption>A transforming dress in Hussein Chalayan's Fall 2013 runway show. Image from Vogue.com.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2018/7/31/from-the-altar-to-the-runway-fashioning-the-roman-catholic-priest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1533087113337-TC5MLYOJSOC7HFTHISJM/Wolters_FSJ+1.jpg</image:loc>
      <image:title>Longform - From the Altar to the Runway: Fashioning the Roman Catholic Priest</image:title>
      <image:caption>Advertisement for Dolce &amp; Gabbana’s Fall/Winter 2014 campaign. Image via Dolce &amp; Gabbana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1533088153869-XNXJZ9XETAR8I02148TQ/Wolters_FSJ+3.jpg</image:loc>
      <image:title>Longform - From the Altar to the Runway: Fashioning the Roman Catholic Priest</image:title>
      <image:caption>A sixteenth-century panel painting of Pope Saint Gregory the Great in the papal tiara and a pluvial cope. Image via WikiCommons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1533087632159-RJQW4U927NGUUZMI8TCM/Wolters_FSJ+2.jpg</image:loc>
      <image:title>Longform - From the Altar to the Runway: Fashioning the Roman Catholic Priest</image:title>
      <image:caption>Eighteenth-century chasuble with floral embroidery. Image via WikiCommons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1533088577047-RVS70BGUHPTIZC92ZBIA/Wolters_FSJ+4.jpg</image:loc>
      <image:title>Longform - From the Altar to the Runway: Fashioning the Roman Catholic Priest</image:title>
      <image:caption>The ecclesiastical fashion show from Fellini’s Roma (1972). Still image via The Criterion Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/8/30/the-life-and-work-of-anne-lowe-zelda-wynn-valdes-and-ruby-bailey-2ecsj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474814066264-0P0LSCTYZ283XRKCY6VM/Ruby+Bailey2.jpg</image:loc>
      <image:title>Longform - The Life and Work of Ruby Bailey, Zelda Wynn Valdes, and Ann Lowe</image:title>
      <image:caption>Ruby Bailey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474814493654-ZWP2EAV6TE9A4DJNA1CN/Ruby+Bailey+at+the+Bal+de+tete.jpg</image:loc>
      <image:title>Longform - The Life and Work of Ruby Bailey, Zelda Wynn Valdes, and Ann Lowe</image:title>
      <image:caption>Ruby Bailey in her "Eve and the Apple" ensemble at the Bal de Tete, New York Amsterdam News (November 16, 1963).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474814591101-9QD9AE0NBOA795FQHS72/Ann+Lowe+in+Ebony+%281966%29.jpg</image:loc>
      <image:title>Longform - The Life and Work of Ruby Bailey, Zelda Wynn Valdes, and Ann Lowe</image:title>
      <image:caption>Ann Lowe in Ebony (December 1966), p. 136</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/9/11/on-the-black-designer-n9m6a</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-21</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/8/15/alex-katz-and-american-fashion-5spb6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473573153020-LH1F581DRL0U2GGBR9RZ/Jean.png</image:loc>
      <image:title>Longform - Alex Katz and American Fashion</image:title>
      <image:caption>Jean (1953). Oil on masonite, 48x34 inches. Colby College Museum of Art, Waterville, ME.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473573401627-1RA0KIMY4MWV46V8BQQE/The+Black+Dress.png</image:loc>
      <image:title>Longform - Alex Katz and American Fashion</image:title>
      <image:caption>The Black Dress (1960). Oil on linen, 72x94 inches. Collection of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473573564538-UXDPB3CDSIW1520N2N0C/Pas+Pe+Deux.png</image:loc>
      <image:title>Longform - Alex Katz and American Fashion</image:title>
      <image:caption>Pas de Deux (1983). Oil on Canvas, 132x360 inches. Colby College Museum of Art, Waterville, ME.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473573770986-Q2Y9E0JDKCETO7LY3G45/The+Cocktail+Party.png</image:loc>
      <image:title>Longform - Alex Katz and American Fashion</image:title>
      <image:caption>The Cocktail Party (1965). Oil on Canvas, 72x96 inches.  Collection Paul Jacques Schupf, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473574087977-1SO0T55LEXS1GR4PNHSI/Lawn+Party.png</image:loc>
      <image:title>Longform - Alex Katz and American Fashion</image:title>
      <image:caption>Lawn Party (1965). Oil on Canvas, 108x144 inches. Collection of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473574414558-KMSQ5NQS2HYZSNYVI7OY/Impala.png</image:loc>
      <image:title>Longform - Alex Katz and American Fashion</image:title>
      <image:caption>Impala (1968). Oil on canvas, 72x95 inches. The Cleveland Museum of Art, OH, Mr. and Mrs. William H. Marlatts Fund and Gift of the Eppler Family Foundation and Agnes Gund.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473574620244-BKY9MMFRT65FTK7EREV9/Summer+Triptych.png</image:loc>
      <image:title>Longform - Alex Katz and American Fashion</image:title>
      <image:caption>Summer Triptych (1985). Oil on canvas, each panel 78x48 inches, overall 78x144 inches. The Saatchi Collection, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/12/11/dressed-up-in-paper-what-will-i-be-wkehn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481491394596-I7SD4IMTIPKWXT2A7R12/nypl.digitalcollections.510d47e3-d99f-a3d9-e040-e00a18064a99.001.w.jpg</image:loc>
      <image:title>Longform - Dressed Up in Paper: What Will I Be?</image:title>
      <image:caption>Blackwell's Durham Fashion Doll, ca. 1895. Courtesy of The New York Public Library Digital Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481491428993-GWXJIFZZ3NSK6B07X8VC/05640v.jpg</image:loc>
      <image:title>Longform - Dressed Up in Paper: What Will I Be?</image:title>
      <image:caption>Paper Doll Fashions Issued by The Sunday Herald Chicago, ca. 1896. Courtesy of The Library of Congress.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/12/11/a-space-of-self-fashioning-creating-the-countess-of-castigliones-self-image-fkxnz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481492551832-GDDZFOI9ST8ZOIDZGIJC/Screen+Shot+2016-12-11+at+10.41.57+PM.png</image:loc>
      <image:title>Longform - A Space for Self-Fashioning: The Countess of Castiglione’s Photographic Self-Image</image:title>
      <image:caption>Ritrosetta.1861-64. Reproduced with permission from The Metropolitan Museum of Art, New York City.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/11/29/seeing-the-future-the-methods-of-trend-forecasting-mepsl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482168383291-7D1R4SHRCCVCTGO77C9G/image1.JPG</image:loc>
      <image:title>Longform - Seeing the Future? The Methods of Trend Forecasting</image:title>
      <image:caption>"Crystal Ball." Illustration by Carly Martin/Clementine Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/11/29/whats-so-fashionable-about-hiv-xc8ss</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481455732877-WLN6P6YV7NJBZIEMH9CI/Screen+Shot+2016-12-11+at+12.28.02+PM.png</image:loc>
      <image:title>Longform - What's so Fashionable About HIV?</image:title>
      <image:caption>Franca Sozzani in “L’Aids é di Moda” campaign, Terry Richardson, 2016. Reproduced with permission from Convivio.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481456401966-MDBDSRFFI8PO15AYBZQA/bruce.png</image:loc>
      <image:title>Longform - What's so Fashionable About HIV?</image:title>
      <image:caption>“Safe Sex is Hot Sex” campaign, Bruce Weber/Steven Meisel, 1991. Reproduced with permission from the Red Hot Organization.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481456613670-XP8KL596VDFXM8XC3SDY/Screen+Shot+2016-12-11+at+12.43.00+PM.png</image:loc>
      <image:title>Longform - What's so Fashionable About HIV?</image:title>
      <image:caption>“Check Your Love Life” campaign, Anoush Abrar &amp; Aimée Hoving , 2007. Reproduced with permission from Love Life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481456805218-QBZJSI1XQTYI15JF77YY/Screen+Shot+2016-12-11+at+12.46.05+PM.png</image:loc>
      <image:title>Longform - What's so Fashionable About HIV?</image:title>
      <image:caption>“Play Smart” campaign, Aaron Cobbett, 2010. Reproduced with permission from Visual AIDS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481456918693-XLD0BC4W130DL13PYKCA/Screen+Shot+2016-12-11+at+12.47.46+PM.png</image:loc>
      <image:title>Longform - What's so Fashionable About HIV?</image:title>
      <image:caption>“AIDS Changes Everything” campaign, Robert Laliberté, 2007. Reproduced with permission from the AIDS Committee of Durham Region.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481457087137-W5Q7W52I8NF6F00JDRKV/Screen+Shot+2016-12-11+at+12.50.37+PM.png</image:loc>
      <image:title>Longform - What's so Fashionable About HIV?</image:title>
      <image:caption>“AIDS Changes Everything” campaign, Robert Laliberté, 2007. Reproduced with permission from the AIDS Committee of Toronto.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/4/4/into-the-archive-unpacking-the-collections-n83bk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491334726711-JOVVX6UZMNH0XK1ME6GU/archive-v2.png</image:loc>
      <image:title>Longform - Into the Archive: Unpacking the Collections</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/4/4/ruth-finleys-fashion-calendar-pjbhy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491371723300-ASRYIBWJ6HW4WYCTN6J6/Screen+Shot+2017-04-05+at+7.54.12+AM.png</image:loc>
      <image:title>Longform - The Ruth Finley Collection</image:title>
      <image:caption>Image provided by the author. Courtesy of Special Collections at The Fashion Institute of Technology.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491371822651-X9P677QIJUDZISW78OLY/Screen+Shot+2017-04-05+at+7.54.32+AM.png</image:loc>
      <image:title>Longform - The Ruth Finley Collection</image:title>
      <image:caption>Image provided by the author. Courtesy of Special Collections at The Fashion Institute of Technology.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491375640368-OM383PQ5URKGV84TI23F/Screen+Shot+2017-04-05+at+7.57.59+AM.png</image:loc>
      <image:title>Longform - The Ruth Finley Collection</image:title>
      <image:caption>Image provided by the author. Courtesy of Special Collections at The Fashion Institute of Technology.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/4/4/shes-got-legs-a-history-of-hemlines-and-fashion-r466a</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491370428841-LQ9ST8YGR1B5C4U6SVQM/Screen+Shot+2017-04-05+at+7.26.55+AM.png</image:loc>
      <image:title>Longform - She's Got Legs: A History of Hemlines and Fashion</image:title>
      <image:caption>Illustration by Rachel Kinnard. Original images provided by the authors and from WikiCommons.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/3/31/swagger-and-flow-fashion-masculinity-and-redressing-gender-failure-in-seduction-communities-lbxp7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490993045610-6QWU2GBVGL1F6MINTLH2/Mens_Illustration.jpg</image:loc>
      <image:title>Longform - Swagger and Flow: Fashion, Masculinity, and Redressing Gender Failure in Seduction Communities</image:title>
      <image:caption>Illustration by Rachel Kinnard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/3/31/race-in-vogue-3pzt4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490992592567-LWM57WE2I8YSZPMKDVT2/VogueCover.jpg</image:loc>
      <image:title>Longform - Race in Vogue: Finding Myself in a Space of Exclusion</image:title>
      <image:caption>Illustration by Kelly Abeln.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/3/31/the-patriot-games-5c7ek</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490991897558-3CO3RP7UNOBRZG455FHC/Patriot_Games_Illustration.jpg</image:loc>
      <image:title>Longform - The Patriot Games: Ralph Lauren, Captain America, and the Fashioning of American Identity</image:title>
      <image:caption>Illustration by Rachel Kinnard</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/7/30/the-influence-of-communication-technology-on-our-lives-hdjsk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501417600266-K7DPZRSNVQJI61WEO101/Screen+Shot+2017-07-30+at+2.25.56+PM.png</image:loc>
      <image:title>Longform - The Influence of Communication Technology on Our Lives</image:title>
      <image:caption>Testing the prototype.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501417846424-9D8UL6OOTV7GV2O36303/Screen+Shot+2017-07-30+at+2.30.12+PM.png</image:loc>
      <image:title>Longform - The Influence of Communication Technology on Our Lives</image:title>
      <image:caption>Sketchbook notes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501418024068-ZD7Z1P1XA3OFJ3BEW32C/Screen+Shot+2017-07-30+at+2.31.54+PM.png</image:loc>
      <image:title>Longform - The Influence of Communication Technology on Our Lives</image:title>
      <image:caption>Fabric manipulation inspired by the gallery visit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501418020152-8O601WIS19GPQPA9KV0N/Screen+Shot+2017-07-30+at+2.32.10+PM.png</image:loc>
      <image:title>Longform - The Influence of Communication Technology on Our Lives</image:title>
      <image:caption>Fabric manipulation inspired by the gallery visit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501418265394-BDZ1YM7QVXVOKW2Q96O5/Screen+Shot+2017-07-30+at+2.36.48+PM.png</image:loc>
      <image:title>Longform - The Influence of Communication Technology on Our Lives</image:title>
      <image:caption>Collaging negative shapes on top of the figure</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/7/31/elizabeth-hawes-9y5m2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484025121-AZRHJJMA2M3DV50VMRZ9/Calahan-FSJ-Hawes1.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484025615-H9ZC0VQ2H70EKIIAUDEH/Calahan-FSJ-Hawes2.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484030337-KY61MO8M73PFNPHUMMG4/Calahan-FSJ-Hawes3.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484030000-I1WGR4Q2IK2MEB01IKQ1/Calahan-FSJ-Hawes4.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484156295-EFHJ2471MXAVAYY0LFL8/Calahan-FSJ-Hawes7.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484157066-AZURPL17ROD0TA269AH2/Calahan-FSJ-Hawes8.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484158958-DUQFZAYSPK80ZFL0YAT4/Calahan-FSJ-Hawes9.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Correspondence with Bob Neuser. February 28, 1967. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484162525-1DDUD2E0PDZNV5WYQASY/Calahan-FSJ-Hawes10.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484163317-JCOX63DU1V6PC0OIZ2SA/Calahan-FSJ-Hawes11.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484165745-CD0PACFESOOAV2CEHZ6J/Calahan-FSJ-Hawes12.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484166432-EG1HQL9G40OJKW0KD4UN/Calahan-FSJ-Hawes13.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484168218-QE49HW92NZ20DYYSJ1D6/Calahan-FSJ-Hawes14.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484168956-LFTCZGEDR6AT03KD98E4/Calahan-FSJ-Hawes15.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484170834-4WBEYHOJ6HZJZWAG06TJ/Calahan-FSJ-Hawes16.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Hawes, Elizabeth. Unpublished manuscript draft entitled "Me &amp; Skirts &amp; Men. Undated. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484759013-R2827FWVKZRFPXSDAMNF/Calahan-FSJ-Hawes5.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Eugenia Sheppard, "A Mini for Men?" New York World Journal Tribune (February 27, 1967), 9-10. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501484829018-X0G2O4XPAU2AVT6E3FRZ/Calahan-FSJ-Hawes6.jpg</image:loc>
      <image:title>Longform - The Unpublished Musings of Elizabeth Hawes</image:title>
      <image:caption>Eugenia Sheppard, "A Mini for Men?" New York World Journal Tribune (February 27, 1967), 9-10. Elizabeth Hawes Papers, box 3, folder 8. FIT Special Collections and College Archive, Fashion Institute of Technology, New York, NY.  Image courtesy of Fashion Institute of Technology|SUNY, Gladys Marcus Library Special Collections and College Archive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/8/1/smuggled-in-the-bustle-ez3rl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501593573788-JO1VZ9ZVSBMBEIDHNEOJ/getimage.exe.jpeg</image:loc>
      <image:title>Longform - Smuggled in the Bustle</image:title>
      <image:caption>“Les Modes Parisiennes.” Peterson’s Magazine, July 1868. (From University of Washington Libraries)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501593710567-E43JQNHBZMM7Q8N1KWMJ/Screen+Shot+2017-08-01+at+3.21.11+PM.png</image:loc>
      <image:title>Longform - Smuggled in the Bustle</image:title>
      <image:caption>“The Wanamaker Store” Advertisement. New York Times, March 31, 1898. (New York Times Digital Archives.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501593865261-V4C9YCC5THZS63QUO02E/Screen+Shot+2017-08-01+at+3.23.30+PM.png</image:loc>
      <image:title>Longform - Smuggled in the Bustle</image:title>
      <image:caption>“Codfish Exodus.” Puck Magazine, May 12, 1880.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501594148330-B4UIETYK4EUO0LEHXFCO/Screen+Shot+2017-08-01+at+3.27.47+PM.png</image:loc>
      <image:title>Longform - Smuggled in the Bustle</image:title>
      <image:caption>The Custom-House Code of Morals Under Our Beautiful Tariff System,” Puck Magazine, October 14 1885. (Library of Congress)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501594264747-OAX3V9VS723A6NYYTZX9/Harper+1884+pg.45.jpeg</image:loc>
      <image:title>Longform - Smuggled in the Bustle</image:title>
      <image:caption>“Female Smuggler before and After Examination,” Harper’s Magazine, June 1871.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501594383877-JJEPMHGK6T5P70JEQNRP/Screen+Shot+2017-08-01+at+3.31.53+PM.png</image:loc>
      <image:title>Longform - Smuggled in the Bustle</image:title>
      <image:caption>“McKinley and the Fashions,” Puck Magazine, September 23, 1891.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/8/1/bikini-yzr3c</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501572771706-VK288U4WX4TC6I86JSTQ/IMG_0151.jpg</image:loc>
      <image:title>Longform - The Itsy Bitsy, Teenie Weenie, Atomic Bikini</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/7/28/safe-spaces-of-desire-advertisements-in-the-nineteenth-century-fashion-press-of-berlin-paris-and-new-york-alhnf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501398360801-FUK7VU19YADF401QLF2D/Screen+Shot+2017-07-30+at+8.57.30+AM.png</image:loc>
      <image:title>Longform - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501398852956-PMXDPKYDFDCCVP4NIDJD/Figure+2.jpg</image:loc>
      <image:title>Longform - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Front cover of La Mode Illustrée, January 1878. Image courtesy of Kent State University Museum. An identical illustration appeared on the cover of Der Bazar in January 1878.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501398898211-R3N8US6X5LVJQRJQNMWM/Figure+3.jpg</image:loc>
      <image:title>Longform - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>“Sitzdouche” advertisement in Der Bazar 1898. Image courtesy of Universitaets- und Landesbibliothek Duesseldorf.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501398947283-F8AIWQ6FDCV47LU92B07/Figure+4.jpg</image:loc>
      <image:title>Longform - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Harper’s Bazar 1894. Image courtesy of The Museum of Menstruation and Women’s Health.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501399061864-Q6YI46HTLY4AQ7HBUOWY/Figure+5.jpg</image:loc>
      <image:title>Longform - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Bicycle advertisement in Der Bazar 1898. Image courtesy of Universitaets- und Landesbibliothek Duesseldorf.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501399111475-UL54WNBY934Q1SSI8AE1/Figure+6.jpg</image:loc>
      <image:title>Longform - Safe Spaces of Desire: Advertisements in the Nineteenth-Century Fashion Press of Berlin, Paris, and New York</image:title>
      <image:caption>Migraine medication in Der Bazar 1898. Image courtesy of Universitaets- und Landesbibliothek Duesseldorf.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/7/28/russell-westbrook-4nbwp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501313257960-8WJZ5JLO75FD1N0N77W2/RW_IllustrationV2.jpg</image:loc>
      <image:title>Longform - Whys and Why Nots: Reading the Stakes and Meanings of Russell Westbrook’s NBA Style Revolution</image:title>
      <image:caption>Illustration by Rachel Kinnard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501313595774-3NJ6VRNC2KY88KK9E90Z/russell-westbrook-most-stylish-1.jpg</image:loc>
      <image:title>Longform - Whys and Why Nots: Reading the Stakes and Meanings of Russell Westbrook’s NBA Style Revolution</image:title>
      <image:caption>Westbrook at a press conference after Game 1 of the 2012 Finals, wearing a Prada shirt and lensless, plastic glasses. Image via GQ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501314100705-65G66415YI0ASKOUJHJW/Screen+Shot+2017-07-29+at+9.40.02+AM.png</image:loc>
      <image:title>Longform - Whys and Why Nots: Reading the Stakes and Meanings of Russell Westbrook’s NBA Style Revolution</image:title>
      <image:caption>A sampling of Westbrook’s gender-bending silhouettes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501314664964-QOV19K2HHKQQT0U37IL1/1116-GQ-FERW04-01-Confidence-Man-Westbrook-04.jpg</image:loc>
      <image:title>Longform - Whys and Why Nots: Reading the Stakes and Meanings of Russell Westbrook’s NBA Style Revolution</image:title>
      <image:caption>Westbrook in Daniel Riley's GQ feature "Why Not Russell Westbrook?" (October 2016). Image via GQ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501313320329-9LI38Q0BPJCEZLSHRBHD/RW_Pastels.jpg</image:loc>
      <image:title>Longform - Whys and Why Nots: Reading the Stakes and Meanings of Russell Westbrook’s NBA Style Revolution</image:title>
      <image:caption>Illustration by Rachel Kinnard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2018/2/25/appropriation-and-legacy-the-rise-of-vetements-azrbz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519908548346-RDOZPUT31Y5VS0W1LWC6/vetements-v2.png</image:loc>
      <image:title>Longform - Appropriation and Legacy: A Recent History of Vetements</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519872524912-MMPTQZIXU3QR35TKSLRO/Screen+Shot+2018-02-28+at+9.48.07+PM.png</image:loc>
      <image:title>Longform - Appropriation and Legacy: A Recent History of Vetements</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2018/2/27/ethel-traphagen-american-fashion-pioneer-crwe2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519779823989-RSE9IR1R75CNOPNLL0AP/Traphagen+portrait.jpg</image:loc>
      <image:title>Longform - Ethel Traphagen: American Fashion Pioneer</image:title>
      <image:caption>Traphagen in 1933 at age fifty-one. Source: The Silhouette (New York: Traphagen School of Fashion, 1933). Image courtesy of Fashion Institute of Technology|SUNY, FIT Library Special Collections and College Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519870966253-R2Z7FWDEJ4VLT68DH6BE/Screen+Shot+2018-02-28+at+9.19.58+PM.png</image:loc>
      <image:title>Longform - Ethel Traphagen: American Fashion Pioneer</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519779974605-TP36P5OPDGEDGGA31JZE/Traphagen_image.jpg</image:loc>
      <image:title>Longform - Ethel Traphagen: American Fashion Pioneer</image:title>
      <image:caption>Traphagen‟s winning design in the New York Times’ American Fashion Contest. Source: Ethel Traphagen, Costume Design and Illustration, 2nd ed. (New York: John Wiley &amp; Sons, Inc., 1932).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2018/2/25/tailoring-cultural-change-in-the-1960s-pierre-cardins-cylinder-suit-jacket-x4ejm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519593214699-5GVQTV8WVI56DM0S6B89/Cardin.jpg</image:loc>
      <image:title>Longform - Tailoring Cultural Change in the 1960s: Pierre Cardin’s Cylinder Suit Jacket</image:title>
      <image:caption>Illustration by Rachel Kinnard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519873265521-5S4KWH5C8UPAK3LLNKIJ/Screen+Shot+2018-02-28+at+10.00.11+PM.png</image:loc>
      <image:title>Longform - Tailoring Cultural Change in the 1960s: Pierre Cardin’s Cylinder Suit Jacket</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2018/2/25/lorient-exotique-couture-culture-and-the-colonial-dreamscape-s3g36</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519587834684-12W7DC07G46W7IMNBVP4/unnamed.jpg</image:loc>
      <image:title>Longform - L’Orient Exotique: Couture, Culture, and the Colonial Dreamscape</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519588023043-7X65U2RQB0JG1IQXFESZ/Lowana_Women_%289938634413%29.jpg</image:loc>
      <image:title>Longform - L’Orient Exotique: Couture, Culture, and the Colonial Dreamscape</image:title>
      <image:caption>"Lowana Women" by William Johnson from Photographs of Western India. Volume I. Costumes and Characters (1855-1862). Image from Wikimedia Commons courtesy Southern Methodist University, Central University Libraries, DeGolyer Library,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519869636731-NK7HVEWTWFHAS21RS09U/on+the+global+market+momentum.png</image:loc>
      <image:title>Longform - L’Orient Exotique: Couture, Culture, and the Colonial Dreamscape</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519588730574-KFGB2CFQBDEI8Z515BUR/Screen+Shot+2018-02-25+at+2.58.33+PM.png</image:loc>
      <image:title>Longform - L’Orient Exotique: Couture, Culture, and the Colonial Dreamscape</image:title>
      <image:caption>From Sabyasachi Mukherjee's Instagram: The Udaipur Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519588996729-YL08VIXPWWBBSF453V0W/Screen+Shot+2018-02-25+at+3.02.58+PM.png</image:loc>
      <image:title>Longform - L’Orient Exotique: Couture, Culture, and the Colonial Dreamscape</image:title>
      <image:caption>From Sabyasachi Mukherjee's Instagram: The Golden Goddess. Gold kanjeevaram sari with uncut diamond and pearl studded heritage gold jewellery by Sabyasachi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2018/2/25/everything-is-wrong-a-search-for-order-in-the-ethnometaphysical-chaos-of-sustainable-luxury-fashion-4h33n</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520206103103-W4HFXKNIWOXLOKRPCUTD/eco-marketing.png</image:loc>
      <image:title>Longform - “Everything is Wrong”: A Search for Order in the Ethnometaphysical Chaos of Sustainable Luxury Fashion</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519870122529-THIR5YWJ4XVO8V4OVG94/on+asceticism.png</image:loc>
      <image:title>Longform - “Everything is Wrong”: A Search for Order in the Ethnometaphysical Chaos of Sustainable Luxury Fashion</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/8/30/italian-national-identity-t8m6p</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474281143307-TLQSPM2ZUOJQD13TE88O/542.jpg</image:loc>
      <image:title>Longform - Unexpected Talent Scouting</image:title>
      <image:caption>Photograph taken by Giovacchino Forzano, undated. Central Archives of the State, Segreteria Particolare del Duce, Carteggio Riservato, busta 85 Forzano. Property of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474281286377-YR5RJTFCLLSV41VFBDUP/545.jpg</image:loc>
      <image:title>Longform - Unexpected Talent Scouting</image:title>
      <image:caption>Letter to Alessandro Chiavolini from Giovacchino Forzano. Central Archives of the State, Segreteria Particolare del Duce, Carteggio Riservato, busta 85 Forzano. Property of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474281450657-NRMSN9S53Z7RU5VNZIVW/540.jpg</image:loc>
      <image:title>Longform - Unexpected Talent Scouting</image:title>
      <image:caption>Photograph taken by Giovacchino Forzano, undated. Central Archives of the State, Segreteria Particolare del Duce, Carteggio Riservato, busta 85 Forzano. Property of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/8/30/pret-a-porter-paris-and-the-image-of-women-1945-1968-9hkj6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474884745852-V48DZAVHEIXHT7VK8JFE/Screen+Shot+2016-09-26+at+10.30.15+AM.png</image:loc>
      <image:title>Longform - Oral History and Dress History:  Monique Naudeix in 1960s Paris</image:title>
      <image:caption>Monique Naudeix in a photograph taken by her husband, in the mid-1960s in a furniture shop in Rome. Naudeix’s description: “It’s a dress from the Elle [magazine] boutique that was in the Opéra neighbourhood, known as a Bon Magique. Limited distribution.” (Author’s translation)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474884824530-PVMA1QQZKV924O8QPHUJ/Screen+Shot+2016-09-26+at+12.13.17+PM.png</image:loc>
      <image:title>Longform - Oral History and Dress History:  Monique Naudeix in 1960s Paris</image:title>
      <image:caption>Monique Naudeix in a photograph taken by her husband in her in-laws home in Versailles, France. Naudeix’s description: “I’m in a Sonia Rykiel sweater, knitwear imitating lace, plum coloured, and the collar has a white border.” (Author’s translation)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/9/11/points-of-touch-towards-a-fashion-epistemology-77e5j</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473587631424-WE9V2Z96W08MTFAW5ZR4/Screen+Shot+2016-09-11+at+11.53.09+AM.png</image:loc>
      <image:title>Longform - Points of Touch: Towards a Fashion Epistemology</image:title>
      <image:caption>Maison Martin Margiela SS '09 Fashion Show. Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473708798785-969LCC8NLHMHG6XFQK2Y/Fig+78+copy.jpg</image:loc>
      <image:title>Longform - Points of Touch: Towards a Fashion Epistemology</image:title>
      <image:caption>Yohji Yamamoto AW ’91-’92 catalogue. Words, Yohji Yamamoto. Copyright, Yohji Yamamoto. Catalog is held in the Fashion Museum of the Province of Antwerp (MoMu) Archive. Images courtesy MoMu.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/7/28/cool-poses-with-leather-jackets-bm6ee</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501509658303-P1QNTJSW7NKIOBJNFH34/6.+Ramones+in+Perfecto+jackets.jpeg</image:loc>
      <image:title>Longform - Looking Cool in Black Leather</image:title>
      <image:caption>The Ramones in Perfecto jackets. Illustration by Catharina Russ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501510244926-ECK1JYHZQ6EHJ9T4QX3G/1.+Marlon+Brando+%2522Wild+One+Coolness%2522.jpeg</image:loc>
      <image:title>Longform - Looking Cool in Black Leather</image:title>
      <image:caption>Marlon Brando. Illustration by Catharina Russ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501510024720-L3P3853W70KUI1VFEYU3/4.+Girl-Driver+Ruth+Landshoff-Yorck.jpeg</image:loc>
      <image:title>Longform - Looking Cool in Black Leather</image:title>
      <image:caption>Girl driver, Ruth Landshoff-Yorck.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501509934022-9ENVH5851X5JD16WEGDZ/5.+Manfred+von+Richthofen.jpeg</image:loc>
      <image:title>Longform - Looking Cool in Black Leather</image:title>
      <image:caption>Manfred von Richthofen. Illustration by Catharina Russ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501509792401-ZJPLV0Q7OP018EUA49EE/7.+Bertolt+Brecht.jpeg</image:loc>
      <image:title>Longform - Looking Cool in Black Leather</image:title>
      <image:caption>Bertolt Brecht in leather. Illustration by Catharina Russ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501510130303-4571NJ1336TCMGMR63LU/8.+Run-D.M.C.jpeg</image:loc>
      <image:title>Longform - Looking Cool in Black Leather</image:title>
      <image:caption>Run D.M.C. Illustration by Catharina Russ.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/5/14/6s0wlc0ynjcpdnqs7873k13h9wbjdh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494762655164-POLW5I6Y3ONYVQCSZEE8/SUNDAY326.jpg</image:loc>
      <image:title>Longform - My Mum's Sunday Best</image:title>
      <image:caption>Mid-1940s with friends in Sunday best in Montreal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494762693188-1ZC4PA8QLHKS8W4ASWEM/SUNDAY327.jpg</image:loc>
      <image:title>Longform - My Mum's Sunday Best</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494762707412-101KHAT31EDWXWK20LVK/rgs369.jpg</image:loc>
      <image:title>Longform - My Mum's Sunday Best</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494762718629-HPB5WAA775DOLUR7OKLW/rgs365.jpg</image:loc>
      <image:title>Longform - My Mum's Sunday Best</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494762745052-WX8Z0Z9VURNILXPUN0HN/rgs361.jpg</image:loc>
      <image:title>Longform - My Mum's Sunday Best</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494762764233-9XALCXHGG4BH2Q7EK1XZ/rgs375.jpg</image:loc>
      <image:title>Longform - My Mum's Sunday Best</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494762785719-XSMQ5I8R7DMSJDZGDNUK/SUNDAY338.jpg</image:loc>
      <image:title>Longform - My Mum's Sunday Best</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494762792382-V9U6JVCZKQJA6ROIXJIP/SUNDAY339.jpg</image:loc>
      <image:title>Longform - My Mum's Sunday Best</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/5/11/my-mother-dress-and-dementia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494681611988-Z0PZ5LY8ZOWU567OEN2C/2017-05-12+09.52.58.jpg</image:loc>
      <image:title>Longform - My Mother, Dress, and Dementia</image:title>
      <image:caption>Photo courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/2/28/fashion-and-solidarity-the-power-of-pink-and-a-bloodstained-black-lives-matter-movement</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488281782930-G82FO4MB52YUH5KOBS1V/protest-v2.png</image:loc>
      <image:title>Longform - The Power of Pink and a Bloodstained Black Lives Matter Movement</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2017/1/20/reading-the-subversive-stitch-on-the-eve-of-the-inauguration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1484912826353-6QI2Q41Q6DX9J51BXEPM/nypl.digitalcollections.510d47e3-5f6e-a3d9-e040-e00a18064a99.001.w.jpg</image:loc>
      <image:title>Longform - Reading the Subversive Stitch on the Eve of the Inauguration</image:title>
      <image:caption>Donna Gottschalk holds poster "I am your worst fear I am your best fantasy" at Christopher Street Gay Liberation Day parade, 1970. Image courtesy the New York Public Library Digital Archives and Manuscripts. The reuse of this image has been permitted by the library's efforts to release more of its collections into the public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1484913072125-DT07XP9F4VC1IQ8B1A6R/nypl.digitalcollections.510d47e3-c9c8-a3d9-e040-e00a18064a99.001.w.jpg</image:loc>
      <image:title>Longform - Reading the Subversive Stitch on the Eve of the Inauguration</image:title>
      <image:caption>Women's Liberation Rally, Rittenhouse Square, Philadelphia, circa 1972. Image courtesy the New York Public Library Digital Archives and Manuscripts. The reuse of this image has been permitted by the library's efforts to release more of its collections into the public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1484912675556-N7XVVMMVBMILFA27GN9E/nypl.digitalcollections.510d47e3-747f-a3d9-e040-e00a18064a99.001.w.jpg</image:loc>
      <image:title>Longform - Reading the Subversive Stitch on the Eve of the Inauguration</image:title>
      <image:caption>Christopher Street Liberation Day, 1972. Image courtesy the New York Public Library Digital Archives and Manuscripts. The reuse of this image has been permitted by the library's efforts to release more of its collections into the public domain.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/longform/2016/8/15/beauty-in-real-life-glossiers-post-feminist-beauty-agenda</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1475174816460-HUJ0DQXL39R9ZQ5AD606/Screen+Shot+2016-09-29+at+8.46.06+PM.png</image:loc>
      <image:title>Longform - Beauty in Real Life: Glossier's Post-Feminist Beauty Agenda</image:title>
      <image:caption>Screenshot from the Glossier website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1475174870937-RK3HPWU8R53X3DH14CHX/Screen+Shot+2016-09-29+at+8.46.19+PM.png</image:loc>
      <image:title>Longform - Beauty in Real Life: Glossier's Post-Feminist Beauty Agenda</image:title>
      <image:caption>Screenshot from the Glossier Instagram.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-29</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2020/8/5/exhibition-review-marche-et-dmarche</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1596671429374-YT4QJKDESUOM9PV7OJXK/MAD+paris+image+2.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Marche et Démarche</image:title>
      <image:caption>Bernoit Méléard, Hommage à Calder shoe, “O” collection 1999 Paris, Musée des Arts Décoratifs © MAD Paris / photo: Hughes Dubois</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1596671565847-F8RZRFOK46B1VWBJYMDF/MAD+mache+image+1.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Marche et Démarche</image:title>
      <image:caption>Shoe belonging to Marie-Antoinette, 1792 Paris, Musée des Arts Décoratifs © MAD Paris / photo: Christophe Dellière</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2020/8/4/exhibition-review-the-tuxedo-redefined-formality-fluidity-and-femininity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1596571989457-D1QFC855KUS2EAKXIK99/Tuxedo5.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: The Tuxedo Redefined: Formality, Fluidity, and Femininity</image:title>
      <image:caption>Femme à l’oeillet (detail), 1981. René Gruau (Italian, 1909-2004). © Gruau Collection. www.grauaucollection.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1596666696799-4UPS69RE8QUH5AOY1M4D/Tuxedo4.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: The Tuxedo Redefined: Formality, Fluidity, and Femininity</image:title>
      <image:caption>Grace, 2019. Victoire Douniama (Congolese, born 1997). Courtesy of Victoire Douniama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1596572295537-IE1RHHTPYGASSRXSYM62/Tuxedo1.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: The Tuxedo Redefined: Formality, Fluidity, and Femininity</image:title>
      <image:caption>Installation view. Photo © Lucas Quigley, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2020/8/5/book-review-1950s-in-vogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1596668438047-ZD6ISNTWZZ2ZS5HKFKRC/1950s-in-vogue.jpg</image:loc>
      <image:title>Reviews - Book Review: 1950's in Vogue, The Jessica Daves Years</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2020/7/29/book-review-teaching-fashion-studies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1596146266537-7L243AG1QBPSK3I2VY72/TeachingFashionStudiesCover.jpg</image:loc>
      <image:title>Reviews - Book Review: Teaching Fashion Studies</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2020/5/15/exhibition-review-thierry-mugler-couturissime</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589585026552-RQYNY3W7LRCSF2QNS8TB/1.+Thierry+Mugler_Couturissime_Kunsthal_+Installation+shot+HR_Marco+De+Swart.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: Thierry Mugler: Couturissime</image:title>
      <image:caption>Installation shot, Act V: Futuristic &amp; Fembot Couture, 2019 design by German visual artist Philipp Fürhofer, Kunsthal Rotterdam, foto Marco De Swart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589585074381-LFEXE4E1TX7TQTNHRRIA/4.+Thierry+Mugler_Couturissime_Kunsthal_+Installation+shot+HR_Marco+De+Swart.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: Thierry Mugler: Couturissime</image:title>
      <image:caption>Installation shot, Act IV: The Photographer’s Eye, 2019 Kunsthal Rotterdam, foto Marco De Swart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589585167576-QH92AC8HV01DXJG5XDI3/14.+Helmut+Newton.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Thierry Mugler: Couturissime</image:title>
      <image:caption>Helmut Newton, Jerry Hall and Thierry Mugler, Paris, 1996. Photo: © The Helmut Newton Estate.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2020/5/18/review-fashion-body-and-culture-international-conference</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589814926310-RZWU1RO3CT71LE6AEX12/Photo+1.jpg</image:loc>
      <image:title>Reviews - Review: "Fashion, Body and Culture" International Conference</image:title>
      <image:caption>The shoes delivered to Theresa May</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589814974549-HVC44OQVOZ822AJJL0L0/Photo+2.jpg</image:loc>
      <image:title>Reviews - Review: "Fashion, Body and Culture" International Conference</image:title>
      <image:caption>Billy Davis giving presentation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589815054019-5GLT5LGZ7RQETQR6EEX4/Photo+3.jpg</image:loc>
      <image:title>Reviews - Review: "Fashion, Body and Culture" International Conference</image:title>
      <image:caption>Delegates at the “Fashion, Body and Culture” conference</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1589815092434-E673R1K29E55XLBE2VKZ/Photo+4.jpg</image:loc>
      <image:title>Reviews - Review: "Fashion, Body and Culture" International Conference</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2020/4/28/menswear-matters-inside-the-westminster-menswear-archive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588079295351-SBPNBAOVW867J74937QP/WebSize_A3_20191023_DMF9997.jpg</image:loc>
      <image:title>Reviews - Menswear Matters: Inside the Westminster Menswear Archive</image:title>
      <image:caption>The Invisible Men exhibition, staged in the Ambika P3 space at the University of Westminster.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588079523312-VKRKX40BGACKAIH89Z12/20190227__6248.jpg</image:loc>
      <image:title>Reviews - Menswear Matters: Inside the Westminster Menswear Archive</image:title>
      <image:caption>Dr. Danielle Sprecher hosts student studying garments from the collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588079575315-3XYVB521J4VUG83Y303K/20190227__6266C.jpg</image:loc>
      <image:title>Reviews - Menswear Matters: Inside the Westminster Menswear Archive</image:title>
      <image:caption>View inside the Westminster Menswear Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588079391009-V5TGF8ZNSCR8SYD43NGV/20191112_DMF0406.jpg</image:loc>
      <image:title>Reviews - Menswear Matters: Inside the Westminster Menswear Archive</image:title>
      <image:caption>Mylar Blazer, Calvin Klein Collection, 2010, displayed at Invisible Men.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588079390402-7ZW6YQ16XR7TBV4Z0VG7/20191112_DMF0341.jpg</image:loc>
      <image:title>Reviews - Menswear Matters: Inside the Westminster Menswear Archive</image:title>
      <image:caption>Atlas Jacket, C.P. Company, 1999, displayed at Invisible Men.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2020/4/28/book-review-writing-fashion-in-early-modern-italy-from-sprezzatura-to-satire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1588086141418-YM1ANCFYLHFZCQZX2CKA/Paulichelli.jpg</image:loc>
      <image:title>Reviews - Book Review: Writing Fashion in Early Modern Italy: From Sprezzatura to Satire</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2020/1/23/review-fashion-and-fugitivity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1579803643840-02IWKQCMY1AV29UHJFGX/fsj_image1.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Fashion and Fugitivity</image:title>
      <image:caption>“Joe” (2018) by Em facing “Mesdemoiselles Turnbull, filles de James Turnbull” (1843) by Samuel Palmer. Fugitifs! Salle Devenir, Musée National de Beaux Arts, Québec. Photo by Siobhan Meï.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1579803691760-Z6D60CGL6AKA3CWY1GB2/fsj_image2.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Fashion and Fugitivity</image:title>
      <image:caption>A snapshot from the exhibit Fugitifs! (2019) Featuring art by Paul Bordeleau, D. Mathieu Cassendo, Djief, Em, Maliciouz, Caroline “Gog” Soucy, Richard Vallerand, Valmo, and Amel Zaazaa. Salle Devenir, Musée National de Beaux Arts, Québec. Photo by Siobhan Meï.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1579803795251-OMRE5RGNGJROQGO03Q0X/fsj_image3.png</image:loc>
      <image:title>Reviews - Exhibition Review: Fashion and Fugitivity</image:title>
      <image:caption>A close up of the original advertisement that inspired the portrait “Robin, Lydia, and Jane”(2018) by Djief.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1579803826166-6CR7XA0ACHZ4EBGFXMSO/fsj_image4.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Fashion and Fugitivity</image:title>
      <image:caption>“Robin, Lydia, and Jane” by Djief (2018). Fugitifs! Salle Devenir, Musée National de Beaux Arts, Québec. Photo by Siobhan Meï.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1579803859394-9NW8NNTEJW82E3225KE5/fsj_image5.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Fashion and Fugitivity</image:title>
      <image:caption>“Bett” (2018) by Maliciouz. Fugitifs! Salle Devenir, Musée National de Beaux Arts, Québec. Photo by Siobhan Meï.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/11/11/book-review-work-a-queer-history-of-modeling</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1573523150081-48SSPQZ6H8A42ZZEM72E/Work.jpg</image:loc>
      <image:title>Reviews - Book Review: Work! A Queer History of Modeling</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1573523773582-55LRU5MF3IIARUTHGDLR/Work_3-06.jpg</image:loc>
      <image:title>Reviews - Book Review: Work! A Queer History of Modeling</image:title>
      <image:caption>Gerald Kelly, in drag, photographed by Hoyningen-Huene, 1933. Valentine Lawford, Horst (New York: Alfred A. Knopf, 1984), 92-93.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1573523816747-H0X2SCLKN8VBKEHC77YL/Work_3-08.jpg</image:loc>
      <image:title>Reviews - Book Review: Work! A Queer History of Modeling</image:title>
      <image:caption>George Platt Lynes with Paul Cadmus, on the set, c. 1941. Courtesy of the Harry Ransom Center, The University of Texas at Austin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1573523728419-O8O7I5J8J266NZMR9CKV/Work_2-12.jpg</image:loc>
      <image:title>Reviews - Book Review: Work! A Queer History of Modeling</image:title>
      <image:caption>Lily Yuen with fellow performers, in Lily Yuen Collection, Schomburg, Folder 6: scrapbook 1926-1930. Manuscripts, Archives, and Rare Books Division, Schomburg Center for Research in Black Culture, The New York Public Library, Astor, Lenox and Tilden Foundations.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/11/11/review-virgil-abloh-figures-of-speech</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-15</lastmod>
    <image:image>
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      <image:title>Reviews - Review: Virgil Abloh: "Figures of Speech"</image:title>
      <image:caption>Image by Nathan Keay, Courtesy of MCA Chicago</image:caption>
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    <image:image>
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      <image:title>Reviews - Review: Virgil Abloh: "Figures of Speech"</image:title>
      <image:caption>Image by Nathan Keay, Courtesy of MCA Chicago</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1573527026234-E4CMO6VWEED8P0GDWU02/PRESS+IMAGE+2.jpg</image:loc>
      <image:title>Reviews - Review: Virgil Abloh: "Figures of Speech"</image:title>
      <image:caption>Image by Nathan Keay, Courtesy of MCA Chicago</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews - Review: Virgil Abloh: "Figures of Speech"</image:title>
      <image:caption>Image by Nathan Keay, Courtesy of MCA Chicago</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/10/5/book-review-legendary-artists-and-the-clothes-they-wore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1570367599375-6LWUJT5ZXYW7PSVU522P/LegendaryArtists.jpg</image:loc>
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    <image:image>
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      <image:title>Reviews - Book Review: Legendary Artists and the Clothes They Wore</image:title>
      <image:caption>Bruce Nauman, photographed by Francois le Diascorn</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/10/5/review-jay-jaxon-40-years-of-fashion-design-brilliance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-04</lastmod>
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      <image:title>Reviews - Review: JAY JAXON: &lt;strong&gt;Fashion Designer, Le Couturier, Costumer&lt;/strong&gt;</image:title>
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      <image:title>Reviews - Review: JAY JAXON: &lt;strong&gt;Fashion Designer, Le Couturier, Costumer&lt;/strong&gt;</image:title>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/9/14/book-review-the-conscious-closet-the-revolutionary-guide-to-looking-good-while-doing-good</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-20</lastmod>
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      <image:title>Reviews - Book Review: The Conscious Closet: The Revolutionary Guide to Looking Good While Doing Good</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/10/5/book-review-issues-a-history-of-photography-in-fashion-magazines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1570367168041-73QLEO6IMBI8T4K9X51U/IssuesCover-v2.jpg</image:loc>
      <image:title>Reviews - Book Review: ISSUES: A History of Photography in Fashion Magazines</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/7/9/review-a-tale-of-two-quants</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1563138837184-ZVR268D7ELLQI6E1787I/Copyright+Fashion+and+Textile+Museum+%281%29.JPG</image:loc>
      <image:title>Reviews - Review: A Tale of Two Quants</image:title>
      <image:caption>Photo courtesy of the Fashion and Textile Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1563138890393-VIM5UKFTSVIP7E9NPQPK/Copyright+Fashion+and+Textile+Museum+%288%29.JPG</image:loc>
      <image:title>Reviews - Review: A Tale of Two Quants</image:title>
      <image:caption>Photo courtesy of the Fashion and Textile Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1563138933410-OIPHN3LWNSXWCIO7Q8RF/V%26A_Mary+Quant+exhibition+%287%29.JPG</image:loc>
      <image:title>Reviews - Review: A Tale of Two Quants</image:title>
      <image:caption>Photo courtesy of the Victoria and Albert Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1563138988004-0DHC5YYNI9Y92CQSX3HG/image-asset.jpeg</image:loc>
      <image:title>Reviews - Review: A Tale of Two Quants</image:title>
      <image:caption>Photo courtesy of the Victoria and Albert Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1563139060506-63NYX7ZJT5CNZQXPMP18/Copyright+Fashion+and+Textile+Museum.JPG</image:loc>
      <image:title>Reviews - Review: A Tale of Two Quants</image:title>
      <image:caption>Photo courtesy of the Fashion and Textile Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1563139176091-8QB93PFYMXZ9BB2UPF9E/V%26A_Mary+Quant+exhibition+%2816%29.JPG</image:loc>
      <image:title>Reviews - Review: A Tale of Two Quants</image:title>
      <image:caption>Photo courtesy of the Victoria and Albert Museum, London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/7/14/review-atelier-e-b-passer-by</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1563293744579-MKNOZYBTRF23C6K1JFTO/IMG_0688.JPEG</image:loc>
      <image:title>Reviews - Review: Atelier E. B.: Passer-By</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1563293766406-7MRXY4UEXNER93ORRCD0/IMG_0689.JPEG</image:loc>
      <image:title>Reviews - Review: Atelier E. B.: Passer-By</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1563293788988-VIQK6WPZ40ZPMROZXP73/IMG_0697.JPEG</image:loc>
      <image:title>Reviews - Review: Atelier E. B.: Passer-By</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/6/30/review-the-krystyna-campbell-pretty-fashion-gift</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1561945534488-ESOXLS5F22O7VHJI9AHV/Image+1+%28NGV%29.jpg</image:loc>
      <image:title>Reviews - Review: The Krystyna Campbell-Pretty Fashion Gift</image:title>
      <image:caption>A selection of works from The Dominique Sirop Collection, National Gallery of Victoria, Melbourne, purchased with funds donated by Mrs. Krystyna Campbell-Pretty in memory of Mr. Harold Campbell-Pretty, 2015. Courtesy of the National Gallery of Victoria.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1561946356176-HO0Z0GW2HCPEGFTZT349/Image+3+%28NGV%29.jpg</image:loc>
      <image:title>Reviews - Review: The Krystyna Campbell-Pretty Fashion Gift</image:title>
      <image:caption>Detail from 1890 silk afternoon dress by Charles Frederick Worth for Worth Paris, from the collection of the National Gallery of Victoria, Melbourne. Purchased with funds donated by Mrs. Krystyna Campbell-Pretty in memory of Mr. Harold Campbell-Pretty, 2015. Courtesy of the National Gallery of Victoria.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1561946330520-CM9HUBF1JBX3DLL80PRK/Image+2+%28NGV%29.jpg</image:loc>
      <image:title>Reviews - Review: The Krystyna Campbell-Pretty Fashion Gift</image:title>
      <image:caption>Evening dresses by Madame Grés for Alix Paris, 1939, from the collection of the National Gallery of Victoria, Melbourne. Purchased with funds donated by Mrs. Krystyna Campbell-Pretty in memory of Mr. Harold Campbell-Pretty, 2015. Courtesy of the National Gallery of Victoria.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/6/30/review-gray-area-authenticity-value-and-subversion-in-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1562257144902-EDXLEYOU2Z9PZH0QXUMO/Image1_NYU.jpeg</image:loc>
      <image:title>Reviews - Review: Gray Area: Authenticity, Value, and Subversion in Fashion</image:title>
      <image:caption>Photo courtesy of NYU Costume Studies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1562257365071-Q1P882L7Q7P7TEYPU3R4/Image3_NYU.jpeg</image:loc>
      <image:title>Reviews - Review: Gray Area: Authenticity, Value, and Subversion in Fashion</image:title>
      <image:caption>Photo courtesy of NYU Costume Studies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1562257278035-FKPQN8TVQUA49TF8GW61/image-asset.jpeg</image:loc>
      <image:title>Reviews - Review: Gray Area: Authenticity, Value, and Subversion in Fashion</image:title>
      <image:caption>Menthol 10s Sneakers and Box, Ari Saal Forman, 2006. Courtesy of Private Collection. Photographed by Aanchal Bakshi for NYU Costume Studies, 2018. Image © Aanchal Bakshi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/5/12/review-femme-fatales-strong-women-in-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1557839792497-44GHXN4Y9UEOD1NMVOOZ/20180605_P%26R_Geemente9597.jpg</image:loc>
      <image:title>Reviews - Review: Femme Fatales: Strong Women in Fashion</image:title>
      <image:caption>Stella McCartney, Spring 2017. Petrovsky &amp; Ramone (photo), Maarten Spruyt (art direction) for Gemeentemuseum Den Haag. Courtesy Stella McCartney &amp; the Gementeemuseum Den Haag.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1557839992133-Y1948UO82RLWL3A37CBI/20180605_P%26R_Geemente9654.jpg</image:loc>
      <image:title>Reviews - Review: Femme Fatales: Strong Women in Fashion</image:title>
      <image:caption>Mary Katrantzou, collection summer 2018. Petrovsky &amp; Ramone (photo), Maarten Spruyt (art direction) for Gemeentemuseum Den Haag. Courtesy Mary Katrantzou &amp; Gementeemuseum Den Haag.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/6/30/review-christian-dior-designer-of-dreams</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1561948804148-DOGGGE58QIQCOTDS7H2L/christian-dior-fashion-galliano-raf-maria.jpg</image:loc>
      <image:title>Reviews - Review: Christian Dior: Designer of Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1561948831547-99WJNC1SN4NC955AR9P6/va_christian-dior-designer-of-dreams-exhibition_historicism-section-c-adrien-dirand-5.jpg</image:loc>
      <image:title>Reviews - Review: Christian Dior: Designer of Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1561948853907-RO2B4AWUDBDAM4KF3NAQ/maria-grazia-churi.jpg</image:loc>
      <image:title>Reviews - Review: Christian Dior: Designer of Dreams</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/2/1/fashion-in-pedagogy-an-fsa-workshop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1550174948227-DUZPLWH0UOS30QJYRU00/photo.jpg</image:loc>
      <image:title>Reviews - Fashion in Pedagogy: An FSA Workshop</image:title>
      <image:caption>Photo from the FSA Workshop at Lehman Center for American History at Columbia University. Image courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/1/31/review-caroline-broadhead-a-retrospective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548972424626-NY63S3RUTLAUNPLQW6G0/carolinebroadheadexhibition-022.jpg</image:loc>
      <image:title>Reviews - Review: Caroline Broadhead: A Retrospective</image:title>
      <image:caption>Photo by Belinda Lawley, courtesy the Lethaby Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548972695594-F1YZAJ0G35WELQENLXY7/carolinebroadheadexhibition-038.jpg</image:loc>
      <image:title>Reviews - Review: Caroline Broadhead: A Retrospective</image:title>
      <image:caption>Photo by Belinda Lawley, courtesy the Lethaby Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/1/25/exhibition-review-fashioned-from-nature</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548511531940-N1F3OSEHMKER684SHJDJ/6.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Fashioned from Nature</image:title>
      <image:caption>Cape of curled cockerel feathers, Auguste Champot, France, ca. 1895 © Victoria and Albert Museum, London. Photo courtesy Victoria and Albert Museum Press Office.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1548511613357-TY1797HNQX2G4R34RCTC/10.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Fashioned from Nature</image:title>
      <image:caption>Earrings made from heads of Red Legged Honeycreeper birds, circa 1875 © Victoria and Albert Museum, London. Photo courtesy Victoria and Albert Museum Press Office.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/1/12/exhibition-review-night-amp-day-1930s-fashion-and-photographs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547350454364-8T4MHM6X405UVOHT4Z0W/5+Courtesy+of+Fashion+and+Textile+Museum.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Night &amp;amp; Day: 1930s Fashion and Photographs</image:title>
      <image:caption>“Women at Work” from the Night &amp; Day: 1930s Fashion and Photographs. Image courtesy of the Fashion and Textile Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547350705052-JUEUZZBQV8N93EDSCOUY/4+Courtesy+of+Fashion+and+Textile+Museum.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Night &amp;amp; Day: 1930s Fashion and Photographs</image:title>
      <image:caption>“Somewhere Over the Rainbow” from the Night &amp; Day: 1930s Fashion and Photographs. Image courtesy of the Fashion and Textile Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/1/7/book-review-charles-james-portrait-of-an-unreasonable-man</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547504181519-WZ5I79QKH4XXD6RD4XHN/Screen%2BShot%2B2019-01-14%2Bat%2B4.12.57%2BPM.jpg</image:loc>
      <image:title>Reviews - Book Review: Charles James: Portrait of an Unreasonable Man</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1547331078555-755X30EXF96GMUZM90SF/CharlesJames_p010.JPG</image:loc>
      <image:title>Reviews - Book Review: Charles James: Portrait of an Unreasonable Man</image:title>
      <image:caption>Young Charles James photographed by his friend Cecil Beaton circa 1930. Image courtesy of Rizzoli.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2019/1/7/book-review-charles-james-portrait-of-an-unreasonable-man-eh2dp</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2019-01-25</lastmod>
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      <image:title>Reviews - Book Review: When Études Become Form</image:title>
      <image:caption>Études and New Tendency, 2015. Photography by Jonas Lindstroem. Image courtesy of Rizzoli.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/9/15/exhibition-review-viktorrolf-fashion-artists-25-years</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-22</lastmod>
    <image:image>
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      <image:caption>Viktor &amp; Rolf, Performance of Sculptures, haute couture collection SS 2016, Installation view of Viktor&amp;Rolf: Fashion Artists 25 Years at Kunsthal Rotterdam, Photo: Peter Stigter</image:caption>
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      <image:title>Reviews - Exhibition Review: Viktor &amp;amp; Rolf: Fashion Artists 25 Years</image:title>
      <image:caption>Viktor &amp; Rolf, Russian Dolls, haute couture collection AW 1999, Installation view of Viktor&amp;Rolf: Fashion Artists 25 Years at Kunsthal Rotterdam, Photo: Peter Stigter</image:caption>
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      <image:title>Reviews - Exhibition Review: Viktor &amp;amp; Rolf: Fashion Artists 25 Years</image:title>
      <image:caption>Viktor &amp; Rolf, Van Gogh Girls, haute couture collection SS 2015, Installation view of Viktor&amp;Rolf: Fashion Artists 25 Years at Kunsthal Rotterdam, Photo: Peter Stigter</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/9/15/eckhaus-latta-possessed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:title>Reviews - Exhibition Review: Eckhaus Latta: Possessed</image:title>
      <image:caption>Photo courtesy of the Whitney Museum of Art. Photograph by Jason Mandella.</image:caption>
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    <image:image>
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      <image:title>Reviews - Exhibition Review: Eckhaus Latta: Possessed</image:title>
      <image:caption>Photo courtesy of the Whitney Museum of American Art. Photograph by Jason Mandella.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/5/22/exhibition-review-margiela</loc>
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    <priority>0.5</priority>
    <lastmod>2018-10-22</lastmod>
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      <image:title>Reviews - Exhibition Review: Margiela the Hermes Years</image:title>
      <image:caption>Photo Copyright, MoMu Anvers, Stany Dedern, Graphisme Jelle Jespers. Courtesy Musée des Arts Décoratifs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1533131015298-92TFP8K6E1E791N62SWP/03+-+%C2%A9Marina+Faust+-+Herm%C3%A4s%2C+Automne-hiver+2002-2003.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Margiela the Hermes Years</image:title>
      <image:caption>Look from the A/W 2002-2003 collection. Photo by Marina Faust, courtesy Musée des Arts Décoratifs.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/8/1/exhibtion-review-margielagalliera-1989-2009</loc>
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    <priority>0.5</priority>
    <lastmod>2018-10-22</lastmod>
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      <image:title>Reviews - Exhibition Review: Margiela/Galliera 1989-2009</image:title>
      <image:caption>Photo courtesy Palais Galliera.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews - Exhibition Review: Margiela/Galliera 1989-2009</image:title>
      <image:caption>Photo courtesy Palais Galliera.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews - Exhibition Review: Margiela/Galliera 1989-2009</image:title>
      <image:caption>Photo courtesy Palais Galliera.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/8/16/film-review-the-gospel-according-to-andr</loc>
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    <lastmod>2021-04-20</lastmod>
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      <image:title>Reviews - Film Review: The Gospel According to André</image:title>
      <image:caption>Movie poster courtesy of Magnolia Pictures.</image:caption>
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      <image:title>Reviews - Film Review: The Gospel According to André</image:title>
      <image:caption>André Leon Talley in The Gospel According to André. Photo courtesy of Magnolia Pictures.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/8/15/book-review-the-beautiful-fall-fashion-genius-and-glorious-excess-in-1970s-paris-h8edh</loc>
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    <lastmod>2019-01-13</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/8/15/exhibition-review-uniformity-pexbw</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:title>Reviews - Exhibition Review: Uniformity</image:title>
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      <image:title>Reviews - Exhibition Review: Uniformity</image:title>
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      <image:title>Reviews - Exhibition Review: Uniformity</image:title>
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      <image:title>Reviews - Exhibition Review: Uniformity</image:title>
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      <image:title>Reviews - Exhibition Review: Uniformity</image:title>
    </image:image>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/8/15/book-review-managing-costume-collections-an-essential-primer-4efgc</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/8/15/reigning-men-fashion-in-menswear-1715-2015-tsymp</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/9/25/empire-of-cotton-a-global-history-b7b7l</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1475173790885-ACX986PTO7J7DNY67TAI/Screen+Shot+2016-09-25+at+3.50.40+PM.png</image:loc>
      <image:title>Reviews - Book Review: Empire of Cotton: A Global History</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/10/5/vogue-100-a-century-of-style-m7ha7</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1476210719910-GUNGI3OQDZA71Q0WKGMX/MAG_EXHIBITIONS_01JUL16_0109.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Vogue 100: A Century of Style</image:title>
      <image:caption>Photo by Nathan Chandler. Courtesy Manchester Art Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/11/19/masterworks-unpacking-fashion-xff3j</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481381870335-B41OWPFF6LIQJSAMFYXO/09.Masterworks%2CStairwellGalleryView.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Masterworks: Unpacking Fashion</image:title>
      <image:caption>Gallery View, Stairwell Entryway, © The Metropolitan Museum of Art</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews - Exhibition Review: Masterworks: Unpacking Fashion</image:title>
      <image:caption>Gallery View, Early Twentieth Century, © The Metropolitan Museum of Art</image:caption>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/12/10/the-vulgar-fashion-redefined-nmwby</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:caption>Installation view Barbican Art Gallery, London (13 October 2016 – 5 February 2017), © Michael Bowles / Getty Images</image:caption>
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      <image:title>Reviews - Exhibition Review: The Vulgar: Fashion Redefined</image:title>
      <image:caption>Installation view Barbican Art Gallery, London (13 October 2016 – 5 February 2017), © Michael Bowles / Getty Images</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews - Exhibition Review: The Vulgar: Fashion Redefined</image:title>
      <image:caption>Installation view Barbican Art Gallery, London (13 October 2016 – 5 February 2017), © Michael Bowles / Getty Images</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/11/19/the-suit-form-function-and-style-bljja</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:title>Reviews - Book Review: The Suit: Form, Function and Style</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/9/27/the-beautiful-fall-736my</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:title>Reviews - Book Review: The Beautiful Fall: Fashion, Genius and Glorious Excess in 1970s Paris</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/11/19/sex-and-suits-the-evolution-of-modern-dress-wa3xp</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:title>Reviews - Book Review: Sex and Suits: The Evolution of Modern Dress</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/12/11/black-fashion-designers-p5k46</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:title>Reviews - Exhibition Review: Black Fashion Designers</image:title>
      <image:caption>Andre Walker, ensemble, spring 2016, USA. Museum purchase, 2016.68.1. Photograph by Eileen Costa, courtesy The Museum at FIT.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/11/19/antonio-lopez-future-funk-fashion-gc6mt</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:title>Reviews - Exhibition Review: Antonio Lopez: Future, Funk, Fashion</image:title>
      <image:caption>Installation image. Reproduced with permission from Museo del Barrio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481473914150-9T2OZRSCQDCCUUF7KOXV/1986.+Mick+Jagger+%26+Tina+Turner.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Antonio Lopez: Future, Funk, Fashion</image:title>
      <image:caption>Antonio Lopez, Tina Turner and Mick Jagger, 1986, Pencil/watercolor on paper, 17” x 14”, Courtesy of the Estate of Antonio Lopez &amp; Juan Ramos. Reproduced with permission from Museo del Barrio.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/1/3/hair-by-sam-mcknight-2crb2</loc>
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    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:caption>Photo by Peter MacDiarmid. Image courtesy Somerset House.</image:caption>
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      <image:title>Reviews - Exhibition Review: Hair by Sam McKnight</image:title>
      <image:caption>Photo by Peter MacDiarmid. Image courtesy Somerset House.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1483456640601-U95N3Q85NSHL5DETNI0U/Hair+by+Sam+McKnight+at+Somerset+House+Installation+Image.+2+November+2016+-+12+March+2017+-+credit+Peter+MacDiarmid-4.jpeg</image:loc>
      <image:title>Reviews - Exhibition Review: Hair by Sam McKnight</image:title>
      <image:caption>Photo by Peter MacDiarmid. Image courtesy Somerset House.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/4/2/museum-of-transology-jmccc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
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      <image:title>Reviews - Exhibition Review: Museum of Transology</image:title>
      <image:caption>Installation image. Courtesy of Museum of Transology.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491116333542-LGE0Y28H1U8TF5CV79YB/Screen+Shot+2017-04-02+at+8.57.57+AM.png</image:loc>
      <image:title>Reviews - Exhibition Review: Museum of Transology</image:title>
      <image:caption>lipstick from the collection. Photo by Katy Davies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491116523707-343F9BDVP0WS83CQ5DOH/Screen+Shot+2017-04-02+at+9.01.33+AM.png</image:loc>
      <image:title>Reviews - Exhibition Review: Museum of Transology</image:title>
      <image:caption>he Bathroom: Beauty and the Body. Courtesy of Museum of Transology.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/4/2/pantsula-4-lyf-popular-dance-and-fashion-in-johannesburg-epxgj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491114627309-TP257LN6PRN2I9AS1KEB/Saunders_Intellectuals.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: PANTSULA 4 LYF: Popular Dance and Fashion in Johannesburg</image:title>
      <image:caption>Chris Saunders, Intellectuals. Photo provided by the Fowler Museum at UCLA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491114715362-2FFVTYE01GKUOX1F722C/Saunders_Rea_Iketsetsa.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: PANTSULA 4 LYF: Popular Dance and Fashion in Johannesburg</image:title>
      <image:caption>Chris Saunders, Rea Iketsetsa. Photo provided by the Fowler Museum at UCLA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/3/31/a-life-in-fashion-the-wardrobe-of-cecil-beaton-ns8b5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490989458074-AUVAYRS0GJGC2TOH76PP/A+Life+in+Fashion.png</image:loc>
      <image:title>Reviews - Book Review: A Life in Fashion: The Wardrobe of Cecil Beaton</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/4/2/paris-refashioned-1957-1968-nhkkn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491117481418-IQM3UETUOGWUTF72HZSX/31545610134_991e5b0ee0_o.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Paris Refashioned, 1957-1968</image:title>
      <image:caption>Yves Saint Laurent Rive Gauche, raincoat, 1966, gift of Ethel Scull. 77.21.4 Photograph by Eileen Costa, courtesy of the Museum at FIT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491117555875-DA1PDTUBZ8JITOHM4Y55/32349114066_4a691d07de_o.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Paris Refashioned, 1957-1968</image:title>
      <image:caption>Paco Rabanne, dress, circa 1966, gift of Montgomery Ward. 81.48.1. Photograph by Eileen Costa, Courtesy of the Museum at FIT.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/3/31/philosophical-perspectives-on-fashion-8hjjy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490990232958-E6WWV8A8YK0RAV1JY0BD/Philosophical+Perspectives+on+Fashion.png</image:loc>
      <image:title>Reviews - Book Review: Philosophical Perspectives on Fashion</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/3/31/experimental-fashion-performance-art-carnival-and-the-grotesque-body-yaspr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490989892767-J9VM4W4YXEXNDCECQT28/Experimental+Fashion.png</image:loc>
      <image:title>Reviews - Book Review: Experimental Fashion: Performance Art, Carnival and the Grotesque Body</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/3/31/19th-century-fashion-in-detail-e3xsd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1490989017473-J2J5Z9EJB04LJB6891P1/19th-Century+Fashion+in+Detail.png</image:loc>
      <image:title>Reviews - Book Review: 19th-Century Fashion in Detail</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/7/30/lace-in-fashion-53x45</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501422111116-JKOU9ROZTDK8XYTYAN6C/LACE+ID+25+1926+LACE+ID+28+1950+LACE+ID+24+1924+Fashion+Museum+Bath.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Lace in Fashion</image:title>
      <image:caption>Photo Courtesy Fashion Museum Bath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501422209342-AYKO9176PP0OPN4K5MAP/LACE+ID+8+ID+14+Fashion+Museum+Bath.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Lace in Fashion</image:title>
      <image:caption>Photo courtesy Fashion Museum Bath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501422210856-EHAP4LK0N01D0PBWUF23/LACE+ID+17+ID+19+ID+18+Fashion+Museum+Bath.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Lace in Fashion</image:title>
      <image:caption>Photo courtesy Fashion Museum Bath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501422216762-K8L7JX6R27R26FV3VT1Y/LACE+ID+30+ID+26+ID+36+Fashion+Museum+Bath.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Lace in Fashion</image:title>
      <image:caption>Photo courtesy Fashion Museum Bath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501422318837-WX0QDP81SZD0TSYCLDPH/Jacques+Azagury.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Lace in Fashion</image:title>
      <image:caption>Photo courtesy Fashion Museum Bath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501422326056-GQGR041BAPTFKVTP7QLF/LACE+ID+38+%28LOAN+IN%29+LOVER+2015.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Lace in Fashion</image:title>
      <image:caption>Photo courtesy Fashion Museum Bath.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/7/30/balenciaga-a-tale-of-two-stagings-6cp9e</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501424097695-WM7DGD3MZ6K40J5S118U/Crist%C3%B3bal_Balenciaga_at_work_Paris_1968._Photograph_Henri_Cartier-Bresson__Henri_Cartier-Bresson_Magnum_Photos.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Balenciaga: A Tale of Two Stagings</image:title>
      <image:caption>Cristóbal Balenciaga at work, Paris, 1968. Photograph Henri Cartier-Bresson © Henri Cartier-Bresson, Magnum Photos. Courtesy Victoria &amp; Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501423839586-QOPK5H3FUACNE3VI9SLS/Evening_dress_silk_taffeta_Crist%C3%B3bal_Balenciaga_Paris_1955__Victoria_and_Albert_Museum_London.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Balenciaga: A Tale of Two Stagings</image:title>
      <image:caption>Evening dress, silk taffeta, Cristóbal Balenciaga, Paris, 1955 © Victoria and Albert Museum, London.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501423885154-0LRGW3RM2LH9O77RUOKI/Evening_gown_and_cape_ziberline_Crist%C3%B3bal_Balenciaga_Paris_1967__Victoria_and_Albert_Museum_London.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Balenciaga: A Tale of Two Stagings</image:title>
      <image:caption>Evening gown and cape, ziberline, Cristóbal Balenciaga, Paris, 1967 © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501423856080-EC83P86BCBPXG3BUROR1/La_Tulipe_evening_dress_gazar_Balenciaga_for_EISA_Spain_1965__Victoria_and_Albert_Museum_London.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Balenciaga: A Tale of Two Stagings</image:title>
      <image:caption>La Tulipe Evening Dress, Balenciaga for EISA, Spain, 1965, © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501423393265-DRB4MHAX2V2KOALZ5ZOL/3-+BALENCIAGA_Bourdelle.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Balenciaga: A Tale of Two Stagings</image:title>
      <image:caption>Balenciaga. Robe. 1950. Collection Palais Galliera. Copyright Julien Vidal/Galliera/Roger-Viollet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501423444526-RZKKX6SOEKEQMU1RUBYO/7-+BALENCIAGA_Bourdelle.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Balenciaga: A Tale of Two Stagings</image:title>
      <image:caption>Hiver 1962, Balenciaga Archives Paris; Cape 1961, Balenciaga Archives Paris; Cape 1951, Balenciaga Archives Paris; Robe 1956, Collection Palais Galliera. Copyright Julien Vidal/Galliera/Roger-Viollet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501423477328-GDDZD3GTGFDEJOV2JIZ8/11-+BALENCIAGA_Bourdelle.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Balenciaga: A Tale of Two Stagings</image:title>
      <image:caption>Balenciaga. Robe 1962. Copyright Julien Vidal/Galliera/Roger-Viollet.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/7/31/present-imperfect-nzxl2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501481432831-X2HXKP0E30LGTP28P0PK/Screen+Shot+2017-07-31+at+7.26.04+AM.png</image:loc>
      <image:title>Reviews - Exhibition Review: Present Imperfect: Disorderly Apparel Reconfigured</image:title>
      <image:caption>Detail of a Redfern silk dress. Photo by Camilla Glorioso. Copyright Camilla Glorioso. Courtesy Fashion Space Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/7/30/gorgia-okeeffe-living-modern-9hmjp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501446799552-NZ0GMPI13V6I2KL3AHX9/Georgia+O%E2%80%99Keeffe-+Living+Modern+Installation+Views+%28C%29+Jonathan+Dorado_1.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Georgia O'Keeffe: Living Modern</image:title>
      <image:caption>Georgia O'Keeffe: Living Modern, installation views. Copyright, Jonathan Dorado (2017). Courtesy the Brooklyn Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501446965163-2RENWA2W2JEEDT7VJOXK/Georgia+O%E2%80%99Keeffe-+Living+Modern+Installation+Views+%28C%29+Jonathan+Dorado_14.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Georgia O'Keeffe: Living Modern</image:title>
      <image:caption>Georgia O'Keeffe: Living Modern, installation views. Copyright, Jonathan Dorado (2017). Courtesy the Brooklyn Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/7/28/seven-sisters-style-yylb8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501226747638-LJSPHA660KLMEB358SCN/Seven+Sisters+Style+Image.png</image:loc>
      <image:title>Reviews - Book Review: Seven Sisters Style</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/8/1/guess-35-years-still-dreaming-tw4te</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501571688929-AVQI80RKBZL5NNZAWMKO/700058800_EM_0854_6E3446F4922C2153D267B35301097122.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: GUESS: 35 Years &amp;amp; Still Dreaming</image:title>
      <image:caption>Installation shot, GUESS: 35 Years &amp; Still Dreaming. Copyright FIDM. Image courtesy FIDM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501571817257-0D8EOMIE405N1J3ZQ680/700058800_EM_0954_03E38AD292D615D2599CA06EDEBB3FBF.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: GUESS: 35 Years &amp;amp; Still Dreaming</image:title>
      <image:caption>Installation shot, GUESS: 35 Years &amp; Still Dreaming. Copyright FIDM. Image courtesy FIDM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501571961578-CS3AL95M65OXQG69VE7E/700058800_EM_0838_3449F7073117337936C33F3458801512.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: GUESS: 35 Years &amp;amp; Still Dreaming</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501571964666-WP6BTM54S26AXIEPV996/700058800_EM_0866_33B94F989D82A9891C71E8B225EAA3FE.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: GUESS: 35 Years &amp;amp; Still Dreaming</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/7/28/how-to-read-a-dress-abap8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501226605228-HYFC1NMUBD7Z6V0LQHZX/How+to+Read+a+Dress+Image.png</image:loc>
      <image:title>Reviews - Book Review: How to Read a Dress</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/7/28/paris-refashioned-sa2xd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501226505181-2L5CRF2U7OD2ITMGKQ4O/Paris+Refashioned+Image.png</image:loc>
      <image:title>Reviews - Book Review: Paris Refashioned: 1957-1968</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/7/28/thinking-through-fashion-ftg9p</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501226293981-UMXUZJDJAKP4PZX05YQQ/Thinking+Through+Fashion+Image.png</image:loc>
      <image:title>Reviews - Book Review: Thinking Through Fashion</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/3/2/charlotte-collects-contemporary-couture-and-fabulous-fashion-pz24w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520041439348-OFFATE95EH6U0ZXKW9HS/Install+view.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Charlotte Collects: Contemporary Couture and Fabulous Fashion</image:title>
      <image:caption>Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520041559528-1FXAQJHVRWZ0T2S7BFHN/Delpozo.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Charlotte Collects: Contemporary Couture and Fabulous Fashion</image:title>
      <image:caption>Image courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/3/4/the-eye-of-the-beholder-95a26</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520187307126-0A9YQ0394KVXOHJ1XIW2/239DB7BA-B917-4A55-B6CD-1CF5FC0F0425.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: The Eye of the Beholder: Decade-Defining Lids, Lashes, &amp;amp; Brows</image:title>
      <image:caption>Photo courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520187514142-BEA42NRS15CBUJNRW7K1/9DE13046-D010-41D9-9A62-889158182C86.jpeg</image:loc>
      <image:title>Reviews - Exhibition Review: The Eye of the Beholder: Decade-Defining Lids, Lashes, &amp;amp; Brows</image:title>
      <image:caption>Photo courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/the-body-fashion-and-physique-pd8y4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520040050645-Q1NJUOLLES443ETPSL7C/2017.53.1_20170920_01.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: The Body: Fashion and Physique</image:title>
      <image:caption>Chromat, ensemble, spandex and plastic boning, spring 2015, USA, museum purchase. Photograph courtesy The Museum at FIT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520040486841-LA39G0UZM1SHTQS7PL50/2017.26.1_20170816_01.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: The Body: Fashion and Physique</image:title>
      <image:caption>Christian Siriano, custom dress for actress Leslie Jones, faille crepe, 2016, USA, Gift of Christian Siriano. Photograph courtesy The Museum at FIT.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/guo-pei-couture-beyond-rfbra</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520037898473-D9ME84A77SE166MVR0M1/ATL_2017Fall_Exhibitions_GuoPei_AM_20_JJ.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Guo Pei: Couture Beyond</image:title>
      <image:caption>Image courtesy of SCAD</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520038159334-KFNEOSGVME3E5KRXIJN7/ATL_2017Fall_Exhibitions_GuoPei_03_JJ_SN.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Guo Pei: Couture Beyond</image:title>
      <image:caption>Image courtesy of SCAD</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520038327410-JQNGC2Q1ER1NSRI5KYA3/GuoPei_Garment_794.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Guo Pei: Couture Beyond</image:title>
      <image:caption>Image courtesy of SCAD</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/2/28/dior-designer-of-dreams-wbg9l</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519825039224-IY5C9TK0LLSVQ6EJ99A1/Dior_5.jpeg</image:loc>
      <image:title>Reviews - Exhibition Review: Dior: Designer of Dreams</image:title>
      <image:caption>Maria Grazia Chiuri for Christian Dior, Essence d’herbier cocktail dress, Haute Couture, Spring-Summer 2017 Ecru fringe cocktail dress, floral raffia and thread embroidery adorned with Swarovski crystals, derived from a Christian Dior original embroidery ©~MAD / Nicholas Alan Cope</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519825130581-BR35CYPYV7KRFMO52ZDR/Dior_11.jpeg</image:loc>
      <image:title>Reviews - Exhibition Review: Dior: Designer of Dreams</image:title>
      <image:caption>Photo by Adrien Dirand, courtesy The National   </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519825201841-05PSE4QEXUZMH1M4OI84/Dior_10.jpeg</image:loc>
      <image:title>Reviews - Exhibition Review: Dior: Designer of Dreams</image:title>
      <image:caption>Photo by Adrien Dirand, courtesy The National  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/2/25/opening-up-the-wardrobe-jfz32</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519592337486-V6T8I4NJ0HKZ3XVC6W6F/Screen+Shot+2018-02-25+at+3.58.12+PM.png</image:loc>
      <image:title>Reviews - Book Review: Opening Up the Wardrobe</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/2/25/the-geographies-of-fashion-e388x</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519592382334-WYQYHVKK8EPD67J987ZQ/Screen+Shot+2018-02-25+at+3.58.34+PM.png</image:loc>
      <image:title>Reviews - Book Review: The Geographies of Fashion</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/2/17/house-style-five-centuries-of-fashion-ba88r</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518914029664-3GQ9910ALUZVMSV4MADG/figureone.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: House Style: Five Centuries of Fashion</image:title>
      <image:caption>An Alexander McQueen dress worn by Stella Tennant in British Vogue is displayed in The Painted Hall at Chatsworth House. Image courtesy of Chatsworth Trust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518914591593-RZZ16C7VRT4GTBQEO3PH/figurefour.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: House Style: Five Centuries of Fashion</image:title>
      <image:caption>Four wedding worn at family weddings displayed in the estates chapel. Image courtesy of Chatsworth Trust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518914357220-N4Q42ZHV9Y9P23UQVHP7/figurethree.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: House Style: Five Centuries of Fashion</image:title>
      <image:caption>Photograph of traditional coronation robes, worn at three consecutive coronations displayed in The Painted Hall. Image courtesy of Chatsworth Trust.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/2/17/susan-cianciolo-run-church-run-restaurant-run-store-zzdt6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518916981537-75469GPQ54DW5AOIZ99Y/image5.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: RUN Church, RUN Restaurant, RUN Store</image:title>
      <image:caption>Susan Cianciolo, Circle of Chairs, (2016-17) on view at Modern Art, London. Photo courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518917453363-SWWBJ3POBPXM4J7206SR/image6.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: RUN Church, RUN Restaurant, RUN Store</image:title>
      <image:caption>Susan Cianciolo, Kids Outfit Kit (2015) on view at Modern Art, London. Photo courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518917831793-MF240KARQ951EGKO6WCL/image4.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: RUN Church, RUN Restaurant, RUN Store</image:title>
      <image:caption>Susan Cianciolo, Tapestry 1 (2010-17) on view at Modern Art, London. Photo courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/2/17/super-sharp-fashion-space-gallery-hxxfe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518897474886-ICOLX9WVOH17IVVNJ1T7/Super+Sharp.jpeg</image:loc>
      <image:title>Reviews - Exhibition Review: Super Sharp: Fashion Space Gallery</image:title>
      <image:caption>Photograph by Mark Alesky, taken at club night ‘Thunder &amp; Joy’ held at RAW, December 1994. Image courtesy LCF.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518898371430-JFCERFXE4NIA9L1L6RVX/Press_3.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Super Sharp: Fashion Space Gallery</image:title>
      <image:caption>Club night ‘Heat’ held at Hastings Pier, May 1997, photograph by Tristan O’Neill. Image courtesy LCF.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518912348012-5XMWHRQ4QCTZ6NKSTDBM/One+Nation_27th+September+1997_Tristan+O_Neill_2.jpeg</image:loc>
      <image:title>Reviews - Exhibition Review: Super Sharp: Fashion Space Gallery</image:title>
      <image:caption>Club night ‘One Nation’, September 1997, photograph by Tristan O’Neill. Image courtesy of LCF.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518912347492-Y3I0WFOZ4535WLFGCJCT/Innovation+Camden+Palace_17th+August+1996_Tristan+O_Neill.jpeg</image:loc>
      <image:title>Reviews - Exhibition Review: Super Sharp: Fashion Space Gallery</image:title>
      <image:caption>Club night ‘Innovation’ held at Camden Palace, 1996, photograph by Tristan O’Neill. Image courtesy of LCF.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2016/8/15/book-review-fixing-fashion-rethinking-the-way-we-make-market-and-buy-our-clothes-dhth2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1471985297363-TFS6AQNM77QCN9XI1WFP/Screen+Shot+2016-08-23+at+2.52.43+PM.png</image:loc>
      <image:title>Reviews - Book Review: Fixing Fashion: Rethinking the Way We Make, Market and Buy Our Clothes</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/8/1/exhibiton-review-azzedine-alaa-je-suis-couturier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1533130292654-51G2IDS69WCGG497HAUT/Alaia+3.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: Azzedine Alaïa: "Je Suis Couturier"</image:title>
      <image:caption>Installation photo by Jeremie Roux, courtesy Parsons Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1533130459615-W1YLWEKTVWPLJL2V0VNT/Alaia+4.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: Azzedine Alaïa: "Je Suis Couturier"</image:title>
      <image:caption>Installation photo by Jeremie Roux, courtesy Parsons Paris.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/5/13/review-iris-van-herpen-transforming-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1526207683819-Z9IR2WN8IKNEELKAST8C/Fig1_Biopiracy.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Iris van Herpen: Transforming Fashion</image:title>
      <image:caption>Iris van Herpen, Biopiracy, Dress, March 2014. 3-D-printed thermoplastic polyurethane 92A-1 with silicon coating. In collaboration with Julia Koerner and Materialise. Collection of Phoenix Art Museum, Gift of Arizona Costume Institute. Photo by Bart Oomes, NO 6 Studios.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1526207935174-6JO7TBC3NDBKQD239E38/Fig2_ChemicalCrows.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Iris van Herpen: Transforming Fashion</image:title>
      <image:caption>Iris van Herpen, Chemical Crows, Dress, Collar, January 2008. Ribs of children’s umbrellas and cow leather. Groninger Museum. Photo by Bart Oomes, NO 6 Studios.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1526208007630-X8APGB6RQNK7XFA7M0V2/Fig3_MagneticMotion.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Iris van Herpen: Transforming Fashion</image:title>
      <image:caption>Iris van Herpen, Magnetic Motion, Dress, September 2014. 3-D-printed transparent photopolymer and stereolithography resin. High Museum of Art, Purchase with funds from the Decorative Arts Acquisition Trust and through prior acquisitions. Photo by Bart Oomes, NO 6 Studios.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/3/26/exhibition-review-dior-at-rom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1522115733987-HWZM302G9T2IE5KRLVSZ/ROM2017_16027_7.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Dior at ROM</image:title>
      <image:caption>Photo Courtesy Royal Ontario Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/2/6/book-review-letters-to-yves</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1517935923203-H0NX0IBHF1LM1UDPVA8C/Screen+Shot+2018-02-06+at+10.49.59+AM.png</image:loc>
      <image:title>Reviews - Book Review: Letters to Yves</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/1/16/exhibition-review-items-is-fashion-modern</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1516090922655-XG7QWOJDHT0ODDE1GQ4P/cri_000000408658.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Items: Is Fashion Modern?</image:title>
      <image:caption>Image courtesy the Museum of Modern Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1516090992001-QNEOUFGDWH0EZFM0NX8V/cri_000000408553.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Items: Is Fashion Modern?</image:title>
      <image:caption>Image courtesy the Museum of Modern Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1516091091332-FIT4TY5RWE53NVJ5TEQL/cri_000000408668.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Items: Is Fashion Modern?</image:title>
      <image:caption>Image courtesy the Museum of Modern Art, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/1/8/exhibition-review-louise-dahl-wolfe-a-style-of-her-own</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1515505905361-GT6YL715WMODHZ2I1QMG/Looking+at+Matisse%2C+Museum+of+Modern+Art%2C+1939.+Photograph+by+Louise+Dahl-Wolfe.+Collection+Staley+Wise+Gallery..jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Louise Dahl-Wolfe: A Style of Her Own</image:title>
      <image:caption>Looking at Matisse, Museum of Modern Art (1939). Photograph by Louise Dahl-Wolfe. Collection Staley Wise Gallery. Copyright 1989 Center for Creative Photography, Arizona Board of Regents. Image courtesy the Fashion and Textile Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1515506099593-39L2598I97COOK3YTBFU/Twins+at+the+Beach%2C+Nassau%2C+1949.+Photograph+by+Louise+Dahl-Wolfe.+Collection+Staley+Wise+Gallery.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Louise Dahl-Wolfe: A Style of Her Own</image:title>
      <image:caption>wins at the Beach, Nassau (1949). Photograph by Louise Dahl-Wolfe. Collection Staley Wise Gallery. Copyright 1989 Center for Creative Photography, Arizona Board of Regents.  Image courtesy the Fashion and Textile Museum, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2018/1/6/exhibition-review-sara-bermans-closet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1515236497203-OMRZG4OO37TGXKCW1M2H/Sara-Bermans-Closet-Met-Museum.org_.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: Sara Berman's Closet</image:title>
      <image:caption>Image courtesy the Metropolitan Museum of Art. Copyright, Metropolitan Museum of Art, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/12/2/exhibition-review-fabric-of-cultures-systems-in-the-making</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1512537762782-238U9DEM63AUIXR2I2U5/1_Art+Center.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: Fabric of Cultures: Systems in the Making</image:title>
      <image:caption>The Fabric of Cultures: Systems in the Making on view at the Queens College Art Center. Photo courtesy of Queens College Art Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1512261304583-9PEDNCF5DINJ9OS8EC5X/2_Cangari.JPG</image:loc>
      <image:title>Reviews - Exhibition Review: Fabric of Cultures: Systems in the Making</image:title>
      <image:caption>Foreground: An organic silk wedding dress by CANGARI takes on new life after being dyed black; the train of the gown becomes a shawl. Background: Garments on display by Pucci and FrancyG. Photo courtesy of Queens College Art Center.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/11/3/exhibition-review-william-ivey-long-costume-design-2007-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1509697977365-6H8R9ZPJ77I737X73NAL/william_ivey_long_f066becker.jpg__524x0_q85_subsampling-2.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: William Ivey Long: Costume Design 2007-2016</image:title>
      <image:caption>William Ivey Long in his studio with inspiration boards for The Rocky Horror Picture Show: Let’s Do the Time Warp Again, along with a costume from Curtains (2007), and a maquette for The Merry Widow (2014), 2016. Photograph by Jonathan Becker for Vanity Fair. Photo courtesy The Mint Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1509698041437-NKKJ88XRA2Y68G7OR3RF/wil_grease_behind_the_scenes.jpg__524x0_q85_subsampling-2.jpg</image:loc>
      <image:title>Reviews - Exhibition Review: William Ivey Long: Costume Design 2007-2016</image:title>
      <image:caption>William Ivey Long on the set of Grease Live!, 2016. Photograph by David Korins. Courtesy The Mint Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/9/3/5eyw15mw4bnia2o9dzpt52q168glj2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1504480185420-PSMUL0M4JNELNAESHG4F/Screen+Shot+2017-09-03+at+7.08.07+PM.png</image:loc>
      <image:title>Reviews - Book Review: Pretty Iconic</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/9/11/review-what-is-fashion-research</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1505132588619-J8NPQC2GDKC3M5BS2RJ4/Rorschach+Blot+4-571x442.jpg</image:loc>
      <image:title>Reviews - Event Review: What is Fashion Research?</image:title>
      <image:caption>Inspired by panelist Jonathan KYLE Farmer's obsession with palindromes, the Rorschach ink blot was the symbol of the talk. Image via Ceremony Coffee Roasters.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/reviews-2/2017/7/11/folk-fashion-for-fashion-folk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-13</lastmod>
    <image:image>
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      <image:caption>Photo courtesy the author.</image:caption>
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      <image:title>Reviews - Exhibition Review: North: Identity, Photography, Fashion</image:title>
      <image:caption>North: Identity, Photography, Fashion. Open Eye Gallery, 2017. Image by Adam Murray.</image:caption>
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      <image:caption>Black Fashion Designers installation view. Photo by Eileen Costa. Courtesy The Museum at FIT.</image:caption>
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      <image:caption>Photo by Genevieve Hanson, courtesy of Jeffrey Deitch, http://www.deitch.com/current.</image:caption>
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      <image:title>Practice - For What It's Worth</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-2/2017/4/2/purity-or-promiscuity-4n5bw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491129681849-PXV2F4IUF2OIJ3DYQF43/Screen+Shot+2017-04-02+at+12.41.41.png</image:loc>
      <image:title>Practice - Purity or Promiscuity?</image:title>
      <image:caption>Purus et Promiscus (2014). Gloves and pubic hair.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491129838778-I4Q7Q07CXFDCFOUEK72M/Screen+Shot+2017-04-02+at+12.44.23.png</image:loc>
      <image:title>Practice - Purity or Promiscuity?</image:title>
      <image:caption>Bodily Nature/The Great Orifice (2014-2015). Pubic hair, horse hair and oxidised silver.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491129955530-16Y34R8U2YAD5T5HDRHS/Screen+Shot+2017-04-02+at+12.46.07.png</image:loc>
      <image:title>Practice - Purity or Promiscuity?</image:title>
      <image:caption>Bodily Nature/The Great Orifice (2014-2015). Pubic hair, horse hair and oxidised silver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491130058015-9GFK9XP7BOPDS57CWW07/Screen+Shot+2017-04-02+at+12.47.41.png</image:loc>
      <image:title>Practice - Purity or Promiscuity?</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491130060071-E318YJN48269PJEWC1UW/Screen+Shot+2017-04-02+at+12.47.36.png</image:loc>
      <image:title>Practice - Purity or Promiscuity?</image:title>
      <image:caption>Bodily Nature/Turf (2015). My own hair and gold.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-2/2017/4/2/creases-crumples-and-folds-maps-of-experience-and-manifestations-of-wear-l58hj</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2019-07-22</lastmod>
    <image:image>
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      <image:title>Practice - Creases, Crumples, and Folds</image:title>
      <image:caption>Ellen Sampson (2015) Cloth (Photograph. Silk, gauze, copper leaf, leather shoes). Copyright 2016 Ellen Sampson.</image:caption>
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    <image:image>
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      <image:title>Practice - Creases, Crumples, and Folds</image:title>
      <image:caption>Ellen Sampson (2015). Cloth (Photograph. Silk, gauze, copper leaf, leather shoes). Copyright 2016 Ellen Sampson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491127107677-HAKPFOXSYJGX09B0LBUD/Ellen_Sampson_Cloth_10.jpg</image:loc>
      <image:title>Practice - Creases, Crumples, and Folds</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491127124436-0OLCJ01J0TV2A2L9ZIMJ/Ellen_Sampson_Cloth_15.jpg</image:loc>
      <image:title>Practice - Creases, Crumples, and Folds</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491127208154-O1RJNEP12LCW3ZH1OUY1/Ellen_Sampson_Cloth_09.jpg</image:loc>
      <image:title>Practice - Creases, Crumples, and Folds</image:title>
      <image:caption>Ellen Sampson (2015). Cloth (Photograph. Silk, gauze, copper leaf, leather shoes). Copyright 2016 Ellen Sampson.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/new-blog-2/2017/7/30/pyhvaatteita-sunday-clothes-7ad4g</loc>
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    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
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      <image:title>Practice - PYHÄVAATTEITA (Sunday Clothes)</image:title>
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      <image:title>Practice - PYHÄVAATTEITA (Sunday Clothes)</image:title>
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      <image:title>Practice - PYHÄVAATTEITA (Sunday Clothes)</image:title>
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      <image:title>Practice - PYHÄVAATTEITA (Sunday Clothes)</image:title>
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    <image:image>
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      <image:title>Practice - PYHÄVAATTEITA (Sunday Clothes)</image:title>
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    <image:image>
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      <image:title>Practice - PYHÄVAATTEITA (Sunday Clothes)</image:title>
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      <image:title>Practice - PYHÄVAATTEITA (Sunday Clothes)</image:title>
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  <url>
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    <lastmod>2018-10-15</lastmod>
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      <image:title>Practice - Ready-to-Paint: Co-Creation with Little Artists</image:title>
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      <image:title>Practice - Ready-to-Paint: Co-Creation with Little Artists</image:title>
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      <image:title>Practice - Ready-to-Paint: Co-Creation with Little Artists</image:title>
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      <image:title>Practice - Ready-to-Paint: Co-Creation with Little Artists</image:title>
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      <image:title>Practice - Ready-to-Paint: Co-Creation with Little Artists</image:title>
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      <image:title>Practice - Ready-to-Paint: Co-Creation with Little Artists</image:title>
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      <image:title>Practice - Ready-to-Paint: Co-Creation with Little Artists</image:title>
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  <url>
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      <image:title>Practice - Model Maker</image:title>
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      <image:title>Practice - Model Maker</image:title>
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      <image:title>Practice - Model Maker</image:title>
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      <image:caption>Photo credit: CEOPortrait.com</image:caption>
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      <image:caption>Kimberly Jenkins hosting a panel discussion, 'Fashion, Culture &amp; Justice: A NYFW Dialogue,' Fall 2017. The panel was conceptualized by Jenkins and designer Becca McCharen-Tran and was commemorated by The New School as 'Dialogues that have shaped The New School for 100 years' (The New School at Medium.com, August 2019). Photo credit: Jonathan Grassi.</image:caption>
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      <image:caption>Screenshot of The Fashion and Race Database, an online platform to decentralize and decolonize fashion, founded in 2017 by Kimberly Jenkins. Art credit: Fabiola Jean-Louis. Image credit: Kimberly Jenkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1604679028752-W098NI5BEVPMLKFR31JM/5_Fashion+and+Justice+Workshop_Kim+Jenkins+.jpg</image:loc>
      <image:title>Profiles - Making it Work: Kim Jenkins and The Fashion and Race Database</image:title>
      <image:caption>Kimberly Jenkins giving a lecture that juxtaposes two historically relevant covers of Vogue. This photo was taken during The Fashion and Justice Workshop, hosted by Jenkins and Dr. Jonathan M. Square at Columbia College in Chicago. 2019. Photo credit: Jacqueline Wayne Guite.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1603996890746-ADL54TRCIEB6R66ZAOG3/9_Kimberly%2BJenkins%2BGucci%2BArrivals%2BMilan%2BFashion%2BfwzP44wa3FDl.jpg</image:loc>
      <image:title>Profiles - Making it Work: Kim Jenkins and The Fashion and Race Database</image:title>
      <image:caption>Kimberly Jenkins arrives at the Gucci show during Milan Fashion Week Autumn/Winter 2019/20 on February 20, 2019 in Milan, Italy. (Feb. 19, 2019 - Source: Getty Images Europe).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2019/3/23/profile-ruth-e-carter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1553381118454-K8IVWJE53KBWLOHHPE72/IMG_7998.jpg</image:loc>
      <image:title>Profiles - Profile: Ruth E. Carter: Costuming Black Panther</image:title>
      <image:caption>Courtesy: Marvel Studios</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1553381668296-9L0GAB8BW84HFFTWYIYE/IMG_7997.jpg</image:loc>
      <image:title>Profiles - Profile: Ruth E. Carter: Costuming Black Panther</image:title>
      <image:caption>Courtesy: Marvel Studios</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1553381678825-ZQB3V1F221X4ESJ8NIHL/IMG_8001.jpg</image:loc>
      <image:title>Profiles - Profile: Ruth E. Carter: Costuming Black Panther</image:title>
      <image:caption>Courtesy: Marvel Studios</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2016/8/30/maayan-sherris-feminist-swimwear-designer-aw9ab</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479492939060-OERXWGVDW7MS1FTD4E2C/babes+2.jpeg</image:loc>
      <image:title>Profiles - Talking Shop: Swimwear Designer Maayan Sherris</image:title>
      <image:caption>Photo courtesy Maayan Sherris.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2016/10/17/aida-dame-zandra-rhodes-21st-century-approach-to-egyptian-opera-sa259</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479487235783-JJGMQSU7MVDTVDB73HAU/Aida+1.png</image:loc>
      <image:title>Profiles - Zandra Rhodes’ Approach to “Egyptian” Opera - Copy of Aida, Princess' Servant</image:title>
      <image:caption>Lest you think the hairstyle is a bit exaggerated, many ancient references exist with similar silhouettes, and it is known that Egyptian women typically shaved or cropped their hair and wore wigs, to avoid the tropical parasites common in the Nile area. In this sketch we can also see the diaphanous pleated garments worn by women of the time. (Sketch by Zandra Rhodes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479487239745-HKAM0IY3L0ADHKG67EIO/Aida+2.png</image:loc>
      <image:title>Profiles - Zandra Rhodes’ Approach to “Egyptian” Opera - Copy of Radames</image:title>
      <image:caption>Captain of the Egyptian Guard and love interest of both Aida and Amneris. Here shown cleverly depicted in profile, like the characters found inside Tutankhamen’s tomb. This drawing shows the ancient Egyptian man’s pleated and draped skirt or schenti. (Sketch by Zandra Rhodes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479488736822-Y6YPQ42EFN3SQ7D04T3V/Screen+Shot+2016-11-18+at+6.04.46+PM.png</image:loc>
      <image:title>Profiles - Zandra Rhodes’ Approach to “Egyptian” Opera - Copy of The King of Egypt and Ramfis</image:title>
      <image:caption>King of Egypt (left) Here we can also see Zandra’s iconic motif which she calls her "wiggle." Its art history moniker is vermicelli, literally “little worms” in Italian, and used in reference to textiles from the 19th century on. This is a great example of Zandra’s design imprint, which she uses frequently in her fashion designs, as the wiggly lines were not part of the Egyptian aesthetic. (Photo by Cory Weaver, San Francisco Opera) Ramfis (right), High Priest, with garment of gold lamé pleats worn over a hooped skirt for volume. He also wears an animal skin which priests were allowed to do, and eventually they used fake animal skins for their rituals, with leopard spots painted onto the cloth (so here we have art imitating history imitating nature). The Greek historian Herodotus observed that priests had shaven heads, when he visited Egypt. (Photo by Cory Weaver)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489103999-NIOA1NULZ7GYAMY9YSSB/Aida4.png</image:loc>
      <image:title>Profiles - Zandra Rhodes’ Approach to “Egyptian” Opera - Copy of Amneris</image:title>
      <image:caption>Daughter of the King of Egypt. (Sketch by Zandra Rhodes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489456372-9E14WSHOXE5F30R49BR2/priest.jpg</image:loc>
      <image:title>Profiles - Zandra Rhodes’ Approach to “Egyptian” Opera - Copy of Priest</image:title>
      <image:caption>This sketch shows the shaved head with blue tattoos (mentioned below), the pleated garment (the width of which is exaggerated by the use of a crinoline), the placket, the draped animal skin, and the Eye of Horus hanging like a name-tag around the priest’s neck. Also called a Wadjet, it was a symbol of protection. (Sketch by Zandra Rhodes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489475364-ACM3CLYM1PGB4X2Q6BOX/amneris.jpg</image:loc>
      <image:title>Profiles - Zandra Rhodes’ Approach to “Egyptian” Opera - Copy of Amneris</image:title>
      <image:caption>We know the Egyptians loved gold and turquoise for it covers their tombs. The ombre effect of the turquoise blues and the golden geometric hand printing is evident in the realized costume for Amneris. (Photo by Lynn Lane)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489752705-PUZSWYB57EQWFFUA0OXZ/elephant.jpg</image:loc>
      <image:title>Profiles - Zandra Rhodes’ Approach to “Egyptian” Opera - Copy of The Giant Elephant Puppet</image:title>
      <image:caption>This extraordinary pièce de résistance in the Triumphal March was wrangled by a number of humans and features turquoise and gold, with Zandra’s "wiggle" motif prominent. The trunk is dead on center, so the actual length cannot be seen. Truly worth seeing live! (Photo by Cory Weaver)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479489976880-1VPD7SCI3DP1AQSUW83S/zandra.jpg</image:loc>
      <image:title>Profiles - Zandra Rhodes’ Approach to “Egyptian” Opera</image:title>
      <image:caption>Zandra Rhodes with her costumes for Aida. (Photo by Kelly Nicolaisen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2017/4/2/joan-juliet-buck-former-editor-of-french-vogue-f2xxh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491119332099-BY17XKI5X1EKZZ2R4FDS/52728b92df85dcb0a61b2c57f54e083f.jpg</image:loc>
      <image:title>Profiles - Joan Juliet Buck, Former Editor of French Vogue</image:title>
      <image:caption>Vogue Paris (August 1994). Buck's tenure spanned he years 1994-2001. Image via Pinterest.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2017/8/2/studio-visit-fabiola-jean-louis-c3z7x</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501657022720-OWLYRA7DY4LJQ9LIWIRO/Fabiola+JeanLouis_FSJ.jpg</image:loc>
      <image:title>Profiles - Fabiola Jean-Louis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501656518217-3D0ZPH4OOFMXAE9VDIBZ/Amina%27s+Child.jpg</image:loc>
      <image:title>Profiles - Fabiola Jean-Louis</image:title>
      <image:caption>Amina's Child. Image courtesy Fabiola Jean-Louis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501656534846-25OI3F3HZWHM7DJ7BCRR/They%27ll+Say+We+Enjoyed+It.jpg</image:loc>
      <image:title>Profiles - Fabiola Jean-Louis</image:title>
      <image:caption>They'll Say We Enjoyed It. Image courtesy Fabiola Jean-Louis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501656883846-9HZO1IN1S1MXJVZ3X7BZ/Marie_Antoinette+Is+Dead.jpg</image:loc>
      <image:title>Profiles - Fabiola Jean-Louis</image:title>
      <image:caption>Marie Antoinette is Dead. Image courtesy Fabiola Jean-Louis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501656896730-NFJ7OQD8M9C6HCF7DOV3/Conquistador.jpg</image:loc>
      <image:title>Profiles - Fabiola Jean-Louis</image:title>
      <image:caption>Conquistador. Image courtesy Fabiola Jean-Louis.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2017/8/2/anna-luisa-petrisko-of-jeepneys-x3ww3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501705351401-UOMQN80WVUZSK5KO2PKM/jeepneys_3.png</image:loc>
      <image:title>Profiles - Anna Luisa Petrisko of JEEPNEYS</image:title>
      <image:caption>All images courtesy Anna Luisa Petrisko.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501705188299-F441CTCJAC72KZF6S1XA/jeepneys_1.png</image:loc>
      <image:title>Profiles - Anna Luisa Petrisko of JEEPNEYS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501705198325-YM60CHN0BJEA25JW9G05/jeepneys_4.png</image:loc>
      <image:title>Profiles - Anna Luisa Petrisko of JEEPNEYS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501705305147-YBCHGWNKKUM0ZHG94ZGT/jeepneys_6.jpg</image:loc>
      <image:title>Profiles - Anna Luisa Petrisko of JEEPNEYS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501705398505-W6SE3PIV8H6C86SH5E2H/jeepneys_5.png</image:loc>
      <image:title>Profiles - Anna Luisa Petrisko of JEEPNEYS</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2018/2/27/mar-martinez-organizing-coordinator-at-the-garment-worker-center-flxcy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519783089576-8GDXSF5E9R9NNEO4QRYV/GWC_1.jpg</image:loc>
      <image:title>Profiles - Mar Martinez</image:title>
      <image:caption>“Stop The Wage Theft,” Photo courtesy Garment Worker Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519783178222-LEZA755ZXM4G1N7PD9IB/GWC_5.jpg</image:loc>
      <image:title>Profiles - Mar Martinez</image:title>
      <image:caption>Photo courtesy Garment Worker Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519783331166-9K4KHBG28QK0XHZ6PXUO/GWC_4.jpg</image:loc>
      <image:title>Profiles - Mar Martinez</image:title>
      <image:caption>Photo courtesy Garment Worker Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519783280073-EUUCS5W03RGQBHNHBK0H/GWC_6.jpg</image:loc>
      <image:title>Profiles - Mar Martinez</image:title>
      <image:caption>“Stop the Theft of Our Health,” Photo courtesy Garment Worker Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519783446118-3MAWI6D5VXJCPYLOKTFX/GWC_2.jpg</image:loc>
      <image:title>Profiles - Mar Martinez</image:title>
      <image:caption>“We Want All the Factories to be Investigated for Wage Theft” Photo courtesy Garment Worker Center.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2018/2/27/the-overworked-body-dialogue-b9n4c</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781378360-6YNL1ZGGZNGHAS28LJLP/VSCO+Cam-1.jpg</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
      <image:caption>All photos by Yair Oelbaum, © MINI/Goethe-Institut Curatorial Residencies Ludlow 38.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781550106-XX5QPWZ4JHCSNL8HV7VO/22610006.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781673417-LDJLR06ZQUDSENLQNZBB/22590029.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519872171888-4N4SB4J6HHAU711WUPF0/Screen+Shot+2018-02-28+at+9.42.23+PM.png</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781769127-S8OAP80BJ81QL6KEHUQR/22590006.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781800555-22LU4L4K0IQR0ZFAXD8R/22600031.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519781943320-HUMJVAXV5YLDO604063O/22610027.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519782037847-OAS1V2Y6DVL3QXSNP02M/22610029.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519782191162-3EZG0AKP3K38PHD989JF/22610033.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519782197719-EMEWLMBOHYFCPNW7RNNF/22610015.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519782312059-4DWF57COGHVZB2B89Y4Q/22590013.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519782318571-BV6K43QOM38OCPFVD70D/22610036.JPG</image:loc>
      <image:title>Profiles - Matthew Linde and Eilidh Duffy</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2018/3/1/uwdgle2i9tgqm6k8x2q2mxhggzkwj3-p2wwx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519959647815-8NNXQQ3ROV1Q4Z5KE707/Sara_Ziff_photocredit_KregHolt.jpg</image:loc>
      <image:title>Profiles - Sara Ziff</image:title>
      <image:caption>Sara Ziff. Photo by Kreg Holt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519959872165-B8PROXX1IE3QK8MVC9IF/Screen+Shot+2018-03-01+at+10.03.53+PM.png</image:loc>
      <image:title>Profiles - Sara Ziff</image:title>
      <image:caption>From the Model Alliance Instagram, @modelallianceny</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519959984264-UJJUSA0ZFOOBLUYGOMHG/Screen+Shot+2018-03-01+at+10.06.03+PM.png</image:loc>
      <image:title>Profiles - Sara Ziff</image:title>
      <image:caption>From the Model Alliance Instagram, @modelallianceny</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519960110463-9R70H5SJ0RDG7DRSCSKO/Screen+Shot+2018-03-01+at+10.08.05+PM.png</image:loc>
      <image:title>Profiles - Sara Ziff</image:title>
      <image:caption>From the Model Alliance Instagram, @modelallianceny</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519960353791-PKDXLW6JK2XHBD2GYPRA/Screen+Shot+2018-03-01+at+10.10.34+PM.png</image:loc>
      <image:title>Profiles - Sara Ziff</image:title>
      <image:caption>From the Model Alliance Instagram, @modelallianceny</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/profile/2018/3/4/connie-wang-ke9se</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520186681594-B2279VRR4HJYEUJH84ZM/Screen+Shot+2018-03-04+at+1.03.17+PM.png</image:loc>
      <image:title>Profiles - Connie Wang</image:title>
      <image:caption>From Connie Wang's Instagram, @conconwang</image:caption>
    </image:image>
    <image:image>
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      <image:title>Profiles - Connie Wang</image:title>
      <image:caption>Connie Wang on location in Windhoek, Namibia, from her Instagram, @conconwang</image:caption>
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      <image:title>Profiles - Connie Wang</image:title>
      <image:caption>Connie Wang on location in Calabasas, California, from her Instagram, @conconwang</image:caption>
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    <lastmod>2018-03-06</lastmod>
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      <image:title>Profiles - Eva Hagberg Fisher on #loafersofjustice</image:title>
      <image:caption>Eva's #loafersofjustice Instagram post. Photo courtesy Eva Hagberg Fisher.</image:caption>
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    <lastmod>2018-01-26</lastmod>
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      <image:title>Profiles - Discussing Beauty with Kathy Peiss</image:title>
      <image:caption>Photo by Jessica Barker.</image:caption>
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    <lastmod>2017-07-26</lastmod>
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      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
      <image:caption>Photo by Johanna Nyholm.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1498471733603-EDLA4A01W20L2GTTNN5K/01-Utopian-Bodies-KTZ-Manon-Kundig-Manish-Arora-Prada-Fiona-ONeill-Minju-Kim-Nick-Knight_SHOWstudio-Orlando-Campbell-Photo-Mattias-Lindback.jpg</image:loc>
      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1498471735923-4DGX7SOK4VVC26XPEGCX/04-Utopian-Bodies-Liljevalchs-Pauline-Van-Dongen-Satsuki-Ohata-byBorre-Kouji-Hikawa-Smart-Textiles-Jolan-Van-Der-Wiel-x-Iris-Van-Herpen-Chromat-Ying-Gao-Moon-Berlin-Photo-Mattias-Lindback.jpg</image:loc>
      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1498471744857-YTAELCT8ATZ7O6E3A9SR/16-Utopian-Bodies-Liljevalchs-Helen-Story-Issey-Miyake-x-Dai-Fujiwara-Hussein-Chalayan-Miguel-Mesa-Posada-Kosuke-Tsumura-HM-Concious-Maison-Martin-Margiela-HM-Photo-Mattias-Lindback.jpg</image:loc>
      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:title>Profiles - Making it Work: Sofia Hedman</image:title>
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      <image:caption>Photo courtesy the Body Pos Project.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/8717a1ee-54c1-42d1-87aa-331fe06d2eb9/%281%29main+header+with+text.jpg</image:loc>
      <image:title>Notes - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Image courtesy of Chinouk Filique de Miranda.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2022/4/18/letter-from-the-editor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/15949a3f-cfb6-4984-9b1f-c30edfbfb2e3/IMG_0785.jpg</image:loc>
      <image:title>Notes - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/c6605378-9e78-4774-b82f-671f5bb96dfa/image11.jpeg</image:loc>
      <image:title>Notes - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Image by Sanem Odabaşi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2021/11/17/letter-from-the-editor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/2c58204e-fe3f-4a51-90f4-066d6009755b/IMG_0745.jpg</image:loc>
      <image:title>Notes - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/dff980ce-73ac-4793-be5f-f0d302a9da6b/IMG_0746.jpg</image:loc>
      <image:title>Notes - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2021/7/3/introduction-to-our-fashion-amp-mental-health-issue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625332828843-2YHT2THHNQ34WEXAW9ZM/Main+image+by+Mike.jpg</image:loc>
      <image:title>Notes - Introduction: Fashion &amp;amp; Mental Health - Make it stand out</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2021/2/7/fashion-amp-motherhood-a-letter-from-the-editor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612719664339-EYYDY22ASNWPYGKVO1HW/2_fashion_and_motherhood.jpg</image:loc>
      <image:title>Notes - Fashion &amp;amp; Motherhood: A Letter from the Editor</image:title>
      <image:caption>Image: Sultana Bambino</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612722967833-CYOAWWYBDMFLZH43JSTE/FirstYear.jpg</image:loc>
      <image:title>Notes - Fashion &amp;amp; Motherhood: A Letter from the Editor</image:title>
      <image:caption>Aimee Gilmore, First Year (Maya’s clothes as rope), 2015-2016, discarded baby clothes as rope ball</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2020/11/19/faculty-uncertainty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1607647606106-V8A6AM2YXQMWB3JYJ0EJ/FSJ_image.jpg</image:loc>
      <image:title>Notes - Teaching from Home: The Uncertainties of Faculty Life During a Pandemic</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2020/11/12/reflections-and-observations-on-the-quarantine-ss20-archive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1605221876097-B5UZVHT876DOWT86FG2F/fsj_doris.jpg</image:loc>
      <image:title>Notes - Reflections and Observations on the QUARANTINE S/S20 Archive</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1605221891419-M7XXMWOHTSWYCLWWHZM4/fsj_zsofi.jpg</image:loc>
      <image:title>Notes - Reflections and Observations on the QUARANTINE S/S20 Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1605221910152-RG6YKVOF2XZHN6K4RT3N/fsj_dina.jpg</image:loc>
      <image:title>Notes - Reflections and Observations on the QUARANTINE S/S20 Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1605221927594-52VJXPHJ46JYH1H2XMTD/fsj_nicole.jpg</image:loc>
      <image:title>Notes - Reflections and Observations on the QUARANTINE S/S20 Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1605221941599-DF37MLZIHWDQCU31N4IZ/fsj_elodie.jpg</image:loc>
      <image:title>Notes - Reflections and Observations on the QUARANTINE S/S20 Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1605221958551-OTJKO8T09F3RNFTXJN5P/fsj_caroline.jpg</image:loc>
      <image:title>Notes - Reflections and Observations on the QUARANTINE S/S20 Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1605221972550-BMKJV3D8W29X4DOBWVAC/fsj_monica.jpg</image:loc>
      <image:title>Notes - Reflections and Observations on the QUARANTINE S/S20 Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1605221986226-GM9GZDRQ7X88ZXYWJ3J4/fsj_jaimie.jpg</image:loc>
      <image:title>Notes - Reflections and Observations on the QUARANTINE S/S20 Archive</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2020/10/29/making-it-work-a-survey-by-the-fashion-studies-journal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1603971265162-I2GZ7OEV508VKJ7CF49L/IMG_0589.jpg</image:loc>
      <image:title>Notes - Making it Work: A Survey by The Fashion Studies Journal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1603971992395-1XYUO60N5RXCMUN4AN6C/Survey+Cover.jpg</image:loc>
      <image:title>Notes - Making it Work: A Survey by The Fashion Studies Journal</image:title>
      <image:caption>Click here to download and read the survey!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2020/10/27/a-letter-from-the-editors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1603836999052-4FROIT31KPD0HUA29E1W/Zoom-meet.png</image:loc>
      <image:title>Notes - A Letter from the Editors</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2020/6/27/minimalismmaximalism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1593282003044-496JFLHXEEJGIO0HO62Z/MinMax_02.jpg</image:loc>
      <image:title>Notes - A Conversation with FIT's Melissa Marra-Alvarez, Curator of Minimalism/Maximalism</image:title>
      <image:caption>Introductory platform highlighting minimal and maximal looks.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1593282086608-3K3LXM8IIKI47ZXVZ75V/MinMax+Brochure+Cover.jpg</image:loc>
      <image:title>Notes - A Conversation with FIT's Melissa Marra-Alvarez, Curator of Minimalism/Maximalism</image:title>
      <image:caption>Left: Narciso Rodriguez, evening dress, spring 2011, USA. The Museum at FIT, Gift of Mr. Narciso Rodriguez. 2010.92.2. Right: Comme des Garçons, bodysuit, Multidimensional Graffiti collection, Spring 2018, Japan. The Museum at FIT, Museum Purchase. 2018.2.1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1593282162034-ABP0LHTDSM03CF6L4A6S/CrossPollination2019_01.jpg</image:loc>
      <image:title>Notes - A Conversation with FIT's Melissa Marra-Alvarez, Curator of Minimalism/Maximalism</image:title>
      <image:caption>Installation images from the Cross-Pollination Minimalism/Maximalism display, Art and Design Gallery, Fashion Institute of Technology. Photo by Eileen Costa, © The Museum at FIT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1593282207844-CQPNSAPCC1G9RVDO4TB5/IMG_1025.jpg</image:loc>
      <image:title>Notes - A Conversation with FIT's Melissa Marra-Alvarez, Curator of Minimalism/Maximalism</image:title>
      <image:caption>Pin-up board used to layout objects and organize ideas for the exhibition Minimalism/Maximalism. Photo courtesy Melissa Marra-Alvarez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1593282276969-M5RAY3SUUSUFQ5N2DHNB/MinMax_16.jpg</image:loc>
      <image:title>Notes - A Conversation with FIT's Melissa Marra-Alvarez, Curator of Minimalism/Maximalism</image:title>
      <image:caption>Minimalist looks of the 1980s and 1990s, featured in Minimalism/Maximalsim.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2019/12/15/love-and-loss-on-closet-purges</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1576430988623-QFUDIWTTS5ZHNTJ0Y98C/IMG_0388.jpg</image:loc>
      <image:title>Notes - To Give and Regret: On the Closet Purge</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1576431376226-BDX13ARGENKU6A4V5JBI/Holly+running-2.jpg</image:loc>
      <image:title>Notes - To Give and Regret: On the Closet Purge</image:title>
      <image:caption>Holly’s friend wearing an identical “Save the Theater” race premium t-shirt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1576431746114-S9W9UM8QPQR2EZZJ7XOL/image-asset.jpeg</image:loc>
      <image:title>Notes - To Give and Regret: On the Closet Purge</image:title>
      <image:caption>The author wearing the handmade pullover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1576432008269-MLSWBRNWVP2VMKQVJTW4/42117952_51f9a78e35_o.jpg</image:loc>
      <image:title>Notes - To Give and Regret: On the Closet Purge</image:title>
      <image:caption>I didn’t have a digital camera in 2006, so I don’t have any pictures of the stuff I lost, but I did find this one of the street!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1576431191313-NL6WQCXSENBV4ULYFEAW/SM-FIT.jpg</image:loc>
      <image:title>Notes - To Give and Regret: On the Closet Purge</image:title>
      <image:caption>At the FIT commencement ceremony. As much as I loved those shoes, this is the only picture of them I have!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2019/11/21/appropriated-dress-syllabus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1574349561993-HFVEJRR77NXKUDTNU3E6/IMG_0402.jpg</image:loc>
      <image:title>Notes - Appropriate[d] Dress Syllabus</image:title>
      <image:caption>Textile Fragment by Lloyd Kiva New for John Jacoby (ca. 1950), collection of the Fashion Study Collection at Columbia College Chicago.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1574347743668-00CP86DP8QBGLIR823IS/Screen+Shot+2019-11-21+at+8.47.57+AM.png</image:loc>
      <image:title>Notes - Appropriate[d] Dress Syllabus</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/12/17/episode-1-zbwt8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482151429137-YII1SSRTVDYTZ6TKDTEJ/Screen+Shot+2016-12-19+at+13.44.34.png</image:loc>
      <image:title>Notes - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>The Arabia campus of Aalto ARTS. Photo courtesy the authors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482151483134-YGPFIDPLAB4V9F9M7M9B/Figure+2.JPG</image:loc>
      <image:title>Notes - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>‘Näytös’, the annual fashion show of Aalto ARTS (May 2016). Photo courtesy the authors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482151528617-LTH8VCRVWSUOYW5NA661/Figure+3.JPG</image:loc>
      <image:title>Notes - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>A scene from the Design Research course in 2016. Photo courtesy the authors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482151565326-A5GRYQ7DNXPFPTFYVQ0L/Figure+4.jpg</image:loc>
      <image:title>Notes - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>Skype session in February 2016 with Otto von Busch (Parsons School of Design) during the pilot seminar. Photo courtesy the authors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482151661986-68WNDBNVHJ0H8HZXQJR2/Figure+5.jpg</image:loc>
      <image:title>Notes - Critical Thinking and Making on Fashion:  “Dead Fashion Designers Society”</image:title>
      <image:caption>Poster for the info session of the course. Photo courtesy the authors.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/11/20/notes-from-the-field-kutch-and-maheshwar-weaving</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542773191441-L052UQYWUARXNDAOIBTG/Fig+1+-First+day+on+the+loom+with+teachers+Jentilal+Premji+Bokhani+and+Prakash+Siju.jpg</image:loc>
      <image:title>Notes - Notes from the Field: Kutch and Maheshwar Weaving</image:title>
      <image:caption>First day on the loom with teachers Jentilal Premji Bokhani and Prakash Siju. Photo: Lokesh Ghai</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542773774516-EUMAARQYZGG1J4NGH0MD/Fig+3+-+Bhujodi+main+street.JPG</image:loc>
      <image:title>Notes - Notes from the Field: Kutch and Maheshwar Weaving</image:title>
      <image:caption>A main street in Bhujodi, a major textile center in the Kutch District of Gujarat, India. Photo: Ruth Clifford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542773933914-IW27K292ULMRM6UCIW3L/Fig+4-+Maheshwar+fort.jpg</image:loc>
      <image:title>Notes - Notes from the Field: Kutch and Maheshwar Weaving</image:title>
      <image:caption>Maheshwar, India, a center of handloom weaving since the 5th century. Photo: Ruth Clifford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542775432691-46U2RLF1Y4KYC1OY0IEM/Fig+6+-+Dayalal+explaining+the+concept+behind+a+shawl+inspired+by+a+traditional+dhabla.jpg</image:loc>
      <image:title>Notes - Notes from the Field: Kutch and Maheshwar Weaving</image:title>
      <image:caption>Dayalal Kudecha, a weaver from Bhujodi who attended KRV in 2008, after which he worked his way up from job-weaver to weaver-designer, entrepreneur and teacher. His products have a distinct look. He has perfected the use of natural dyes to achieve stunning color palettes, using a range of materials including different types of silk, and adapting traditional motifs and patterns to create high-quality designs. Photo: Ruth Clifford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542775763953-G1959C723RYEPSVGGXQN/Fig+9_Pachan+presenting+his+collection+to+the+jury.JPG</image:loc>
      <image:title>Notes - Notes from the Field: Kutch and Maheshwar Weaving</image:title>
      <image:caption>Brothers Purshottam and Pachan have both been through the design course at KRV and SKV, respectively, and have established a joint family business with their older brother Danji who is in charge of production. Here Pachan presents his final collection to the jury. Photo: Ruth Clifford</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/11/20/notes-from-the-field</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542770618113-E1H4NZ33TIRDUEWWRAYS/Image+1.png</image:loc>
      <image:title>Notes - Notes from the Field: Extravagant Female Fashions in Nineteenth-Century Argentina</image:title>
      <image:caption>Peinetón made of tortoiseshell, 1830-1837. The Guerrico Collection, National Museum of Fine Arts of Argentina, Buenos Aires.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542770944427-GHA76VPILL10H6EJ3JYF/Image+3.jpg</image:loc>
      <image:title>Notes - Notes from the Field: Extravagant Female Fashions in Nineteenth-Century Argentina</image:title>
      <image:caption>César Hipólito Bacle colored lithograph: “Peinetones at home.” National Library of Argentina, Buenos Aires.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542770869099-2D7JQJNBNQNYZUEC9LAA/Image+2.png</image:loc>
      <image:title>Notes - Notes from the Field: Extravagant Female Fashions in Nineteenth-Century Argentina</image:title>
      <image:caption>Peinetón made of tortoiseshell with the image of Juan Manuel de Rosas, 1832-1837. The Guerrico Collection, National Museum of Fine Arts of Argentina, Buenos Aires.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/11/21/notes-from-the-field-immediate-fashion-school</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542822084552-I21MTNI4ZFC1RQPA14JN/IMMEDIATE+Student+IDS_SMall.jpg</image:loc>
      <image:title>Notes - Notes from the Field: IMMEDIATE Fashion School</image:title>
      <image:caption>Polaroid photo IDs of the first members of IMMEDIATE Fashion School, October 2017. Photos: Tina Sparkles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542822445790-UBQ4KXBWWKZJMIMBXUC3/Fashion+_+Justice+Attendees_Small.jpg</image:loc>
      <image:title>Notes - Notes from the Field: IMMEDIATE Fashion School</image:title>
      <image:caption>Attendees of the “Fashion &amp; Justice” workshop at The Contemporary Austin, February 2018. Photo: Kimberly Jenkins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1542822719309-VNAWCUIM7U03F3E4HD35/Zine+Making+at+MoHA.jpg</image:loc>
      <image:title>Notes - Notes from the Field: IMMEDIATE Fashion School</image:title>
      <image:caption>IMMEDIATE Fashion School members working on their collaborative zine at The Museum of Human Achievement, January 2018.   Photo: Tina Sparkles</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/8/30/sustainability-reading-list-79nmk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/8/30/my-jacket-is-japanese-not-me-srtjc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474010351256-5EC4IX6J3SUN9Y50QUVI/Screen+Shot+2016-09-16+at+09.09.22.png</image:loc>
      <image:title>Notes - My Jacket is Japanese, Not Me</image:title>
      <image:caption>A Eurasian in Morocco, Marrakech (April 2013). Copyright Anushka Tay.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/8/30/changing-rooms-a-cross-dresser-confronts-the-fashion-system-32pzz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101943816-4B7PRWVCFH5CL9VXG6JS/Screen+Shot+2016-09-17+at+10.30.56.png</image:loc>
      <image:title>Notes - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101342719-LWJFKGMKEBQM45LZY41P/Screen+Shot+2016-09-17+at+10.30.37.png</image:loc>
      <image:title>Notes - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101611317-C6XQQ4DXBF982OS0AZ84/Screen+Shot+2016-09-17+at+10.31.09.png</image:loc>
      <image:title>Notes - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101239436-KCS0IUCOF18XBX5V3OET/Screen+Shot+2016-09-17+at+10.31.18.png</image:loc>
      <image:title>Notes - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474101759629-8V1WDGYAIPWG3HWXC5Y7/Screen+Shot+2016-09-17+at+10.31.29.png</image:loc>
      <image:title>Notes - The Girl Next Door: A Crossdresser Explains her Wardrobe</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/8/30/how-i-learned-to-love-the-button-down-pdxgf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1473857362455-SHPPHDRS401RXPFOHCNI/IMG_0035.jpeg</image:loc>
      <image:title>Notes - How I Learned to Love the Button Down</image:title>
      <image:caption>Illustration by Mike Thompson, 2016.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/8/30/menswear-trade-show-g834d</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1475171421409-TDF160G7DHFXVFML5JRE/shoes-crack.png</image:loc>
      <image:title>Notes - The Grand Trompe L'oeil</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/8/30/refashioning-masculinity-zg99h</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877147856-AMHPL7F57I82MQN8HUSF/IMG_7419.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877121921-1HR4QK7K0KGLHJ7HRGHI/DU2A1075.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877220907-JC8TK5WTNTIGTIZBL7FP/Rethinking_Masculinity12.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877148847-IPW3X5Y64ZZMVKY0XAHM/IMG_7699.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877253868-NEYD49Z2WY4KWEV4GUNM/Rethinking_Masculinity85.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877524561-3C82VGXAZ5PRME7OIV8B/IMG_7407bw.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877145180-6DVCWCZ5LT1IFEGL5UAF/IMG_7488.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877306678-XS3HWK9LBEP0INYZOOA0/Rethinking_Masculinity109.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877135056-TKPBC6042R6HPD2DDD5L/DU2A1033.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1474877266896-9DM9N3VAYAEL57A9XKUT/Rethinking_Masculinity97.jpg</image:loc>
      <image:title>Notes - Refashioning Masculinity</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/12/13/authorship-feminism-and-consumption-7a4w7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/12/12/coming-of-age-after-mao-hj9a2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481562585482-KTLM3AUUAAXVMEF3TTAN/before.JPG</image:loc>
      <image:title>Notes - My Mother's Clothes: Coming of Age After Mao</image:title>
      <image:caption>Elena's mom in Mao-era China, standing on the Great Wall. Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481562784006-1DT7VNAK7N1OKR6HSQ6C/after.jpg</image:loc>
      <image:title>Notes - My Mother's Clothes: Coming of Age After Mao</image:title>
      <image:caption>Elena's mom in the 1980s, after Mao instituted the Open Door policy. Image courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/12/17/glitter-hive-1-3f2sb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482141839438-0EY59WX1887TT4NZEJZQ/edaasabb.png</image:loc>
      <image:title>Notes - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
      <image:caption>Eda as a child with her brother in Turkey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481967100408-4JYNXQVP7BG9OEW1V8RK/eda1.jpg</image:loc>
      <image:title>Notes - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481967124620-ECWMZDCP7L0OVXFANSHG/colleen2.JPG</image:loc>
      <image:title>Notes - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481967140002-MLMV4X8DBE5BBLB0NHOJ/eda2.jpg</image:loc>
      <image:title>Notes - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481967155283-SFPIVFW07PWNQFM4S95T/colleen1.jpg</image:loc>
      <image:title>Notes - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482141953798-I5NA0PRA0XYA0L30INA3/colleen2008.JPG</image:loc>
      <image:title>Notes - Glitter Hive: Cross-cultural Queer Embodiment</image:title>
      <image:caption>Colleen in 2008.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/12/12/the-scrunchie-an-icon-of-bad-taste-turned-ironic-5pdh8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481702078541-3K4C1M33S3IOISN0PU7L/Scrunchie.jpg</image:loc>
      <image:title>Notes - The Scrunchie: An Icon of Bad Taste Turned Ironic</image:title>
      <image:caption>Illustration by our very own Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481552932218-73E2RWAOLNM3LA2C5WGQ/IMG_1027.JPG</image:loc>
      <image:title>Notes - The Scrunchie: An Icon of Bad Taste Turned Ironic</image:title>
      <image:caption>Lisa in 1993. Image courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481540849812-58J6K215EKCNXQ64IPOL/IMG_1035.JPG</image:loc>
      <image:title>Notes - The Scrunchie: An Icon of Bad Taste Turned Ironic</image:title>
      <image:caption>Lisa in 1991 or so. As Dolly Parton once famously said, "The higher the hair, the closer to God." Image courtesy the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/12/12/consumes-me-keean</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571493761-9T2TZQVPU8OI8MNPBHXF/6.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME - Copy of Images from One of the CONSUME(s) ME Clothing Swaps Held at Recess, NYC</image:title>
      <image:caption>All images courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571395430-XBTLFCQX3VEN8XEP7APN/1.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571397486-PIWH7HSC6W4O5O2F8G9M/10.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571399486-U2WEH5QBJNLUI1F8LXVA/11.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571402770-S3AIAKB3CA35ISIM0A2S/17.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571407253-J585F9KN5S5AI1ATP1SG/20.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571490592-ENTF7OGLSODT267FX59S/4.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571490473-O06341MI1VJK9757RHXD/5.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571495741-7GSE1PIO6TW628IO3QBM/9.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481571496356-QKJFG0QQ24FRTBFIUKI1/21.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481572574325-S0GJP6670FDZH3LCQQL9/IMG_0036_2.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME - Copy of Responses from Swap Participants</image:title>
      <image:caption>All images courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481572541450-XTW31DVASX46PA91MF6F/IMG_0032.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481572541444-ZIMR2DOXOKT06HX67MM6/IMG_0033.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481572562992-WX3OIJJFHSJQUTHZGGLZ/IMG_0034.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481572647848-7NCDZR32BIV8IZ61FGN0/IMG_0035.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481576291802-K8NDZVYYSRC5YQ3CAL7G/spy-page-001.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481577554284-3J9URAXL9210SSTHALYZ/Artisianal-page-001.jpg</image:loc>
      <image:title>Notes - CONSUME(s) ME</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/4/2/fashioningtheblackbody-syllabus-8jh82</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491118706845-GAO2DVMNOKIP89M3JZVO/conference+poster.jpg</image:loc>
      <image:title>Notes - #FashioningTheBlackBody Reading List</image:title>
      <image:caption>Conference poster, "Fashioning the Black Body in Bondage &amp; Freedom." Art by Damien Davis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421111407-HKADXBYJPAFP1FG31LB9/Camille+Murray+2.jpg</image:loc>
      <image:title>Notes - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421118675-P97RPED4E4RH8GJSXMEY/Camille+Murray+11.jpg</image:loc>
      <image:title>Notes - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421110974-KP4KCEOFC4DO2ZZDQ6X9/Camille+Murray+6.jpg</image:loc>
      <image:title>Notes - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421129084-VKM6OGR1FLY7N7SIJ2QO/Camille+Murray+5.jpg</image:loc>
      <image:title>Notes - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491421160026-TH4D9QGMFUPN2WOAPVYO/Jonathan+Michael+Square.jpg</image:loc>
      <image:title>Notes - #FashioningTheBlackBody Reading List</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/4/2/kim-chi-and-me-eyny2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491110464561-FWBIPDEGF50BR7ANZQOO/kimchi.jpg</image:loc>
      <image:title>Notes - Kim Chi and Me</image:title>
      <image:caption>Kim Chi fan art by Yakir Levy. Yakir is a Tel Aviv-based illustrator and devout RPDR fan. He was drawn to the show because he's always been fascinated by strong, female characters. Kim Chi in particular resonated with Yakir because he does what he loves and he's a survivor. We found Yakir on a RPDR Facebook fan page upon which fan art like this flourishes. Since creating this illustration of Kim, Yakir has since moved on to drawing Pearl. You can see all of his illustrations on his Instagram.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491242549200-MC87AU1X3OYJNX3L5U7H/Screen+Shot+2017-04-03+at+8.00.17+PM.png</image:loc>
      <image:title>Notes - Kim Chi and Me</image:title>
      <image:caption>Photo of the author. Courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/4/2/on-shopping-for-a-maternity-bikini-cbm5l</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491193584100-8522K6FEQC82HHLLVVZB/maternity-bikini.png</image:loc>
      <image:title>Notes - On Shopping for a Maternity Bikini</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/4/2/the-profit-value-of-dress-to-protest-mdl8e</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491286385828-TZEB6XLHU8DY5HQ0SJIM/Ida_Wells_Feminist_Fashion.jpg</image:loc>
      <image:title>Notes - The Profit Value of Dress to Protest</image:title>
      <image:caption>Illustration by Rachel Kinnard. Original image from The New York Public Library's Public Domain Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491286463822-JQATND9U921LSOY5H2Q0/stanton.jpg</image:loc>
      <image:title>Notes - The Profit Value of Dress to Protest</image:title>
      <image:caption>Illustration by Rachel Kinnard. Original image from The New York Public Library's Public Domain Collections.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/4/3/the-nursing-home-as-a-fashion-archive-39fff</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491455548107-3H92ZNX3Z59HORQV3G8U/_DSC3539.jpg</image:loc>
      <image:title>Notes - The Nursing Home as a Fashion Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491455551422-KK4W4Z8AABA9XQD0MMHX/_MG_97dagdsg15.jpg</image:loc>
      <image:title>Notes - The Nursing Home as a Fashion Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491455568587-ZOCT27HWV69ZHKPQSER3/_MG_4123.jpg</image:loc>
      <image:title>Notes - The Nursing Home as a Fashion Archive</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - The Nursing Home as a Fashion Archive</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - The Nursing Home as a Fashion Archive</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - The Nursing Home as a Fashion Archive</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - The Nursing Home as a Fashion Archive</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/4/2/cinderella-syndrome-curating-an-exhibition-about-high-heels-5k6rf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491112868362-42H0XO5Q2N892DYI5BPN/Screen+Shot+2017-04-02+at+8.00.37+AM.png</image:loc>
      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
      <image:caption>Exhibition Catalogues. On the cover: "Flamingo Shoe" by Kobi Levi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491112986635-HHVVFVTOYTLEUOY2ORX6/Screen+Shot+2017-04-02+at+8.02.24+AM.png</image:loc>
      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
      <image:caption>Installation shot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491113148933-IYMGDRWJ2DZRZBFSRBG8/Screen+Shot+2017-04-02+at+8.04.29+AM.png</image:loc>
      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491113293432-S3ZDWHYQJV7O1G68G1U3/Screen+Shot+2017-04-02+at+8.07.47+AM.png</image:loc>
      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491113323569-FYO2IXEC35A5DMNKNHNW/Screen+Shot+2017-04-02+at+8.07.29+AM.png</image:loc>
      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491113491679-JIEL4VTIRQVK751KML8N/Screen+Shot+2017-04-02+at+8.10.32+AM.png</image:loc>
      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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    <image:image>
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      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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    <image:image>
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      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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    <image:image>
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      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491113634528-1FOAGKGIOMRE4J8Z6GID/Screen+Shot+2017-04-02+at+8.13.21+AM.png</image:loc>
      <image:title>Notes - Cinderella Syndrome: Curating an Exhibition about High Heels</image:title>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/4/2/letter-from-a-fashion-doctor-wly35</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/4/4/notes-from-the-field-on-institutions-and-interdisciplinary-xn2wy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/7/30/ickening-a-black-trans-womans-reflections-on-femme-identity-class-and-privilege-k3ltr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
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      <image:title>Notes - $$$ickening: A Black Trans Woman's Reflections on Femme Identity, Class, and Privilege</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501443059276-VZEE6D2OI3UHZOCQRJSY/image1.JPG</image:loc>
      <image:title>Notes - $$$ickening: A Black Trans Woman's Reflections on Femme Identity, Class, and Privilege</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501443059273-GYRPQFO09I4QB52QR45O/image2.JPG</image:loc>
      <image:title>Notes - $$$ickening: A Black Trans Woman's Reflections on Femme Identity, Class, and Privilege</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501443060007-KX9CI0BOIMBJKS5HCNCW/image5.JPG</image:loc>
      <image:title>Notes - $$$ickening: A Black Trans Woman's Reflections on Femme Identity, Class, and Privilege</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501443111203-S25RU4V7WXRZJKT6XTN4/image6.JPG</image:loc>
      <image:title>Notes - $$$ickening: A Black Trans Woman's Reflections on Femme Identity, Class, and Privilege</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/7/30/meeting-at-the-beach-through-memories-my-grandmother-fashion-and-me-r3jzd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
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      <image:title>Notes - Meeting at the Beach Through Memories: My Grandmother, Fashion, and Me</image:title>
    </image:image>
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      <image:title>Notes - Meeting at the Beach Through Memories: My Grandmother, Fashion, and Me</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - Meeting at the Beach Through Memories: My Grandmother, Fashion, and Me</image:title>
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    <image:image>
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      <image:title>Notes - Meeting at the Beach Through Memories: My Grandmother, Fashion, and Me</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - Meeting at the Beach Through Memories: My Grandmother, Fashion, and Me</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - Meeting at the Beach Through Memories: My Grandmother, Fashion, and Me</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501444617649-9693AJVBIDRXUG6TIKAJ/figure_7.jpg</image:loc>
      <image:title>Notes - Meeting at the Beach Through Memories: My Grandmother, Fashion, and Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501444628805-4KEJL68HK17AZ5IHP6DR/figure_8.jpg</image:loc>
      <image:title>Notes - Meeting at the Beach Through Memories: My Grandmother, Fashion, and Me</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/7/29/wearing-wellbeing-kdd7z</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501317679925-MOZCJ42O3OABSGVF2ED2/Wearing_Wellbeing.jpg</image:loc>
      <image:title>Notes - Wearing Wellbeing</image:title>
      <image:caption>Illustration by Rachel Kinnard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501317622884-V3ZCBO9K7P50X8IFBMNG/20161213_100729.jpg</image:loc>
      <image:title>Notes - Wearing Wellbeing</image:title>
      <image:caption>Rebecca's early thought process, on paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501317498970-A7EHRLRRQ9KQD9X50SGN/Screen+Shot+2017-07-29+at+10.37.08+AM.png</image:loc>
      <image:title>Notes - Wearing Wellbeing</image:title>
      <image:caption>Participants from Rebecca's "Wearing Wellbeing" project. Photos courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501317809987-EDGXSW27U1T5ZDQIXPTK/20161208_161126.jpg</image:loc>
      <image:title>Notes - Wearing Wellbeing</image:title>
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    <image:image>
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      <image:title>Notes - Wearing Wellbeing</image:title>
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    <image:image>
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      <image:title>Notes - Wearing Wellbeing</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - Wearing Wellbeing</image:title>
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    <image:image>
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      <image:title>Notes - Wearing Wellbeing</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - Wearing Wellbeing</image:title>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/7/29/saras-time-in-china-y3f23</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
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      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501614171228-0ULBL6ZICNJ633C50XWF/horizontal+1.JPG</image:loc>
      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
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      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
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    <image:image>
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      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
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    <image:image>
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      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
    <image:image>
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      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
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      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501614437141-LFQK9ACGVZWJFJMX32UL/vertical+4.JPG</image:loc>
      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501614409784-5E1EYFDOZTJWB97OBQ8A/vertical+2.JPG</image:loc>
      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501614435487-D005YWL3NGCPZW70N0GQ/vertical+3.JPG</image:loc>
      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501614438243-4V46URF8BKC248NYO722/vertical+6.JPG</image:loc>
      <image:title>Notes - What I Taught in China and What China Taught Me</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/7/30/lauras-intro-kfp7c</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501697625625-91FIZT5M1BL7NEUQMSEZ/notes.png</image:loc>
      <image:title>Notes - Our Emotions, Our Dress, Our Work</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/2/28/to-communicate-sustainable-fashion-in-a-sustainable-manner-eczfj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519875150334-MBCDL32AZQVIOHB5WVW2/greenwashing.png</image:loc>
      <image:title>Notes - To Communicate Sustainable Fashion in a Sustainable Manner</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/3/1/reimagine-wzsgh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519954149455-EHIY4CXGS09ASYGA9Q3G/Image+6.jpg</image:loc>
      <image:title>Notes - Re.Imagine</image:title>
      <image:caption>Photo by Denise Borré featuring model Veronika Kocarikova. Courtesy the authors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519954463761-N2ZEF68V0LU9MU391PL4/Image+7.jpg</image:loc>
      <image:title>Notes - Re.Imagine</image:title>
      <image:caption>Photo by Denise Borré featuring model Veronika Kocarikova. Courtesy the authors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519954650566-TO5NR0AWOL0HPY919EUH/textileland.png</image:loc>
      <image:title>Notes - Re.Imagine</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519954910617-MXMX6GZ99S2ZNTXH3A7J/Image+5.jpg</image:loc>
      <image:title>Notes - Re.Imagine</image:title>
      <image:caption>Photo by Denise Borré featuring model Veronika Kocarikova. Courtesy the authors.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/3/1/vintage-selling-and-the-responsibilities-of-care-fxld4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519956181410-MDJMX745HO4U5RSV662R/4.jpg</image:loc>
      <image:title>Notes - Vintage Selling and the Responsibilities of Care</image:title>
      <image:caption>Beaded 1920s gown. Courtesy Guermantes Vintage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519956472984-CIA5S6CZSWZC0QU35Z3D/4-1.jpg</image:loc>
      <image:title>Notes - Vintage Selling and the Responsibilities of Care</image:title>
      <image:caption>Blue lamé 1930s gown. Courtesy Guermantes Vintage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519955839133-4GU80FKLHDIDCHJ4RRN6/beaded+1920s+gown+Guermantes+Vintage.jpg</image:loc>
      <image:title>Notes - Vintage Selling and the Responsibilities of Care</image:title>
      <image:caption>Beaded 1920s gown. Courtesy Guermantes Vintage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519956314318-DQY3QB6XXNZ0YBXD1ZMY/il_fullxfull.808992842_6ttf.jpg</image:loc>
      <image:title>Notes - Vintage Selling and the Responsibilities of Care</image:title>
      <image:caption>Gold lamé 1920s gown. Courtesy Guermantes Vintage.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/save-the-garment-center-lpsws</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520043807494-BD9BYWSBN4FTTUAWLZ3S/11_ext_42width_bricken+buildings+p135+edited.jpg</image:loc>
      <image:title>Notes - Save the Garment Center</image:title>
      <image:caption>The Garment Center, Fortieth Street Between Sixth and Seventh Avenues, Berenice Abbott, 1938. Works Progress Administration, Collection of The Skyscraper Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520044699635-S3FM2FLCD13FXJWLAPUE/Screen+Shot+2018-03-02+at+9.34.28+PM.png</image:loc>
      <image:title>Notes - Save the Garment Center</image:title>
      <image:caption>Heatmap of garment producers listed by the CFDA. Visualization courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520207226254-JN66VMW1XC2WIENFQCBJ/Screen+Shot+2018-03-04+at+6.46.08+PM.png</image:loc>
      <image:title>Notes - Save the Garment Center</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042869701-NTUH77ZTJE27MYGQ4UVB/GC_1.jpg</image:loc>
      <image:title>Notes - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042869981-27LPGMVDANROV76PUB4D/GC_2.jpg</image:loc>
      <image:title>Notes - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042871758-GQWY4ESODJCC6GKDV3DA/GC_3.jpg</image:loc>
      <image:title>Notes - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042871931-3Q8B7NQUB3FXKHYPYB40/GC_4.jpg</image:loc>
      <image:title>Notes - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042872652-0QQ04L8CVTLZM85BSGNC/GC_5.jpg</image:loc>
      <image:title>Notes - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1520042872796-IQ9GGNLG65MUPU6Y36GA/GC_6.jpg</image:loc>
      <image:title>Notes - Save the Garment Center</image:title>
      <image:caption>Photos taken in New York's Garment Center. Courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/2/28/why-working-in-fashion-was-kind-of-great-and-not-in-the-way-you-think-fzctd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519874135412-29W5PFU7QU4CVGJ8QXJ1/Laura_Jane.jpg</image:loc>
      <image:title>Notes - Why Working in Fashion Was Kind of Great (And Not In The Way You Think)</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1519957549758-8IPHZUU7PBBOM9TDCXWP/Screen+Shot+2018-02-28+at+10.43.15+PM.png</image:loc>
      <image:title>Notes - Why Working in Fashion Was Kind of Great (And Not In The Way You Think)</image:title>
      <image:caption>Poem by Gonzalo Mases.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/8/14/notes-from-the-field-the-underpinnings-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1534939819952-JPKGQTO060VHH48JAB9L/Screen+Shot+2018-08-22+at+7.09.50+AM.png</image:loc>
      <image:title>Notes - Notes from the Field: The Underpinnings Museum</image:title>
      <image:caption>Lorraine Smith assisting at a photoshoot for The Underpinnings Museum. Photo by Tigz Rice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1534287352875-OW6R3H3IB6RML3MWX95A/LHS-LCFarchives.jpg</image:loc>
      <image:title>Notes - Notes from the Field: The Underpinnings Museum</image:title>
      <image:caption>Lorraine Smith and Jane Holt in the London College of Fashion Archives. Photo by Madeleine Corcoran.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1534287460966-31JGDT2SR1CGEKNCSI9A/UPM-blue-spiral-stitched-bra.jpg</image:loc>
      <image:title>Notes - Notes from the Field: The Underpinnings Museum</image:title>
      <image:caption>‘Cupid’ spiral stitched bra by Miss Twilfit, c. 1950s, The Underpinnings Museum. Photography by Tigz Rice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1534394196020-8386EGY8O790GNTGU0JV/UPM-red-flossed-corset.jpg</image:loc>
      <image:title>Notes - Notes from the Field: The Underpinnings Museum</image:title>
      <image:caption>Red midbust corset with flossing, c. 1860s, The Underpinnings Museum. Photography by Tigz Rice.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/6/18/opinion-pausing-at-mental-health</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1529347659630-0HGZ5G7NR7V8GCV5CQ6O/velizar-ivanov-502066-unsplash.jpg</image:loc>
      <image:title>Notes - Opinion: Pausing at Mental Health</image:title>
      <image:caption>Photo by Velizar Ivanov for Unsplash.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/5/24/peep-this-insta-fools-mortals</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527453301353-54F5XLOGXZ4RAKS71NWW/Screen+Shot+2018-05-26+at+9.45.32+AM.png</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527453324172-1Z3FCVHFXCQ76CPZQISZ/IMG_4937.jpg</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527453341759-6BKE370VY8V64SS97QQD/IMG_4720.jpg</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527453396398-4JWZ8KJZOYNZN1WYKIQS/IMG_3884.jpg</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527453646544-D62RS9F4X1OWJDCAHCSG/Screen+Shot+2018-05-27+at+4.37.25+PM.png</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527453689982-IK4YU2K7OP0OQDGKRLH5/Screen+Shot+2018-05-27+at+4.37.58+PM.png</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527452160319-DFP9UMQLG7A9D10Q9B6O/Screen+Shot+2018-05-26+at+9.46.06+AM.png</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527452305165-G43UN7QBCWD0ZD4JU390/Screen+Shot+2018-05-26+at+9.46.19+AM.png</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527452321426-QFXTNSZAW5SUFOKDKOVE/Screen+Shot+2018-05-27+at+4.14.12+PM.png</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527452601407-7FL4TSJTWOJ7F9UE3MLA/IMG_4243.jpg</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1527453088750-3808RGD6YFLK1VPI9YZA/Screen+Shot+2018-05-26+at+9.44.01+AM.png</image:loc>
      <image:title>Notes - Peep This Insta: @fools.and.mortals</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/5/7/opinion-why-its-time-to-stop-using-the-word-garb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1525676539685-C0TWUIYMW9V7J1WO6Z8T/nypl.digitalcollections.2b647f40-f05d-0133-eb94-00505686a51c.001.v.jpg</image:loc>
      <image:title>Notes - Opinion: Why It’s Time to Stop Using the Word "Garb"</image:title>
      <image:caption>A keyword search for the word “garb” in the New York Public Library’s Digital collections yields this image, among others. “Folk and Ethnic Costumes” from Gleason's Pictorial Drawing-Room Companion, 1837. Vieillard-Duverger, Louis-Camille-Eugène (Artist); Choubard, fl. ca. 1810-1830 (Engraver). NYPL catalog ID (B-number): b19763081.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/4/15/survey-making-it-work-in-fashion-studies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523808864046-2243RBC9TTUT1E9QIL2K/nypl.digitalcollections.510d47d9-a9f3-a3d9-e040-e00a18064a99.001.w.jpg</image:loc>
      <image:title>Notes - Making it Work in Fashion Studies</image:title>
      <image:caption>Carrying piece work for the garment industry. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. (1900 - 1937).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/4/10/in-memoriam-the-internet-tool-that-shaped-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523345724410-3I15FMTIJFXSIAQ5EZKA/Screen+Shot+2018-04-10+at+9.09.21+AM.png</image:loc>
      <image:title>Notes - In Memoriam: The Internet Tool That Shaped Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523345760452-HRRG8EA7H4VHVFKQBISY/Screen+Shot+2018-04-10+at+9.12.19+AM.png</image:loc>
      <image:title>Notes - In Memoriam: The Internet Tool That Shaped Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523345810057-JRQYDXOZZUGMGLH2FR7R/Screen+Shot+2018-04-10+at+9.09.08+AM.png</image:loc>
      <image:title>Notes - In Memoriam: The Internet Tool That Shaped Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523345405939-UN77NCI06F81MS0CUF32/Screen+Shot+2018-04-10+at+9.07.49+AM.png</image:loc>
      <image:title>Notes - In Memoriam: The Internet Tool That Shaped Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523345442437-QWM039X1XMZKRJ0HZ9EM/Screen+Shot+2018-04-10+at+9.08.51+AM.png</image:loc>
      <image:title>Notes - In Memoriam: The Internet Tool That Shaped Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523345428362-U8CRJP1DEQOKQR84KN15/Screen+Shot+2018-04-10+at+9.08.12+AM.png</image:loc>
      <image:title>Notes - In Memoriam: The Internet Tool That Shaped Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523345573401-4WE9ISFB84J7NNJWIXCP/Screen+Shot+2018-04-10+at+9.10.16+AM.png</image:loc>
      <image:title>Notes - In Memoriam: The Internet Tool That Shaped Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523345604636-6CVBYETFG7668M64OM1Q/Screen+Shot+2018-04-10+at+9.11.55+AM.png</image:loc>
      <image:title>Notes - In Memoriam: The Internet Tool That Shaped Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1523345573693-99HX000C8Y6RHB35V8TV/Screen+Shot+2018-04-10+at+9.10.28+AM.png</image:loc>
      <image:title>Notes - In Memoriam: The Internet Tool That Shaped Me</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2018/2/4/creating-the-canadian-fashion-scholars-network</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1517785419266-8R3Q8OHZCFUCLW1XWEVY/Screen+Shot+2018-02-04+at+5.03.23+PM.png</image:loc>
      <image:title>Notes - Creating the Canadian Fashion Scholars Network</image:title>
      <image:caption>Fourth Fashion Symposium at the Montreal Fine Arts Museum, Jean-Paul Gaultier, 2017, photo by Katrina Sark.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1517785586833-X8NTH086ALJS1SBQEUT1/Screen+Shot+2018-02-04+at+5.06.04+PM.png</image:loc>
      <image:title>Notes - Creating the Canadian Fashion Scholars Network</image:title>
      <image:caption>First Fashion Symposium at the McCord Museum in Montreal, 2014, photo by John Cruz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1517785697151-2SD6CEQMB5PMD2OX41ME/Screen+Shot+2018-02-04+at+5.07.58+PM.png</image:loc>
      <image:title>Notes - Creating the Canadian Fashion Scholars Network</image:title>
      <image:caption>Second Fashion Symposium at the Museum of Vancouver, Fashion Avant-Garde: Now and Then, Electric Heart by Suzi Webster, 2015, photo by Joseph Boltrukiewicz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/11/13/on-miranda-julys-interfaith-charity-shop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510577493286-WQT66PT1OGIL9ZU31O92/20170904_155444.jpg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
      <image:caption>Photo by Rebecca Smith.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510577558073-CP6Y3QM772Y23PGPE561/20170904_163907.jpg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510577561346-XPXN58JC3L0K4GAQU3TL/20170904_171010.jpg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510577576677-E1E4SR3B6VH7M56PR76U/20170904_171112.jpg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510577576232-K67GXK6AH3EGIG26DDFG/20170904_171432.jpg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510577593917-4E00GH8J4JRNR6L64GVC/20170904_171608.jpg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510577594065-W0B519Q9OYB84UX9SAP4/20170904_171728.jpg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510577641025-6B19DK8J9CJHZLNM2QSV/20170906_164754.jpg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
      <image:caption>Photo by Rebecca Smith.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510576078514-85WICG0LQ5HSDDBZS8BN/WORK_IT_Window5.jpeg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
      <image:caption>Hermès' "Work It" Campaign, 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510576542565-GM5H1EEWB1G2BR6CIN64/Screen+Shot+2017-11-13+at+13.35.14.png</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
      <image:caption>Photo courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1510576942774-9B7P2GD71HMU722KVQE6/170901-art-angel-aShopWithinAShop-lrg.jpeg</image:loc>
      <image:title>Notes - FSJ Reflects: Miranda July's Interfaith Charity Shop</image:title>
      <image:caption>The Lotta Volkova-fication of charity aesthetic?  Photo via Selfridges.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/9/3/the-results-are-inour-clothes-dont-fit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1504478826609-LXXF8LO8ZXOQH676SIZ9/spec+sheets+sketch.jpg</image:loc>
      <image:title>Notes - The Results Are in...Our Clothes Don't Fit</image:title>
      <image:caption>All illustrations by Andrea Kennedy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1504479000204-KBW67PJVE88VEIHVSPSY/traditional+-+manua%23330012.jpg</image:loc>
      <image:title>Notes - The Results Are in...Our Clothes Don't Fit</image:title>
      <image:caption>The traditional cycle of grading and fit. With the speeding up of the fashion cycle, however, many of these steps have been cut out, leading to poor fits for the consumer and a growing tendency to treat clothing as disposable.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/8/28/policing-our-bodies-policing-our-food</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1503950122061-PIMLQY8ILFYGSNCVXOTE/LJ_White.jpg</image:loc>
      <image:title>Notes - Tupperware and Take Out: Food Policing at Work</image:title>
      <image:caption>Illustration by Rachel Kinnard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/8/5/when-less-is-more</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1502040005894-14WOISZ3VE5RJSLZHXBS/large_000000.jpg</image:loc>
      <image:title>Notes - Could Rationing be the Answer?</image:title>
      <image:caption>© IWM (Art.IWM PST 8297)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1502039785061-EC35X2035R3CLTE8NJEU/large_000000-1.jpg</image:loc>
      <image:title>Notes - Could Rationing be the Answer?</image:title>
      <image:caption>© IWM (Art.IWM PST 14931)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/7/25/the-assemblers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1500982170526-6QQ25YFSNFSFPRGODJ2D/The+Assemblers.png</image:loc>
      <image:title>Notes - The Assemblers</image:title>
      <image:caption>Illustration by Lauren Downing Peters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1500982280616-51P8PXU293UNAG01KWR3/The+Assemblers+2.png</image:loc>
      <image:title>Notes - The Assemblers</image:title>
      <image:caption>Illustration by Lauren Downing Peters.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/7/2/considering-snapchat-filters-as-digital-adornment</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1498985846608-XQ1PDFFDGLTN0AOENJXW/FSJ+-+Snapchat+Collage+-+JBarker-2.jpg</image:loc>
      <image:title>Notes - Considering Snapchat Filters as Digital Adornment</image:title>
      <image:caption>Illustration by Jessica Barker.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/6/14/our-worst-fashion-internships</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1497454336411-4CSBL6CRO31TFPJWQ8FN/subway.png</image:loc>
      <image:title>Notes - Fashion Internships: What We've Learned</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/6/6/on-creating-right-brained-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1496752349526-KXWN1S8NQJIA0FJA922Z/LeftBrainFashion.jpg</image:loc>
      <image:title>Notes - On Creating Right-Brained Fashion</image:title>
      <image:caption>Illustration by Rachel Kinnard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/6/10/know-your-news-cycle-the-dapper-dan-debate</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/6/4/anna-sui-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1496602703383-N2YEBD8B8Z99BRJD52W7/Screen+Shot+2017-06-04+at+2.54.17+PM.png</image:loc>
      <image:title>Notes - Anna Sui &amp; Me</image:title>
      <image:caption>Anna Sui Mood Board, Fall 2016. Courtesy the Fashion and Textile Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/5/6/on-fruit-stalls-and-shopping-malls</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1494053085199-BWL0RD9AYWOW3XU43MG6/Fruits_Illus.jpg</image:loc>
      <image:title>Notes - On Fruit Stalls and Shopping Malls</image:title>
      <image:caption>Illustration by Rachel Kinnard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/3/12/coven-the-season-of-the-witch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489318837870-S0RDJVOS44ODW7S8IWFW/Screen+Shot+2017-03-12+at+12.39.43.png</image:loc>
      <image:title>Notes - #Coven: The Season of the Witch</image:title>
      <image:caption>Collage by FSJ Staff.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/3/3/dress-solidaritysuffragist-fashion-reenters-the-political-mainstream</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488529074155-0RTGQ5822RLHP8Q97WHD/Womens+March+Suffragette.jpeg</image:loc>
      <image:title>Notes - Suffragist Fashion Reenters the Political Mainstream</image:title>
      <image:caption>Nasty Women Vote by Heather Davulcu of April Heather Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/2/26/dress-solidarity-an-archive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488106215929-4MWAGJ15ZS0QFYG97ZY8/Is+this+a+real+senator_+2017.Jan21.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Marilou, DC March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488106213645-5YZDH8FASGGEX3J8QM81/IMG_20170121_125035_edit.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Marilou, DC March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488106496737-KT7QHHRFN1MLA5UN9A5G/20170121_123637.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Jon, Montreal March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488106652898-12U3VWUAKVDFKW4NRMR5/Screen+Shot+2017-01-30+at+5.31.22+PM.png</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Rachel, LA March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488106671233-NXT8KR2NGMZSHZCFCZ8B/IMG_1598.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Rachel, LA March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107644571-DK5PI83TWVDR36GFLE5D/9X7A6174.jpeg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Amy, DC March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107626988-IW22KHAYJL6UYGWI7RNP/9X7A6338.jpeg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107703694-CCLJ1ULHQ1D2M02R4Z96/9X7A6378.jpeg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107803746-KCOB1WJTSJG44LRDK3VQ/9X7A6378.jpeg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107730654-43A23OB6J81HHLJNGU4R/9X7A6535.jpeg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107804085-F6VXRP1FJ2TPRMU3S0EK/9X7A6535.jpeg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107289178-MFCNC3MNLWG4DOBQGMFV/IMG_7625.JPG</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>April, NYC March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107289115-NJXULZKFACSNIVTZ7MIW/FullSizeRender.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>April, NYC March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488108025083-K93LGBY6VSRFNQ53RULF/yes+1.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Lynne, Boston March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488108007587-SOSLHAMDS4G6T04TFK5N/IMG_20170121_160345.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Lynne, Boston March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107208948-SOPC4NMZIPF460KX2B2M/IMG_20170121_172036.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Kimberly, DC March  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107215447-XX41LWZ7PSGD42KV3I7R/IMG_20170121_212941_535.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Kimberly, DC March  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488107222007-OWB1BS0NY52GO5KI9QHN/IMG_20170121_100858.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488108353503-SXZWXQBXFKFAVFYA85F0/16357309_10208227534870985_647426021_o.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Shannon, DC March</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488108427028-2M1QGAKQMLQFUVQSCOJ1/image1.JPG</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Patti, Kansas City March</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488108456114-29D8VJU7CO750LP6MA3Q/womens-march-against-trump.jpeg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Linda, Montreal March</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1488108696186-ZH7Y41LF25XWFBL284H4/Screen+Shot+2017-02-26+at+12.30.24+PM.png</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
      <image:caption>Theo, Montreal March</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129063387-49K805X8D0MOY1QUJH8C/20170305_111233.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129063226-PE7YRSUUM8NUPI2KXSE0/20170305_111423.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129076885-L2VU6SARS9R436GSTIF0/20170305_112100.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129084147-WLJLS7T1YV0OE9426I9C/20170305_112911.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129093251-I3M8T813HZ09IVSC0N5A/20170305_113007.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129101090-MGOOVC635SP1JZX6C4R1/20170305_113129.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129108157-W3K506LVKLD9JJ0T1C7D/20170305_113439.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129116911-VVGL6VWJGHIZ8HKSU7QZ/20170305_115953.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129126727-I9I5Y5EYDU0QYKCTQ7QW/20170305_120306.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129136486-F5D4R2PZIYN80302HWXF/20170305_131942.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129184636-1OP42T09W7UG3C0G4DS8/20170305_135452.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129215408-4FI796WHW441CFO1QGCV/20170305_135619.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129170885-KJHQJFI6FOMNRO3LSWXG/20170305_141246.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129231908-TBO9WNV8BB0BENN0ITTN/20170305_141919.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1489129208618-CMX7A67AAKM2OJPJ3L3Z/20170305_142546.jpg</image:loc>
      <image:title>Notes - Dress &amp; Solidarity: A Visual Archive</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/2/10/american-apparel-the-editors-say-goodbye-and-good-riddance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1486731090155-9NLSJFV96N2I3GQOYIFZ/1923853_46177422488_5347_n.jpg</image:loc>
      <image:title>Notes - American Apparel: The Editors Say Goodbye (and Good Riddance)</image:title>
      <image:caption>Black American Apparel bra and boy shorts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1486731001181-352DOYK7WXH4SXYQ9CP9/1929165_92953242488_3307863_n.jpg</image:loc>
      <image:title>Notes - American Apparel: The Editors Say Goodbye (and Good Riddance)</image:title>
      <image:caption>American Apparel white bodysuit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1486969379413-T0F616B8GVTLS1UWZ3CK/1910512_7536157999_9268_n.jpg</image:loc>
      <image:title>Notes - American Apparel: The Editors Say Goodbye (and Good Riddance)</image:title>
      <image:caption>Me at Union Hall. You can see the grey dress just peeking out from under my jacket.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1486730625286-ABJOM4B72QP9WLU9EGAK/Screen+Shot+2017-02-10+at+12.29.07.png</image:loc>
      <image:title>Notes - American Apparel: The Editors Say Goodbye (and Good Riddance)</image:title>
      <image:caption>A very, ahem, underage me in American Apparel teal hoodie, ca. summer 2006. (Thank god my eyebrows grew back after this butchering!)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1486730802761-QKOWJCK8OV3E13N1V05H/Screen+Shot+2017-02-10+at+12.30.18.png</image:loc>
      <image:title>Notes - American Apparel: The Editors Say Goodbye (and Good Riddance)</image:title>
      <image:caption>A very over-accessorized me in an American Apparel neon green "wife beater" with some (similarly over-accessorized) gentlemen companions.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/1/23/how-to-make-heritage-go-viral</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1485161454007-D0JGWH0P8A38F4EXZ06Q/chanel-full.png</image:loc>
      <image:title>Notes - Chanel's Crash Course in How to Make Heritage Go Viral</image:title>
      <image:caption>Illustration by our very own Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2017/1/9/teaching-fashion-race</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1483983169078-H9J4LR5HXYRF128QA873/IMG_1166.jpg</image:loc>
      <image:title>Notes - Teaching Fashion &amp;amp; Race</image:title>
      <image:caption>Student Edgar (Stevens) Anazco used concepts and theories from the course to re-evaluate the premise of his photography-centered final project, “reFocus”, which visually proposes new ways of representing diversity, challenging heteronormative attitudes of self-expression. Image reproduced with permission of the student.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1483983255918-UT9MZ4MI3VKF2NPK4X69/IMG_1085.jpg</image:loc>
      <image:title>Notes - Teaching Fashion &amp;amp; Race</image:title>
      <image:caption>Museum at FIT Assistant Curator Elizabeth Way presenting a guest lecture on November 3, 2016. Image by Kim Jenkins.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/12/6/notes-from-the-field-should-fashion-embrace-hemp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482038522722-AOV4F7P6VIB5J82V9ZBH/final+hemp+illstration+%281%29.png</image:loc>
      <image:title>Notes - Notes from the Field: Should Fashion Embrace Hemp?</image:title>
      <image:caption>Illustration by Alahna Watson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/12/9/curly-hair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1481479434682-ZBBFMXYL59DOG2WS94YU/kelly.jpg</image:loc>
      <image:title>Notes - Why A Hijabi CoverGirl Matters To Me</image:title>
      <image:caption>Illustration by Kelly Abeln.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/12/4/indigenous-rights-v-animal-rights-response-to-vanessa-friedman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1480880560900-87OLP1SR3A05VZ5GP0EN/b3.7.jpg</image:loc>
      <image:title>Notes - Indigenous Rights v. Animal Rights: Response to Vanessa Friedman</image:title>
      <image:caption>"floating feather seal fur beads earrings" from Alaska Native designer Peter Paul Kawagaelg Williams' fashion label Shaman Furs. Copyright Shaman Furs.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/11/27/notes-from-the-field-ad-dressing-the-67</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1480324225358-FGAROG3DPCP6Z4BZ3VUN/IMG_2157.JPG</image:loc>
      <image:title>Notes - Notes from the Field: (Ad-)dressing the 67%</image:title>
      <image:caption>Anastasia Garcia's pop-up photo exhibition at the Every Beautiful Body Symposium. Image courtesy Lauren Downing Peters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1480324268843-K4G3613XNE44TPX6OXQE/IMG_2156.JPG</image:loc>
      <image:title>Notes - Notes from the Field: (Ad-)dressing the 67%</image:title>
      <image:caption>Nicolette Mason and Tess Holliday speak with Refinery29 contributor Kelsey Miller during the "My Body is NSFW" panel. Photo courtesy Lauren Downing Peters.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/8/15/commentary-3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1479689509721-XMM8GHWWGFHLZJ46EF2C/PW+for+FSJ+-+Perfume.jpg</image:loc>
      <image:title>Notes - The Elusive Art of Selling Smells</image:title>
      <image:caption>Ascent by Priscilla Weidlein.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/10/29/dispatch-from-sweden-seating-politics-at-stockholm-fashion-night</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1477925434783-UPKT7E0W67MAQTG45F3F/VIP.png</image:loc>
      <image:title>Notes - Dispatch From Sweden: Seating Politics At Stockholm “Fashion Night”</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/10/24/the-double-edged-fairy-tale-behind-rihannas-met-gala-dress</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1477322225612-8ALYPPTXRNFEOOZ7TJID/riri.jpg</image:loc>
      <image:title>Notes - The Double-Edged Fairy Tale Behind Rihanna’s Met Gala Dress</image:title>
      <image:caption>Illustration by Tatiana Lam (2016).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/10/10/clique-work-v-click-work-response-to-vogue-editors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1476221141042-SX7AI38E1ETKMPNT47MA/showdown.png</image:loc>
      <image:title>Notes - Clique Work v. Click Work: Response to Vogue Editors</image:title>
      <image:caption>Illustration by Alahna Watson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/9/21/tim-gunn-and-the-farce-of-figure-flattery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1475214290593-WN1686MIRI7OXF8YO8K8/plus-size.png</image:loc>
      <image:title>Notes - The Figure Flattery Farce: Response to Tim Gunn</image:title>
      <image:caption>Illustration by Mike Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/2016/9/25/belaboring-model-labor-why-banning-photos-of-skinny-models-makes-a-difference</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-29</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/category/What+We%27re+Wearing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/category/Reading+List</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/category/Notes+from+the+Field</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/category/Weeklies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/category/Reading+Lists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/category/Profiles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/category/Longform</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Networks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Support</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Memory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Fashion+Studies</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/PETA</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/History</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Institutions</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Aesthetic+Labor</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Interview</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Suffrage</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Work</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Letter+from+the+Editor</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Body+Positivity</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Scholarship</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Activism</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Violence</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Femininity</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Solidarity</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Vintage+Fashion</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Plus-Size</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Supply+Chain</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Creativity</loc>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/notes/tag/Discourse</loc>
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    <loc>https://www.fashionstudiesjournal.org/the-latest-2</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/the-latest-2/2021/1/30/jyc59broyh4x13i88xyk4v0p9zkjdk</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612034820400-CZCVI3Q6DLWAQWDE708W/IrisF_Nat_scarf.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - One Heartbeat Later: A Mother’s Clothes as Memory-Keepers</image:title>
      <image:caption>Nathalie fashioning her own look from her mother’s silk scarf.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612034744630-QI8BXAOEINBB64YZD5ZU/IrisF_dress.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - One Heartbeat Later: A Mother’s Clothes as Memory-Keepers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612034730176-720L60KUT4X1YM3FUSIE/IrisF_Nathalie_dress.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - One Heartbeat Later: A Mother’s Clothes as Memory-Keepers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612034718758-664Q0WQJIPVG951K5CZS/IrisF_brown_cord.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - One Heartbeat Later: A Mother’s Clothes as Memory-Keepers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612034714769-9MT3V77BV6A0G6BEEUR2/IrisF_Anabel_brown_cord.jpeg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - One Heartbeat Later: A Mother’s Clothes as Memory-Keepers</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/the-latest-2/2021/1/30/friends-old-and-new</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612035532806-N5Y6WA5G3UVVKOJH2DH5/Screen+Shot+2021-01-30+at+1.37.33+PM.png</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Friends, Old and New</image:title>
      <image:caption>“Cassandra.” By Oscar Yanes Cuevas.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612035434839-KAWOOHRWKD5WTT5UGUMA/Screen+Shot+2021-01-30+at+1.31.47+PM.png</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Friends, Old and New</image:title>
      <image:caption>“Bianca.” By Oscar Yanes Cuevas.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612035618640-K8CUKV09PRBE8LN60N68/Screen+Shot+2021-01-30+at+1.35.57+PM.png</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Friends, Old and New</image:title>
      <image:caption>The faux black leather leggings. By Oscar Yanes Cuevas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612035742386-LK69LJ1F289UW2KQVCR7/Screen+Shot+2021-01-30+at+1.40.48+PM.png</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Friends, Old and New</image:title>
      <image:caption>The sneakers. By Oscar Yanes Cuevas.</image:caption>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/the-latest-2/2021/1/30/invisibilizing-the-nursing-mom-a-visual-story</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612039173429-8E8OM0ILPKLVYE6MGY6M/1.png</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Invisibilizing the Nursing Mom: A Visual Story</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612039220686-4DQWGH69PX16HK54BUKH/2.png</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Invisibilizing the Nursing Mom: A Visual Story</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612039244597-SJVFFE5J6GVM589YW3JJ/3.png</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Invisibilizing the Nursing Mom: A Visual Story</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612039274065-SBLSZ3YTLCPTDBDSKYCH/4.png</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Invisibilizing the Nursing Mom: A Visual Story</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/the-latest-2/2021/1/30/how-to-dress-a-moving-target</loc>
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      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - How to Dress a Moving Target</image:title>
      <image:caption>Beth with her son and husband</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612040097462-Y0X11WH8AHUJHW9ZLX23/20180117_064918.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - How to Dress a Moving Target</image:title>
      <image:caption>Beth in her “Muppet coat”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612040190711-5ZZRBWSPVTEDQ2OKLWQL/IMG_20201110_0001.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - How to Dress a Moving Target</image:title>
      <image:caption>Collage: Laura Snelgrove</image:caption>
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      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Still Me, Being Mommy</image:title>
      <image:caption>Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612225635275-ZJPX2YHTUWB8LH0BOQ9C/IMG_20201110_0004.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 2/Changing Bodies, Shifting Identities - Still Me, Being Mommy</image:title>
      <image:caption>Collage: Laura Snelgrove</image:caption>
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  </url>
  <url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1569209849878-577IUUKZG6O94M9555CL/IMG_0641+%281%29.jpg</image:loc>
      <image:title>Fashion Studies Programs - Program Profile: MA Costume Studies at NYU</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-studies-programs/2019/7/4/program-profile-school-of-fashion-and-textiles-rmit-university-melbourne-australia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-10</lastmod>
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      <image:title>Fashion Studies Programs - Program Profile: PhD in Fashion &amp;amp; Textiles, RMIT University</image:title>
      <image:caption>Dressing death: fashioning garments for the grave by Pia Interlandi, 2013. https://practice-research.com/portfolio-item/adressing-death-fashioning-garments-for-the-grave-by-pia-interlandi/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1562722964294-Y344088WG7IX8T17BECX/Georgia+McCorkill+1.png</image:loc>
      <image:title>Fashion Studies Programs - Program Profile: PhD in Fashion &amp;amp; Textiles, RMIT University</image:title>
      <image:caption>Serial individualities: A practice at the junction of special occasion micro-design and sustainability by Georgia McCorkill, 2015. https://practice-research.com/portfolio-item/serial-individualities-a-practice-at-the-junction-of-special-occasion-micro-design-and-sustainability-by-georgia-mccorkill/</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1562723040124-7NA2LWBAZUYSZPO4EU7T/Adele+Joy+Varcoe.jpg</image:loc>
      <image:title>Fashion Studies Programs - Program Profile: PhD in Fashion &amp;amp; Textiles, RMIT University</image:title>
      <image:caption>Feeling fashion by Adele Joy Varcoe, 2016. https://practice-research.com/portfolio-item/feeling-fashion-by-adele-joy-varcoe/</image:caption>
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      <image:title>Fashion Studies Programs - Program Profile: MA Fashion at Ryerson University</image:title>
      <image:caption>Christian Dior exhibition at the Royal Ontario Museum with Ryerson University School of Fashion MA Program, March 2018. Photo: Jaclyn Marcus.</image:caption>
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    <image:image>
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      <image:title>Fashion Studies Programs - Program Profile: MA Fashion at Ryerson University</image:title>
      <image:caption>Fashion Studies Issue 1 launch event, hosted by the Centre for Fashion Diversity &amp; Social Change at Verity, May 2018. Featuring event moderators and panelists (left to right): Dr. Ben Barry, Dr. Alison Matthews David, Lesley Hampton, Elizabeth Semmelhack, Dr. Charlene Lau, Dr. Eliza Chandler, and Keisha McPherson. Photo: Alexander La.</image:caption>
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    <lastmod>2021-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612712928365-LNW13N1EWOCZJJHNK6TH/il_794xN.2777093231_o4f5.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 4/Creativity in Motherhood - The #Boho Hustle: Domesticating Digital Media, Liquidating the Closet, and Disrupting Luxury Fashion</image:title>
      <image:caption>Peacock chair, Etsy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612713070919-QTU30F4UGYH18W79YO2C/Gilda_Wheat_046.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 4/Creativity in Motherhood - The #Boho Hustle: Domesticating Digital Media, Liquidating the Closet, and Disrupting Luxury Fashion</image:title>
      <image:caption>Gilda dress, Dôen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612712998976-VOOX4J60Z6IHJ3LUGOZX/IMG_6859+%281%29.JPG</image:loc>
      <image:title>Fashion &amp; Motherhood Content 4/Creativity in Motherhood - The #Boho Hustle: Domesticating Digital Media, Liquidating the Closet, and Disrupting Luxury Fashion</image:title>
      <image:caption>Tracy Quillin for Aux Etoiles Vintage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612713124795-CFVCNTE46VMEKGULAZWV/Celine-Resort-2020-Campaign02.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 4/Creativity in Motherhood - The #Boho Hustle: Domesticating Digital Media, Liquidating the Closet, and Disrupting Luxury Fashion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612713124560-P7PZF5P6A0HL6985HUAG/Celine-Resort-2020-Campaign01.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 4/Creativity in Motherhood - The #Boho Hustle: Domesticating Digital Media, Liquidating the Closet, and Disrupting Luxury Fashion</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-motherhood-content-4/2021/1/30/a-handmade-life</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612033323577-O6JBFVQKU8MFAWHFSSC8/Wanett.png</image:loc>
      <image:title>Fashion &amp; Motherhood Content 4/Creativity in Motherhood - Creation Story</image:title>
      <image:caption>Wanett at her baby shower, receiving the two new pairs of jeans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612033759678-XE2BQSWKR3MXZW3T1K64/IMG_20201110_0005.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 4/Creativity in Motherhood - Creation Story</image:title>
      <image:caption>Collage by Laura Snelgrove (with help from Theo).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-motherhood-content-5</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-07</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-motherhood-content-5/2021/1/28/what-makes-a-mother</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1611872815439-LM2UVJ7V0NBMMXUJP0NM/165311_1809236113427_3425022_n.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 5/Mother/Daughterhood - What Makes a Mother?</image:title>
      <image:caption>Carolina and her mother on a skiing holiday in Tierra del Fuego, Argentina</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-motherhood-content-5/2021/1/30/the-bespoke-dresses-that-spoke-love-how-a-mothers-love-nurtured-creativity-and-shaped-a-daughters-identity-and-self-worth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612037038606-V4OXWC9JGESYJ61MKKV2/AnushkaFG_9.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 5/Mother/Daughterhood - The Bespoke Dresses that Spoke Love</image:title>
      <image:caption>Ammi with her treasures on earth, my brother and I. Ammi and I in bespoke sarees at my cousin's wedding in Colombo, Sri Lanka</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612037545286-JBBHH27V9WCBEGPK7AJX/AnushkaFG_10.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 5/Mother/Daughterhood - The Bespoke Dresses that Spoke Love</image:title>
      <image:caption>Ammi in a bespoke saree and I in a bespoke dress, a dress in the colors of the sunset that I wanted and a neck piece that was hand sewn by Ammi and I. 2010. Colombo Sri Lanka</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612037418150-2FR7KDVR2XOJKTKI7TET/AnushkaFG_8.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 5/Mother/Daughterhood - The Bespoke Dresses that Spoke Love</image:title>
      <image:caption>Ammi in a bespoke saree flanked by models wearing her creations at a fashion show showcasing her creations and my friends and mine. 2009, Colombo, Sri Lanka</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612037144627-7Q3BZI072ZXNT521MUJD/AnushkaFG_13.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 5/Mother/Daughterhood - The Bespoke Dresses that Spoke Love</image:title>
      <image:caption>Ammi with my oldest, Gian at her last Christmas Mass. 2018. Colombo,Sri Lanka</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612037218082-XUV5D1DO5URDKCTT58WJ/AnushkaFG_14.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 5/Mother/Daughterhood - The Bespoke Dresses that Spoke Love</image:title>
      <image:caption>Ammi with my daughter, Amarya at Easter in 2019 in the United Kingdom</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-motherhood-content-6</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-07</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-motherhood-content-6/2021/1/21/exhibition-review-portraying-pregnancy-from-holbein-to-social-media</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1611259679739-RP87AG25WYK2HXZEBQUL/f-015-sRGB-lowres.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 6/Reviews - Exhibition Review: Portraying Pregnancy: From Holbein to Social Media</image:title>
      <image:caption>© Foundling Museum / Photograph: Peter Mallet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1611259716686-ZM6392X8OSTKZSL4JCYR/9J1A0043LR+copy.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 6/Reviews - Exhibition Review: Portraying Pregnancy: From Holbein to Social Media</image:title>
      <image:caption>Marc Quinn, Alison Lapper (8 Months), 2000, marble and plinth, 83.5h x 40.5w x 65d cm © The Foundling Museum / Photo: Rachel Cherry</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-motherhood-content-6/2021/1/28/book-review-portraying-pregnancy-from-holbein-to-social-media</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1611873914343-FBXTMZ4A2TIXWHNY71OK/PortrayingPregnancy.jpg</image:loc>
      <image:title>Fashion &amp; Motherhood Content 6/Reviews - Book Review: Portraying Pregnancy: From Holbein to Social Media</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-motherhood-content-6/category/Exhibition+Review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-health-additional-resources</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-07-05</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-health-additional-resources/2021/7/1/well-being-in-liquid-modernity-an-annotated-bibliography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625154416103-X01OKQVHZ0WN7AT8A07P/IMG_0036.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health Content - Well-being in Liquid Modernity: An Annotated Bibliography - Make it stand out</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-health-healing-through-practice</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-07-05</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-health-healing-through-practice/2021/6/29/weaving-the-lockdown-away-tales-of-women-and-looms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625516778814-14O46TCTRXBIPBMU88RN/Sara+Kaufman+-+Stole.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms - Make it stand out</image:title>
      <image:caption>Sara Kaufman, The Stole, Handwoven on frame loom, merino wool and silk, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152194020-16YPUTHNIU1NUMZT6BIE/Sara+Kaufman+-+Blanche.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
      <image:caption>Sara Kaufman, Blanche, Wool, lace, silk, glass pearls, handwoven of frame loom, 2021. In a scene of A Streetcar Named Desire, Blanche Dubois is sewing for the Kowalski family – like most women of her time she is familiar with needlework. I imagine her stitching and darning her old clothes, as the outline of her jewelry box – The Heart – blends with her confused costumes and fading lifestyle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152190063-185JC4OOEAT449XTF6GD/Sara+Kaufman+-+Blanche+detail+1JPG.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152192093-GW5UMWHRVDTVSI43V44G/Sara+Kaufman+-+Blanche+detail.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152305852-V0WR6SDYIME1M9M4ORFX/Sara+Kaufman+-+Little+Edie.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
      <image:caption>Sara Kaufman, Little Edie, Wool, cotton, silk, handwoven on frame loom, 2021. Yarns in deep colors blend with fine silk – Little Edie’s signature mix-match style. The header and footer are left unfinished, ready for the next readaptation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152309721-66SSHECLVIP811NWQJ0T/Sara+Kaufman+-+Little+Edie+detail+1.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152311868-YAWR7C5NLOW1O08W0JMM/Sara+Kaufman+-+Little+Edie+detail.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152407414-FX4C2FXV8E9WF20AKTFC/IMG-3757.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
      <image:caption>Sara Kaufman, Dorothy - Louboutin (Red Shoes), Handwoven of frame loom, wool, paper, 2021. High heels are women's official footwear, and, supposedly, the expression of their sexuality. However, the name stiletto, meaning small dagger, should ring a bell, and so should Louboutin's alarmingly red soles. All over the world, feminist movements have adopted the red shoe as a symbol of denonciation against femicide.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152405240-FGMW4YKF2HB40T41OVV9/IMG-3760.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152485219-JF843I4DQWXP5EHT7QV4/RanaFeghali_+Violent+lockdown.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
      <image:caption>Rana Feghali, Violent Lockdown, Hand weaving, Soap, women hair, cotton, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152487245-J3T6YV6EPYKLFC4AFP6N/RanaFeghali_Violent+Lockdown+1.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152495708-A27WJBY4XXS5OHTZ4KEH/Rana+Feghali+-+Domestic+Violence.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
      <image:caption>Rana Feghali, Domestic Violence, Hair and cotton 2020. Violence against women is known to be a widespread phenomenon. This work refers in particular to the dramatic rise in the number of cases during the lockdown. The mask partially woven with the hair of several women becomes a symbol of denunciation. The work was inspired by a news story from a couple of years ago in which a female victim's hair was found scattered throughout her house.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625152491237-YOKMPDE9W7K5FF3PP3J8/Rana+Feghali+-+Domestic+violence+detail.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - Weaving the Lockdown Away: Tales of Women and Looms</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-health-healing-through-practice/2021/7/1/neme0mtvbiopq5lcqj1gwh2w9589zq</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625153438991-JRJYPDN0T6CY12E2PUYK/MariaGil_1.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - For the Sake of Your Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625153438602-JMEDNJH95MEWCORO3L2H/MariaGil_2.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - For the Sake of Your Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625153438129-4QV2R7SHWZ686UTTUO1K/MariaGil_3.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - For the Sake of Your Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625153437835-LQ945DCPQP58B09KT8TT/MariaGil_4.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - For the Sake of Your Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625153437078-W6UZMU7V96C66TKC191E/MariaGil_5.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - For the Sake of Your Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625153437079-ASBAH6OSJ99GQXR2BSR5/MariaGil_6.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Healing Through Practice - For the Sake of Your Work</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-health-healing-through-practice/2021/7/4/create-healing-a-fashion-therapy-system</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthlabor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-07-05</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthlabor/2021/7/3/the-case-for-not-making-it-work</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625327773838-CJLMC823HMNEE0945S95/FSJ+ILLO+SARAH+BYRD+REVISED-01.png</image:loc>
      <image:title>Fashion &amp; Mental Health/Labor - The Case for Not Making It Work - Make it stand out</image:title>
      <image:caption>Illustration by Annabelle Walsh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625327984115-NQ8HT5TWFYL0ITP2079J/TIMGUNN.gif</image:loc>
      <image:title>Fashion &amp; Mental Health/Labor - The Case for Not Making It Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthlabor/2021/7/4/kerstin-heitzke</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625415754524-GH4L561A3NKYBZJHCOH0/FSJ+Illustration.png</image:loc>
      <image:title>Fashion &amp; Mental Health/Labor - A Return to Retail: Sales Associates Reflect on Wellness During the Pandemic - Make it stand out</image:title>
      <image:caption>During the pandemic, many people have sought out ‘retail therapy.’ What this familiar term obscures is the experience of the retail workers who become de facto therapists. Made to work in unsafe, unstable conditions, these front-line workers’ mental health was tested more than ever this past year. Illustration by Annabelle Walsh</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthnarrative</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-07-05</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthnarrative/2021/7/3/search-and-rescue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625332295082-KU4O459PB9FM2A7R7ZG1/David+Bellingham.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Narrative - Search and Rescue - Make it stand out</image:title>
      <image:caption>End page, David Bellingham, Art &amp; Research, Volume 1. No 2. Summer 2007 (find image online here)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthnarrative/2021/7/3/what-if-i-love-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625330910535-2B69UEISUVNP98L1G0VH/Image+by+Mike.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Narrative - What If I Love It? - Make it stand out</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625330962005-PUED6JSCZDE8TX4FUYUG/FSJ+What+If+I+Love+It_+Photo+3.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Narrative - What If I Love It? - Make it stand out</image:title>
      <image:caption>Photograph courtesy of the author</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthnarrative/2021/6/29/notes-on-materiality-and-loss</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625148508749-J4OX9NQ9MMI19OY625AF/FSJ_AP-1.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Narrative - Notes on Materiality, Ritual, and Grief - Make it stand out</image:title>
      <image:caption>My parents at their wedding in Koonammavu, Kerala, India in May, 1980.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625149119254-NZYUDS7R3CHJLYP14E9O/FSJ_AP-2.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Narrative - Notes on Materiality, Ritual, and Grief - Make it stand out</image:title>
      <image:caption>Together with my father, mother, and sister when I received my Master’s degree from Parsons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625148738242-PUJB4C1ZVS7N6DHHK9HS/FSJ_AP-5.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Narrative - Notes on Materiality, Ritual, and Grief - Make it stand out</image:title>
      <image:caption>My father and me, in the early 1990s.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthadditional-perspectives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-07-05</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthadditional-perspectives/2021/7/3/mental-health-benefits-of-wearing-the-farda-in-the-santo-daime-religion-as-explored-through-an-anthropological-and-psychiatric-approach</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625329227878-0QQXHSOSOR9WI5PMJAHI/image9.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Additional Perspectives - Santo Daime and the Mental Health Benefits of Wearing the Farda: An Anthropological and Psychiatric Approach - Make it stand out</image:title>
      <image:caption>Image 1. “Padrino” and “Madrina” of “Eagle sky” Church in their farda, San Luis Potosí, Mexico, 2021. Photo: José Noyola.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625329307262-P13I0IAOW0JNXTXP0QGT/image2.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Additional Perspectives - Santo Daime and the Mental Health Benefits of Wearing the Farda: An Anthropological and Psychiatric Approach - Make it stand out</image:title>
      <image:caption>Image 2. Mestre Irineo, founder of Santo Daime. Credit: Memorial Raimundo Irineu Serra/Ciclu-Alto Santo e Carlos Ruggi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625329438215-2TWCAOXD35IZJB5YJFF2/image3.png</image:loc>
      <image:title>Fashion &amp; Mental Health/Additional Perspectives - Santo Daime and the Mental Health Benefits of Wearing the Farda: An Anthropological and Psychiatric Approach - Make it stand out</image:title>
      <image:caption>Image 3. Clancy Cavnar, Representation of the appearance of Rainha da Floresta to Mestre Irineu. [3] Or "Representation of the appearance of Rainha da Floresta to Mestre Irineu” by Clancy Cavnar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625535152060-FFE289MEL4LQKUOTEYI3/image4.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Additional Perspectives - Santo Daime and the Mental Health Benefits of Wearing the Farda: An Anthropological and Psychiatric Approach - Image 4. Wearers of the farda, San Luis Potosí, Mexico, 2021. Photo: José Noyola</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625535152107-TYGF8MVOMDRKDRCH8U8X/image5.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Additional Perspectives - Santo Daime and the Mental Health Benefits of Wearing the Farda: An Anthropological and Psychiatric Approach - Image 5. Wearers of the farda, San Luis Potosí, Mexico, 2021. Photo: José Noyola</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625329660635-IV9ZMSRE349LXJH8UH8B/image6.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Additional Perspectives - Santo Daime and the Mental Health Benefits of Wearing the Farda: An Anthropological and Psychiatric Approach - Make it stand out</image:title>
      <image:caption>Image 6. Star of fardados. Photo: José Noyola, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625329695571-Q5FLA21QWUVG2F8366SG/image7.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Additional Perspectives - Santo Daime and the Mental Health Benefits of Wearing the Farda: An Anthropological and Psychiatric Approach - Make it stand out</image:title>
      <image:caption>Image 7. Defumacao. Cleansing with incense during a ceremony. Photo: José Noyola, 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthadditional-perspectives/2021/7/3/one-day-baby-well-be-old-fashions-problem-with-aging-and-its-effects-on-mental-health</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625331559362-KQB5RUOUYVFJZ5DKQMQI/IMG_1488.JPG</image:loc>
      <image:title>Fashion &amp; Mental Health/Additional Perspectives - One Day, Baby, We’ll be Old: Fashion’s Problem with Aging and its Effects on Mental Health - Make it stand out</image:title>
      <image:caption>Photo by Maria Gil Mendoza</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625331601735-DMFEZQYPA47VP7IHF90Y/captureyouth.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Additional Perspectives - One Day, Baby, We’ll be Old: Fashion’s Problem with Aging and its Effects on Mental Health - Make it stand out</image:title>
      <image:caption>Collage by the author</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthmental-illness-visual-perspectives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-07-05</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthmental-illness-visual-perspectives/2021/6/29/fashion-photography-and-the-mentally-ill-subject</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625002859337-XGALY7Z4RUVEFNT967AU/FSJ_Rudeen_1.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - Fashion, Photography, and the Mentally Ill Subject - Make it stand out</image:title>
      <image:caption>Figure 1. The records for Enid C., a patient admitted to the Holloway Sanatorium in 1906, feature a newspaper cutting taken after her discharge showing Enid under her stage name “Miss Corisande.” Holloway Sanatorium, Females No. 17 (Certified female patients admitted August 1905- March 1907), WMS 5160: 163–164. Wellcome Library, London. https://wellcomecollection.org/works/w3v6wrpt/items?canvas=144.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625002939158-HOKXOQRQ63TB425O23PX/FSJ_Rudeen_2.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - Fashion, Photography, and the Mentally Ill Subject - Make it stand out</image:title>
      <image:caption>Figure 2. Detail from the casebook notes on Lizzie G. Holloway Sanatorium, Females no. 2 (Certified female patients admitted January-September 1889), WMS 5157: 177. Wellcome Library, London, https://wellcomecollection.org/works/yzm422u5/items?canvas=189.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625150822352-JU84FTLCR2JIN1ZD5YRN/FSJ_Rudeen_3.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - Fashion, Photography, and the Mentally Ill Subject - Make it stand out</image:title>
      <image:caption>Figure 3. Two photographs by fashion and portrait photographer Richard Avedon. Left: Renée, The New Look of Dior, Place de la Concorde, Paris, August 1947. Right: Mental Institution #17, East Louisiana State Mental Hospital, Jackson, Louisiana, February 1963. Both images © The Richard Avedon Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625002001848-QFWGLFC9K62NNQYEG8MA/FSJ_Rudeen_4.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - Fashion, Photography, and the Mentally Ill Subject - Make it stand out</image:title>
      <image:caption>Figure 4. Richard Avedon, Insane Asylum (B), negative, February 1963, PG.67.102.040N, National Museum of American History, Washington, D.C. https://americanhistory.si.edu/collections/search/object/nmah_1334357.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625002042595-N8QYQSS8GHSHG6H4J3WJ/FSJ_Rudeen_5.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - Fashion, Photography, and the Mentally Ill Subject - Make it stand out</image:title>
      <image:caption>Figure 5. Francesca Woodman, “Untitled Photograph”, circa 1975-1978, gelatin silver print. Image from George Lange Collection. Courtesy George Lange © Estate of Francesca Woodman/Charles Woodman/Artist Rights Society (Ars), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625002091264-EEF14XQ76HVYIVGY3OYT/FSJ_Rudeen_6.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - Fashion, Photography, and the Mentally Ill Subject - Make it stand out</image:title>
      <image:caption>Figure 6. Francesca Woodman, From Space2, Providence, RI, 1975–78. Gelatin silver print. © Betty and George Woodman, the Estate of Francesca Woodman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625002121962-F8NOCPUEOOYO0PQPC2MA/FSJ_Rudeen_7.png</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - Fashion, Photography, and the Mentally Ill Subject - Make it stand out</image:title>
      <image:caption>Figure 7. Tara Wray, spread from Too Tired for Sunshine (Atlanta: Yoffy Press, 2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625002158341-IVGQL2Y70O693TB9560T/FSJ_Rudeen_8.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - Fashion, Photography, and the Mentally Ill Subject - Make it stand out</image:title>
      <image:caption>Figure 8. Scott Offen, Grace at the Window, from “Winter Isolation,” Too Tired Project. https://tootiredproject.com/winter-isolation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-healthmental-illness-visual-perspectives/2021/7/1/jammed-between-body-and-mind-the-liberatory-fashion-of-leonora-carrington</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625155829798-1Z13KK3B6884VG6X8YKJ/Figure+3.png</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - “Jammed” between Body and Mind: The Liberatory Fashion of Leonora Carrington - Make it stand out</image:title>
      <image:caption>Figure 3. Leonora Carrington, Self-Portrait, ca. 1937–38, oil on canvas, 25 9/16 x 32 in., The Metropolitan Museum of Art/Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625155883756-UFM09P99S8O4YVJQD54K/Figure+1.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - “Jammed” between Body and Mind: The Liberatory Fashion of Leonora Carrington - Make it stand out</image:title>
      <image:caption>Figure 1. Elsa Schiaparelli, Woman’s Dinner Dress. 1937, printed silk organza, synthetic horsehair, 52 in. (length) x 22 in. (waist), Philadelphia Museum of Art. Philadelphia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625155955996-GPEQNZ35S24JF3R6L6D4/Figure+2.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - “Jammed” between Body and Mind: The Liberatory Fashion of Leonora Carrington - Make it stand out</image:title>
      <image:caption>Figure 2. Leonora Carrington, Ropa Vieja. 1968, watercolor, charcoal, and pastel, 22.4 x 17.7 in., private collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625155994517-LKF9B4C8AP2E5KBNHTLM/Figure+4.png</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - “Jammed” between Body and Mind: The Liberatory Fashion of Leonora Carrington - Make it stand out</image:title>
      <image:caption>Figure 4. Leonora Carrington, En Bas (Down Below), 1940, oil on canvas, 15.75 x 23.5 in., Gallery Wendi Norris. San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625156048505-VRUJ7BH56TXUNW5JWXNT/Figure+5.png</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - “Jammed” between Body and Mind: The Liberatory Fashion of Leonora Carrington - Make it stand out</image:title>
      <image:caption>Figure 5. Screenshot from The Mansion of Madness, dir. Juan López Moctezuma, 1973.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625156140190-JHA9R0CDGFA9Q3FYEA68/Figure+7.png</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - “Jammed” between Body and Mind: The Liberatory Fashion of Leonora Carrington - Make it stand out</image:title>
      <image:caption>Figure 7. Screenshot from The Mansion of Madness, dir. Juan López Moctezuma, 1973.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625156075791-690SGHX8QFTHMSU0SKVQ/Figure+6.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - “Jammed” between Body and Mind: The Liberatory Fashion of Leonora Carrington - Make it stand out</image:title>
      <image:caption>Figure 6. Leonora Carrington, Wheel of Fortune, ca. 1955, oil and gold leaf on board, 6 ¼ x 5 ½ in, Estate of Leonora Carrington/Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625156249215-Y26I6TBHZR2K6WFVVW94/Figure+9.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - “Jammed” between Body and Mind: The Liberatory Fashion of Leonora Carrington - Make it stand out</image:title>
      <image:caption>Figure 9. Brigitte Niedermair, photograph of Dior’s Esphyr look from its fall/winter 2020–21 haute couture collection, Dior.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625156200422-7L7G31J902WDEXOYLQLB/Figure+8.jpeg</image:loc>
      <image:title>Fashion &amp; Mental Health/Mental Illness: Visual Perspectives - “Jammed” between Body and Mind: The Liberatory Fashion of Leonora Carrington - Make it stand out</image:title>
      <image:caption>Figure 8. Adrien Dirand, photograph of a trunk of miniature mannequins wearing pieces from Dior’s fall/winter 2020–21 haute couture collection, Dior.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-a</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-a/2022/3/18/better-together-collaboration-as-a-tool-for-inclusivity-in-luxury-fashion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/21dca5af-d50c-48ef-810e-d528f34d2756/IMG_0146+%281%29.JPG</image:loc>
      <image:title>Partnership - Content A - Better Together: Collaboration as a Tool for Inclusivity in Luxury Fashion - Make it stand out</image:title>
      <image:caption>The author wearing one of her CJR X Target dresses for her 2021 graduation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-a/2022/3/18/co-design-for-community-producing-culturally-appropriate-athleticwear-with-the-girls-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647612948689-IX5IG9SJ8ITU74YCZ1KJ/1+Ali+Museum.JPG</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>National Project Recognition in the Muhammad Ali Center (Louisville, Kentucky)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647612948095-E99THAV3T5458ZA1VXVD/2+bball2.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Time to "be who I am and just play" in the new activewear and uniforms!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647612949399-RHIQJMUFUBNFDWMJUTER/3+Co-Design.JPG</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Girls hard at work and having fun designing!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647612955519-L4T4S8VH8NDZL3POKKHB/4+voting.JPG</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Vote!!! Once initial activewear designs were devloped, the girl on the project team voted for their favorite croquis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647612950712-1EQOZIJNG9LSRNPNX8CE/5+Final+Design.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Paperdoll Wearing the Final Activewear Design</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647612954897-ZBTBSO0J2NSOLVIZ7WNO/6+Gallery+Walk.JPG</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Community Gallery Walk for Community Members to Celebrate, View, and Vote on the Girls' initial Designs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613184315-P9JNA38S9SHWVX1SAFGX/7+team+photo.JPG</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Teamwork makes the dreamwork! Collaborative Community-University “Co-Design” Leadership Team, including from front left Amal, Muna, Missy, Amira, Fosiyo; from back left Salma, Coach Weber, Kira (Apparel graduate student), Lulia, Torrie (Kinesiology graduate student), Chelsey, and Robin (Apparel graduate student. Not pictured: Fatimah, Sutra, Maryam, and Ayan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613177588-AC55YN5MOSUW0HQWC7EC/8+LynxRecognition.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Standing Ovation Recognition at a WNBA Sell-Out MN Lynx Game</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613180584-1SYLP42NTGHC23GQHEHD/9+paperdoll.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Paperdoll Ideations</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613183721-2ZMU2QQOIGDJHSHGB32R/10+paperdoll2.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Paperdoll Ideations</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613184657-5L4QJ8BOJY5SUHTCYI1T/11+prototypes.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>The GIRLS Leadership Team Models Prototypes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613188976-HAWQA97PDB0963J35EX7/12+_MG_8280.JPG</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>"Let's Play Hockey!" on the Fashion Show Runway</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613316713-KSWFMHS1PD4GFWJFHYC7/13+_MG_8474.JPG</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>"Let's Play Basketball!" on the Fashion Show Runway</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613317560-IBP709YU6N1B4FS7XJ3J/14+_MG_8415.JPG</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Lady Warrior on the Runway</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613322871-A0JDT80P4G51UGFZOWD6/15+_MG_8312.JPG</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Swimming on the Fashion Show Runway</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613319978-FONRMH5WOE30NU0TC9UW/16+sewing.png</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Community Partners Produce the Activewear</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613321972-SK47E0TW3GJNZ0IQIKCS/17+voting+uniform.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Paperdoll Sport Uniform Voting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647613323931-YZV5COOULE6MEQBT3ZUY/18+Photo2+%2811%29.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project</image:title>
      <image:caption>Vote!!! Once initial activewear designs were developed, the girl on the project team voted for their favorite croquis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/2c178299-0bfd-45bf-910c-5dd26ea11506/ElizebethBye.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/a05a439b-c386-4451-8810-165a37adfbe6/ChelseyThul.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/e7215720-17e7-4c04-b691-914a478891a3/MunaMohamed.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/83a442a9-1bac-40dc-b8a3-190d817bb910/JenniferWeber.jpg</image:loc>
      <image:title>Partnership - Content A - Co-Design for Community: Producing Culturally Appropriate Athleticwear with the GIRLS Project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-a/2022/4/22/nice-day-for-a-ghost-wedding</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/e11e8049-3254-4cad-8c73-cc89c07a2afd/20220401_112211.jpg</image:loc>
      <image:title>Partnership - Content A - Nice Day for a Ghost Wedding - Make it stand out</image:title>
      <image:caption>Glamour and a Covid mask at the Enzo Miccio booth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/48acb88f-ef56-4127-a987-7549e348f489/20220402_134430.jpg</image:loc>
      <image:title>Partnership - Content A - Nice Day for a Ghost Wedding - Make it stand out</image:title>
      <image:caption>“This is the FSJ booth”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1650636125238-TB4P3UTTN4ZUELTZE5G3/Terry_Ilafl%C3%96_MRT08632_0016.jpg</image:loc>
      <image:title>Partnership - Content A - Nice Day for a Ghost Wedding</image:title>
      <image:caption>Adaptable sleeves at Terry Ilafla</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1650636113370-2CRS0IZTI1GWY52XSLZB/Savannah+Miller_CF_5940.jpeg</image:loc>
      <image:title>Partnership - Content A - Nice Day for a Ghost Wedding</image:title>
      <image:caption>Adaptable sleeves at Savannah Miller</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1650636126598-BDFDINZGNJG0I6XTAIN7/ELISABETTA_POLIGNANO__0014.jpg</image:loc>
      <image:title>Partnership - Content A - Nice Day for a Ghost Wedding</image:title>
      <image:caption>Adaptable sleeves at Elisabetta Polignano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/ac22b001-e30c-44ca-8e2c-44488a4a0f5c/Screenshot_20220412-162422_Instagram.jpg</image:loc>
      <image:title>Partnership - Content A - Nice Day for a Ghost Wedding - Make it stand out</image:title>
      <image:caption>Ghosts! Ghosts! Ghosts!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-a/2022/4/22/mariano-and-henriette-fortuny-notes-on-co-creating-the-delphos-gown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/4636a30d-757b-4aad-a0d9-eae8ed21c12c/Fortuny1.jpg</image:loc>
      <image:title>Partnership - Content A - Mariano and Henriette Fortuny: Notes on Co-Creating the Delphos Gown - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/5dd5ff58-757c-4e74-b203-e7a27f7dd08d/Fortuny3.jpg</image:loc>
      <image:title>Partnership - Content A - Mariano and Henriette Fortuny: Notes on Co-Creating the Delphos Gown - Make it stand out</image:title>
      <image:caption>Illustration of the Delphos gown patent. Founded in : Brevet D’Invention, genre de vêtements pour femmes, Office National de la Propiété Industrielle, 10 June 1909. M.8.1.5. Il Fondo Mariutti Fortuny, Biblioteca Nazionale Marciana, Venice. Photo taken by Alba Sanz Álvarez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/6aa8f8a5-4e18-4a2e-9f5b-266355613267/Fortuny4.jpg</image:loc>
      <image:title>Partnership - Content A - Mariano and Henriette Fortuny: Notes on Co-Creating the Delphos Gown - Make it stand out</image:title>
      <image:caption>Fortuny, Mariano. Henriette wearing a prototype of the Delphos gown, 1909. Scatola A, F.3, 0218. Il fondo Mariutti Fortuny, Biblioteca Nazionale Marciana, Venice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/9c80714b-caf1-4d64-862f-04af88b8b5f3/Fortuny2.jpg</image:loc>
      <image:title>Partnership - Content A - Mariano and Henriette Fortuny: Notes on Co-Creating the Delphos Gown - Make it stand out</image:title>
      <image:caption>Fortuny, Mariano. Henriette wearing a prototype of the Delphos gown, 1909. Scatola A, F.3, 0198. Il fondo Mariutti Fortuny, Biblioteca Nazionale Marciana, Venice.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-b</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-b/2022/3/17/farming-fashion-faces-and-landscapes-of-south-west-england-fiber-farms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/996f9bd6-971c-4c1a-862a-91fac1004e99/DS_IMG_3014.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms - Make it stand out</image:title>
      <image:caption>Photo: Hatty Bell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647538703736-VFNFDO6TOP2S0FUTYVI5/DS_IMG_2965.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>The herd going to pasture; alpaca have soft padded feet rather than hooves so they ‘poach’ the land far less—even in wet winters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647538703370-8XRDC4J7Z47UTLHFUUJQ/DS_IMG_3014+%281%29.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Alpaca fiber is hollow—giving it greater thermal capacity than wool, and can also be extremely fine, making it both soft and very warm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647538702384-8NC6FQC9H2EW0NJZ6Z3V/DS_IMG_3035.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>The Suri alpaca produces a famously long, silky fiber with stunning luster that can be tricky to work with but when handled appropriately creates luxurious textiles that rival cashmere in fineness and softness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647538702368-UIOYVZI2SFZNG4YRJ6P8/DS_IMG_3163.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Wendy and Tom Scott are new entrant farmers who chose to specialize in breeding the rare Suri alpaca, which makes up less than 10% of the worldwide alpaca population.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539178129-4LXEM7JT3OZY7Z4QGCNH/FH_IMG_0528.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Jen and Andy selectively breed a large native-breed flock to produce fine fleece as well as 100% pasture-fed meat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539183775-PGK77KS8N9MSEUCRSNZ8/FH_IMG_0569.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Our native British breeds thrive in our native British weather, which leads them to produce the fine, warm fibers that are capable of producing high-quality yarns and clothing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539188928-VQ3J62LVCCEFX9TJ201P/FH_IMG_0594.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>The Fernhill philosophy holds no waste at its core; great care is taken to sort and grade each fleece after shearing to ensure that the very most is made of all of it, and all by-products are seen as resources that can somehow be recycled within their farming system.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539194679-MGHHUR5R8GG1GZGICCYZ/FH_IMG_0611.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Jen Hunter is a former Nuffield Farming scholar who is a passionate advocate for wool and together with partner Andy Wear has built an inspirational business for meat and wool products which are now verified regenerative through A Greener World.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539604987-2WTGXZA6RFD5A4TSDDBK/LH_IMG_0792.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>The Devon Closewool is a dual purpose breed that produces wonderful meat as well as copious amounts of lofty wool.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539609377-2OLMMNFVTYUP2FWWG4GM/LH_IMG_0924.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Clive, together with partner Lydia, are seventh-generation custodians of Lower Hampen farm, which has been farmed by the family for over 220 years.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539616834-QMP36JM6UCSX1H2FVR6S/LH_IMG_1083.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Lydia processes much of the Closewool fleece herself, washing and dyeing it using homegrown natural dyes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539618848-39RT6JFV024PBJ02ZLZ7/LH_IMG_1112.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Raw fleece to be cleaned.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539624595-24IM2Q3W50CFHAUH1ASF/LH_IMG_1204.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Lydia is passionate about farming with nature, integrating wildlife habitats and regenerative principles into the farm’s system, and honoring the value in all it produces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539794663-KUJXES0V1AGZ2O302LOU/MC_IMG_1969.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Lawrence with his mixed flock of British Milk, Friesian, Zwartble, and Shetland sheep.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539808906-CMBV30CT2FENOPBGJS0H/MC_IMG_2085.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Specializing early on in colored Shetland fleeces which were uncommercial through mainstream sales avenues at the time, Middle Campscott processed their fiber instead through the Natural Fibre Company and became the first UK producer of organic wool yarns certified by the Soil Association.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539813556-WSEQ8RQHHUYT1P2DP77H/MC_IMG_2107.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Lawrence and his wife Karen were first-generation farmers when they moved to Devon yet provide an inspirational example of a small farm business finding strength in diversity over intensity of production.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647539818521-SLDKBZJ4152CA2E4B175/MC_IMG_2121.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>The Middle Campscott model relies on making the most of everything the sheep has to offer—meat, fleece, milk, and hides.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540109591-10D0BTWRO7IX5OHQ3HO0/RL_IMG_1665.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>A chance encounter with merino sheep at the local livestock market led to Rushlade Farm diversifying their traditional hill farm which had previously focused on commercial meat breeds of sheep.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540122794-VI92HGTZ1XITC7WKXD3H/RL_IMG_1787.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Second generation farmer Jessica Steer and husband Russ developed a fiber side to their traditional sheep farming business in 2017 which continues to grow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540116916-HQS63S9EBPCIXZLMP6LS/RL_IMG_1696.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>One of the most interesting outcomes of the mixed Rushlade flock is the ‘Dartmoor Merino,’ a Merino/Whiteface Dartmoor crossbreed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540303008-OQNZCX6QPVW5T7L6H68V/TK_IMG_1291.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Second-generation farmer Ellen and her family produce grass-fed organic beef and lamb, free-range eggs from pastured chickens, grains and stoneground flours, as well as yarns and sheepskins from their mixed flock of sheep.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540327651-2I4X7Z3UN5JCMIPZMPI3/TK_IMG_1280.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Mother and daughter team Ellen and Leila.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540337707-F6EB70WF7VCOR6XWYUWS/TK_IMG_1376.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Farming on the coast and on soils prone to water-logging comes with its own set of challenges, leading livestock to be kept indoors for months over the winter to avoid damage to the pasture by ‘poaching.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540346723-PQT6LTXH36W8YNY1NPR4/TK_IMG_1498.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Tamarisk’s flock produces a natural rainbow of colors, from white and cream, to fawn, caramel, chocolate, and near-black shades of brown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540348595-YPW3SQELMINN74HXOXKX/TK_IMG_1557.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Comprising five different native breeds, breeding involves five different rams, here enjoying the panoramic coastal views.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540501313-VSS10EVHYX9N0Y0F2Q43/WC_IMG_2356.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>The Cotswold ‘Lion’ breed is a long-wool breed native to this region, an inquisitive and friendly sheep which is now considered a rare breed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540506146-AJHIQ9MRZZ9LBH3FX242/WC_IMG_2481.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Tom manages the livestock and the landscape of the estate, optimizing grazing both for the welfare of the flock and the biodiversity of the valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540511124-L637CQ3AC8RULF5JMPPE/WC_IMG_3600.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>The Woodchester House Estate comprises native woodland, old pasture, streams, and springs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540515238-0UHEW5YFXKAVLXPLH9OH/WC_IMG_3632.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>The Cotswold sheep historically produced a fine yarn with a natural luster or sheen that was highly sought after at home and abroad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647540524303-2HPNDE6EYJMTC2O7O0UC/WC_IMG_3730.jpg</image:loc>
      <image:title>Partnership - Content B - Farming Fashion: Faces and Landscapes of South West England Fiber Farms</image:title>
      <image:caption>Sarah, a textile historian, is working with husband Tom to selectively breed their flock, continually improving the fiber to bring it back into contemporary use.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-c</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-c/2022/3/18/the-familial-unfamiliar-charlie-and-kathleen-mccain-engman-and-the-disruptive-power-of-family-collaboration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/b365eb1e-9750-4fb4-a36a-593abe55fd62/FSJ_3.jpg</image:loc>
      <image:title>Partnership - Content C - The Familial Unfamiliar: Charlie and Kathleen McCain Engman and the Disruptive Power of Family Collaboration - Make it stand out</image:title>
      <image:caption>Image courtesy of Charlie Engman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/d9d0b43d-4fae-40fa-88b5-24557c814d72/FSJ_4.jpg</image:loc>
      <image:title>Partnership - Content C - The Familial Unfamiliar: Charlie and Kathleen McCain Engman and the Disruptive Power of Family Collaboration - Make it stand out</image:title>
      <image:caption>Image courtesy of Charlie Engman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647614622615-N6CNJ8QVR4MPV9KYP255/FSJ_1.jpg</image:loc>
      <image:title>Partnership - Content C - The Familial Unfamiliar: Charlie and Kathleen McCain Engman and the Disruptive Power of Family Collaboration</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1647614623908-IEJE951PTUHMEZYTSHV8/FSJ_2.jpg</image:loc>
      <image:title>Partnership - Content C - The Familial Unfamiliar: Charlie and Kathleen McCain Engman and the Disruptive Power of Family Collaboration</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-c/2022/3/17/beyond-hijab-and-modest-fashion-muslim-american-womens-negotiations-of-wardrobes-and-identities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/f4070898-36b5-4ed8-8da2-0dce46aea360/WeAreLadyParts_%231.jpg</image:loc>
      <image:title>Partnership - Content C - Beyond Hijab and Modest Fashion:  Muslim American Women’s Negotiations of Wardrobes and Identities - Make it stand out</image:title>
      <image:caption>We Are Lady Parts on Peacock TV</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/a260c446-92e9-4cac-96c4-565661d1c22b/IMG-8194.jpg</image:loc>
      <image:title>Partnership - Content C - Beyond Hijab and Modest Fashion:  Muslim American Women’s Negotiations of Wardrobes and Identities - Make it stand out</image:title>
      <image:caption>Lena in a festive Eid salwar kameez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/ad60e579-0963-448a-be7d-c202f1436dbe/BIPOCMuslimwoman_w_tikka_nohijab_%233.jpg</image:loc>
      <image:title>Partnership - Content C - Beyond Hijab and Modest Fashion:  Muslim American Women’s Negotiations of Wardrobes and Identities - Make it stand out</image:title>
      <image:caption>Yasmeen Noor wears a bridal tikka</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/3d1c1140-904b-48df-be4c-db53cbaef4d0/bangles_churiya_%234.jpg</image:loc>
      <image:title>Partnership - Content C - Beyond Hijab and Modest Fashion:  Muslim American Women’s Negotiations of Wardrobes and Identities - Make it stand out</image:title>
      <image:caption>Deeba’s wedding bangles (churiya)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/428556c4-faa7-4d6e-9a0b-3ec81d05b51f/BIPOCMuslimwoman_nohijab_white_lengha_%235.jpg</image:loc>
      <image:title>Partnership - Content C - Beyond Hijab and Modest Fashion:  Muslim American Women’s Negotiations of Wardrobes and Identities - Make it stand out</image:title>
      <image:caption>Khaleda Laila wears a white lengha</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/596f4057-970b-4ceb-9f1d-494595ec25d4/BIPOC_Muslimwoman_saree_withhijab%29%236.jpg</image:loc>
      <image:title>Partnership - Content C - Beyond Hijab and Modest Fashion:  Muslim American Women’s Negotiations of Wardrobes and Identities - Make it stand out</image:title>
      <image:caption>Yasmeen wears a festive and modest sari with hijab</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/effd46ec-bee2-4210-aa91-87589eee89e4/BIPOC_Muslim_womanwith_hijab_and_mask_7.jpg</image:loc>
      <image:title>Partnership - Content C - Beyond Hijab and Modest Fashion:  Muslim American Women’s Negotiations of Wardrobes and Identities - Make it stand out</image:title>
      <image:caption>Shakaera wears a hijab and mask on Eid during the pandemic</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/5a5a072e-4547-4107-80f1-0c323beca0f4/Dupatta_bride_image_8.jpg</image:loc>
      <image:title>Partnership - Content C - Beyond Hijab and Modest Fashion:  Muslim American Women’s Negotiations of Wardrobes and Identities - Make it stand out</image:title>
      <image:caption>Noor wears a bridal pink dupatta</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-c/2022/4/10/stitching-together-what-can-female-networking-groups-of-the-renaissance-teach-us-about-the-power-of-making-clothes-together</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/eca6e11d-72be-4a5a-afd5-4eafeb032ba5/Moroni_TheTailor_NationalGalleryLondon+%281%29.jpg</image:loc>
      <image:title>Partnership - Content C - Stitching Together: What can Female Networking Groups of the Renaissance Teach Us About the Power of Making Clothes Together? - Make it stand out</image:title>
      <image:caption>Giovanni Battista Moroni, The Tailor, 1565 - 70, oil on canvas. London: National Gallery. (Image Credit: National Gallery, London)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/5b87d59c-824a-4602-968d-94a79a78c36c/LorenzoLotto_PortraitofaWomaninspiredbyLucretia_NationalGalleryLondon+%281%29.jpg</image:loc>
      <image:title>Partnership - Content C - Stitching Together: What can Female Networking Groups of the Renaissance Teach Us About the Power of Making Clothes Together? - Make it stand out</image:title>
      <image:caption>Lorenzo Lotto, Portrait of a Woman inspired by Lucretia, 1530, oil on canvas. London: National Gallery. (Image Credit: National Gallery, London)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1650338919815-VQMRI5FVIITNLQJ0I7BW/Pouncing+_+Louisa+Hunt++%281%29.jpeg</image:loc>
      <image:title>Partnership - Content C - Stitching Together: What can Female Networking Groups of the Renaissance Teach Us About the Power of Making Clothes Together?</image:title>
      <image:caption>My attempt at pouncing using 16th century techniques (Image: Louisa Hunt)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1650338922127-G9YQT1WOGKH25I0X9NOP/Pricking+_Louisa+Hunt+%281%29.jpeg</image:loc>
      <image:title>Partnership - Content C - Stitching Together: What can Female Networking Groups of the Renaissance Teach Us About the Power of Making Clothes Together?</image:title>
      <image:caption>My attempt at pricking using 16th century techniques (Image: Louisa Hunt)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/79bdaae7-6086-4a15-bc4f-5150d212ebce/Embroidery+Sampler+_+Louisa+Hunt+%281%29.jpeg</image:loc>
      <image:title>Partnership - Content C - Stitching Together: What can Female Networking Groups of the Renaissance Teach Us About the Power of Making Clothes Together? - Make it stand out</image:title>
      <image:caption>My start to a sampler, replicating some of the stitches found in 16th century samplers. (Image: Louisa Hunt)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-c/2022/4/22/wy7fxu375y8ngzk7z7d22y2w3qahhf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/bcba1f11-e149-44e6-8a5f-6e98ccd2334d/image10.jpeg</image:loc>
      <image:title>Partnership - Content C - Skill, Love, and a Dream: Maidenform and the Story of Ida and William Rosenthal - Make it stand out</image:title>
      <image:caption>Image by Sanem Odabaşi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/ac075d33-ec99-46f1-a041-73461c7efb5c/image9.jpeg</image:loc>
      <image:title>Partnership - Content C - Skill, Love, and a Dream: Maidenform and the Story of Ida and William Rosenthal - Make it stand out</image:title>
      <image:caption>Image by Sanem Odabaşi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/4ed85bd5-b787-40fd-87f9-14035ba54c51/image7.jpeg</image:loc>
      <image:title>Partnership - Content C - Skill, Love, and a Dream: Maidenform and the Story of Ida and William Rosenthal - Make it stand out</image:title>
      <image:caption>Image by Sanem Odabaşi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-d</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-d/2022/4/10/notes-on-fashion-constellations-blueprints-towards-expanding-fashion-practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/f0a27023-d71b-45a2-acd3-62612b56e2fd/May1-new.jpg</image:loc>
      <image:title>Partnership - Content D - Notes on Fashion Constellations: blueprints towards expanding fashion practice - Make it stand out</image:title>
      <image:caption>Katherine May - Fashion Constellations: blueprints towards expanding fashion practice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/39b5f4e1-a80d-4855-9154-ed34734a2aa4/May2.jpg</image:loc>
      <image:title>Partnership - Content D - Notes on Fashion Constellations: blueprints towards expanding fashion practice - Make it stand out</image:title>
      <image:caption>Katherine May - Fashion Constellations: blueprints towards expanding fashion practice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/ff35eb96-91ef-428b-8748-a9213a0b4ae6/May3.jpg</image:loc>
      <image:title>Partnership - Content D - Notes on Fashion Constellations: blueprints towards expanding fashion practice - Make it stand out</image:title>
      <image:caption>Katherine May - Fashion Constellations: blueprints towards expanding fashion practice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/ae452851-402c-443b-8a70-1b19de415ed2/May4.jpg</image:loc>
      <image:title>Partnership - Content D - Notes on Fashion Constellations: blueprints towards expanding fashion practice - Make it stand out</image:title>
      <image:caption>Katherine May - Fashion Constellations: blueprints towards expanding fashion practice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/930ee765-c034-4f1a-9614-b321c6da5911/May5.jpg</image:loc>
      <image:title>Partnership - Content D - Notes on Fashion Constellations: blueprints towards expanding fashion practice - Make it stand out</image:title>
      <image:caption>Katherine May - Fashion Constellations: blueprints towards expanding fashion practice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/645768cf-ffe6-405b-97b8-dc6ef98ee746/May6.jpg</image:loc>
      <image:title>Partnership - Content D - Notes on Fashion Constellations: blueprints towards expanding fashion practice - Make it stand out</image:title>
      <image:caption>Katherine May - Fashion Constellations: blueprints towards expanding fashion practice</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-content-d/2022/4/10/join-collective-clothes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/e82db5b2-e25c-4969-bda8-9e1edd701a86/10_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes - Make it stand out</image:title>
      <image:caption>Shape J (top), I (pants) by Chet Bugter, Femke de Vries, Julia Berg, Lu Lin. JOIN Collective Clothes workshop in collaboration with MA Critical Fashion Practices, ArtEZ University of the Arts, Arnhem, NL (2019). Photography Anouk Beckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602830712-B6WIJVFM6JVLO4FRG5K5/01_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape O (sleeve) by Viviane Joller. JOIN Collective Clothes workshop in collaboration with Capsicum Natural Fabrics, Amsterdam, NL (2019). Photography Anouk Beckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602830384-GPS92QY6ZPGS4FDO8T5O/02_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape J (top) by Alessandra Varisco. JOIN workshop at home in Italy (2020). Photography Alessandra Varisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602831746-J1AU7EBZIA5F4MB5HPS6/03_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape J (top), O (sleeve), I (pants) by Dasha Golova, Jeanne Viviès, Evi Olde Rikkert, Elena Braida, Teuntje Kranenborg. JOIN Collective Clothes workshop in collaboration with studio bonbon at fanfare, Amsterdam, NL (2019). Photography Anouk Beckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602832655-EPNS3XCYR67NZ3ETEXVN/04_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape J (top), O (sleeve), I (pants) by Betty Liu, Isa Kasten, Liza-Catherine Peters, Tonya Sudiono &amp; Nakyung Park. Performance JOIN Collective Livestream Walk, Kalverstraat, Amsterdam, NL (2020). Photography Anouk Beckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602833774-QFA3VRP5DQ0OUOL1893I/05_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shapes I (pants) and N (skirt) by Hanna van der Meer, Charlie Winkel, and Vanessa Duque. Performance JOIN Collective Livestream Walk, Kalverstraat, Amsterdam, NL (2020).  Photography Anouk Beckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602834615-STZ35KCFU6L4JAEKJLY4/06_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape J (top), O (sleeve) by Peter Sanders. JOIN Collective Clothes workshop in collaboration with RMIT University, Melbourne, AUS (2020). Photography Anouk Beckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602835464-8BYSWXNDLUIS52CH6OZD/07_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape J (top), N (skirt) by Alice Alloggio, Alia Mascia, Maria Spadoni. JOIN Collective Clothes workshop in collaboration with MA Critical Fashion Practices, ArtEZ University of the Arts, Arnhem, NL (2021). Photography Anouk Beckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602836171-0LF6PB1BR321JRWSX9UB/08_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape J (top), O (sleeve), I (pants), N (skirt) by Charlotte Verdegaal, Chet Bugter, Femke de Vries, Lindy Boerman, Tanyatorn Lauwanichpat. JOIN Collective Clothes workshop in collaboration with MA Critical Fashion Practices, ArtEZ University of the Arts, Arnhem, NL (2019). Photography Anouk Beckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602836593-TKW82RC7NCA379XXK6ZU/09_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>JOIN Collective Clothes workshop in collaboration with Museum Arnhem at De Kerk, Arnhem, NL  (2019). Photography Valerie Spanjers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602850166-E526YVYSMS1ROYYPNNIN/11_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape J (top), O (sleeve) by Elisa van Joolen, Jan Schoon, Suze.  Performance JOIN Collective Livestream Walk, Kalverstraat, Amsterdam, NL (2020).  Photography Roos Quakernaat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602850147-AKBYE3VJNFG69RC0AHLL/12_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape O (sleeve) by Betty Liu. Made at home in Australia (2019). Photography Betty Liu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602851413-WCZ2KZJ6JFQ73348K8RN/13_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>Shape N (skirt) by Christa van der Meer. Made at home in the Netherlands (2019). Photography Anouk Beckers.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602852203-KWXH88NZ5AHOGEPHNHTP/14_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>JOIN Collective Clothes workshop in collaboration with BA Fashion Design, Gerrit Rietveld Academie, Amsterdam, NL (2022). Photography Anouk Beckers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1649602852893-WQOS7C348PJ6FM9L0760/15_JOIN+CC_image_Fashion+Studies+Journal.jpg</image:loc>
      <image:title>Partnership - Content D - JOIN Collective Clothes</image:title>
      <image:caption>JOIN Collective Clothes workshop in collaboration with BA Fashion Design, Gerrit Rietveld Academie, Amsterdam, NL (2022). Photography Anouk Beckers.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6-1-a</loc>
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    <lastmod>2021-11-18</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6-1-a/2020/10/29/making-it-work-a-survey-by-the-fashion-studies-journal-l828w</loc>
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      <image:title>Issue No. 6 - A - Making it Work: A Survey by The Fashion Studies Journal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1603971992395-1XYUO60N5RXCMUN4AN6C/Survey+Cover.jpg</image:loc>
      <image:title>Issue No. 6 - A - Making it Work: A Survey by The Fashion Studies Journal</image:title>
      <image:caption>Click here to download and read the survey!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6-1-a/2020/10/29/making-it-work-kim-jenkins-and-the-fashion-and-race-database-gbggw</loc>
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    <lastmod>2021-11-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1604332857064-S9P5FX2ZH32Z5L1W9SS4/13_Backstage+Shot.jpg</image:loc>
      <image:title>Issue No. 6 - A - Making it Work: Kim Jenkins and The Fashion and Race Database</image:title>
      <image:caption>Photo credit: CEOPortrait.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1603996483840-MX5P8BPC3IF95P55VEMO/7_Kim+Jenkins+hosting+Fashion+and+Justice+panel.JPG</image:loc>
      <image:title>Issue No. 6 - A - Making it Work: Kim Jenkins and The Fashion and Race Database</image:title>
      <image:caption>Kimberly Jenkins hosting a panel discussion, 'Fashion, Culture &amp; Justice: A NYFW Dialogue,' Fall 2017. The panel was conceptualized by Jenkins and designer Becca McCharen-Tran and was commemorated by The New School as 'Dialogues that have shaped The New School for 100 years' (The New School at Medium.com, August 2019). Photo credit: Jonathan Grassi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1604679089664-CD1CEX95Y2A6692MFO82/2_Fashion+and+Race+Database_Kim+Jenkins.png</image:loc>
      <image:title>Issue No. 6 - A - Making it Work: Kim Jenkins and The Fashion and Race Database</image:title>
      <image:caption>Screenshot of The Fashion and Race Database, an online platform to decentralize and decolonize fashion, founded in 2017 by Kimberly Jenkins. Art credit: Fabiola Jean-Louis. Image credit: Kimberly Jenkins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1604679028752-W098NI5BEVPMLKFR31JM/5_Fashion+and+Justice+Workshop_Kim+Jenkins+.jpg</image:loc>
      <image:title>Issue No. 6 - A - Making it Work: Kim Jenkins and The Fashion and Race Database</image:title>
      <image:caption>Kimberly Jenkins giving a lecture that juxtaposes two historically relevant covers of Vogue. This photo was taken during The Fashion and Justice Workshop, hosted by Jenkins and Dr. Jonathan M. Square at Columbia College in Chicago. 2019. Photo credit: Jacqueline Wayne Guite.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1603996890746-ADL54TRCIEB6R66ZAOG3/9_Kimberly%2BJenkins%2BGucci%2BArrivals%2BMilan%2BFashion%2BfwzP44wa3FDl.jpg</image:loc>
      <image:title>Issue No. 6 - A - Making it Work: Kim Jenkins and The Fashion and Race Database</image:title>
      <image:caption>Kimberly Jenkins arrives at the Gucci show during Milan Fashion Week Autumn/Winter 2019/20 on February 20, 2019 in Milan, Italy. (Feb. 19, 2019 - Source: Getty Images Europe).</image:caption>
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    <loc>https://www.fashionstudiesjournal.org/issue-no-6-1-a/category/Profiles</loc>
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    <loc>https://www.fashionstudiesjournal.org/issue-no-6-1-a/tag/Finances</loc>
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    <loc>https://www.fashionstudiesjournal.org/issue-no-6-1-a/tag/Labor</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6-b</loc>
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    <lastmod>2021-11-18</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6-b/2020/11/19/faculty-uncertainty-dde35</loc>
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    <lastmod>2021-11-18</lastmod>
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      <image:title>Issue No. 6 - B - Teaching from Home: The Uncertainties of Faculty Life During a Pandemic</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6-b/2020/10/27/sacrifice-and-scarcity-the-realities-of-museum-work-y2l3k</loc>
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    <lastmod>2021-11-18</lastmod>
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      <image:title>Issue No. 6 - B - Sacrifice and Scarcity: The Realities of Museum Work</image:title>
      <image:caption>Illustration by Mike Thompson</image:caption>
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    <loc>https://www.fashionstudiesjournal.org/issue-no-6-b/category/Longform</loc>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6-c</loc>
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    <lastmod>2021-11-18</lastmod>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6-c/2020/10/21/fashion-as-collective-action-2ybpe</loc>
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    <lastmod>2021-11-18</lastmod>
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      <image:title>Issue No. 6 - C - Fashion as Collective Action</image:title>
      <image:caption>Angel Chang’s NYFW presentation, February 2007. Photo: Erique Zhang.</image:caption>
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      <image:title>Issue No. 6 - C - Fashion as Collective Action</image:title>
      <image:caption>Christian Lacroix’s Fall 2009 Haute Couture collection.</image:caption>
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      <image:title>Issue No. 6 - C - Fashion as Collective Action</image:title>
      <image:caption>Angel Chang’s NYFW presentation, February 2007. Photo: Erique Zhang.</image:caption>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6-c/2020/10/22/op-ed-designing-our-futures-fashioning-small-markets-3h8b7</loc>
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    <lastmod>2021-11-18</lastmod>
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      <image:title>Issue No. 6 - C - Op-Ed: Designing Our Futures — Fashioning Small Markets</image:title>
      <image:caption>Photo credit: Ted Belton, courtesy the author.</image:caption>
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      <image:title>Issue No. 6 - C - Op-Ed: Designing Our Futures — Fashioning Small Markets</image:title>
      <image:caption>Photo credit: Ted Belton, courtesy the author.</image:caption>
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    <loc>https://www.fashionstudiesjournal.org/issue-no-6-c/category/Longform</loc>
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    <loc>https://www.fashionstudiesjournal.org/issue-no-6-c/tag/Education</loc>
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    <loc>https://www.fashionstudiesjournal.org/issue-no-6-c/tag/Fashion+Capitals</loc>
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    <loc>https://www.fashionstudiesjournal.org/content-a</loc>
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    <lastmod>2022-04-22</lastmod>
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    <loc>https://www.fashionstudiesjournal.org/content-a/2021/11/14/material-survival-strategies-protective-dress-practices-among-young-afghan-migrants-in-sweden</loc>
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    <lastmod>2021-11-25</lastmod>
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      <image:title>Content A - "Material Survival Strategies": Protective Dress Practices Among Young Afghan Migrants in Sweden - Make it stand out</image:title>
      <image:caption>Illustration by Linnea Puranen</image:caption>
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      <image:title>Content A - "Material Survival Strategies": Protective Dress Practices Among Young Afghan Migrants in Sweden - Make it stand out</image:title>
      <image:caption>Illustration by Linnea Puranen</image:caption>
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      <image:title>Content A - "Material Survival Strategies": Protective Dress Practices Among Young Afghan Migrants in Sweden - Make it stand out</image:title>
      <image:caption>Illustration by Linnea Puranen</image:caption>
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      <image:title>Content A - You Should Be Filling Your Wardrobe With Digital Fashion. Here’s Why.</image:title>
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      <image:title>Content A - You Should Be Filling Your Wardrobe With Digital Fashion. Here’s Why.</image:title>
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      <image:title>Content A - You Should Be Filling Your Wardrobe With Digital Fashion. Here’s Why. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Content D - Notes from the Underground: Designers on Pivoting in the Pandemic - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-a/2022/8/15/ways-of-wearing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/87d72f5f-d44d-4841-9b36-80cb1d0c8512/%E2%9E%82+Judith+Brachem.jpg</image:loc>
      <image:title>Digital Engagement A - Ways of Wearing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/159c3434-c6f3-4cfc-afa8-3a922216b758/%E2%9E%83+Lucas+Stu%CC%88bbe.jpg</image:loc>
      <image:title>Digital Engagement A - Ways of Wearing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-a/2022/8/9/online-brand-communities-and-the-quest-for-the-it-bag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/13b63543-735a-469a-a77e-0b20c1c245bb/Header+Image_+Image+Credit_+Annabelle+Walsh.png</image:loc>
      <image:title>Digital Engagement A - Online Brand Communities and the Quest for the It Bag - Make it stand out</image:title>
      <image:caption>Illustration: Annabelle Walsh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/e7372c75-5f6f-4b4a-8021-c0426b044b93/Image+1_+Luxury+handbag+retail+channels+_+table+by+Jasmine+Bacchus.jpg</image:loc>
      <image:title>Digital Engagement A - Online Brand Communities and the Quest for the It Bag - Make it stand out</image:title>
      <image:caption>Luxury Handbag Retail Channels (Table courtesy of Jasmine Bacchus)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/c0678e09-bfe1-42b3-b9f1-a367701e3a89/Image+2_+Replica+subreddits+statistics+_+table+by+Jasmine+Bacchus+.jpg</image:loc>
      <image:title>Digital Engagement A - Online Brand Communities and the Quest for the It Bag - Make it stand out</image:title>
      <image:caption>Replica subreddits statistics as of March 3, 2021 (Table courtesy of Jasmine Bacchus)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1f3489dd-3a16-4564-b2ce-04d719dccf7a/Image+3_+Middlemen+guide+for+beginners+_+source+r_repSneakers+forum+on+reddit.jpg</image:loc>
      <image:title>Digital Engagement A - Online Brand Communities and the Quest for the It Bag - Make it stand out</image:title>
      <image:caption>"Middleman Guide for Beginners" from r/RepSneakers (Table courtesy of Jasmine Bacchus)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/5bb4e8bd-1450-47a4-ba22-c6a6871a8d4e/Image+4_+Replica+Subreddit+Offerings+_+table+by+Jasmine+Bacchus.jpg</image:loc>
      <image:title>Digital Engagement A - Online Brand Communities and the Quest for the It Bag - Make it stand out</image:title>
      <image:caption>Replica Subreddit Offerings (Table courtesy of Jasmine Bacchus)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-b</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-25</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-b/2022/8/15/haptic-texture-ality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1661432050370-M9X64IBDH621PYZ9YQ7N/_Image+1_++ATONATIU+_+by+Maria+Gil+Mendoza+%283%29.gif</image:loc>
      <image:title>Digital Engagement B - Haptic Texture-ality - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1661432049444-Y7YUPSE2V7IL7009TRKA/Image+2_+XOTLI++_+by+Maria+Gil+Mendoza+%281%29.gif</image:loc>
      <image:title>Digital Engagement B - Haptic Texture-ality</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1661432047293-XP24WHL4K0KWRQ6KZ4DD/Image+3_+YAMANKI++_+by+Maria+Gil+Mendoza+%281%29.gif</image:loc>
      <image:title>Digital Engagement B - Haptic Texture-ality</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1661432042569-5MGOM8QKH7ZBIFQWFY58/Image+4_+KALANI++_+by+Maria+Gil+Mendoza+%281%29.gif</image:loc>
      <image:title>Digital Engagement B - Haptic Texture-ality</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1661432041728-AAYY0CXAAAU3QKLC9M9X/Image+5_+AMOCHITL+_+by+Maria+Gil+Mendoza++%281%29.gif</image:loc>
      <image:title>Digital Engagement B - Haptic Texture-ality</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1661432037663-C0ZR62LC37I4QWQFKJCH/Image+6_+AMBERECHT++_+by+Maria+Gil+Mendoza+%281%29.gif</image:loc>
      <image:title>Digital Engagement B - Haptic Texture-ality</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1661432037931-BSXMBHBI59QY9WL73QBN/Image+7_+ISTIK++_+by+Maria+Gil+Mendoza+%281%29.gif</image:loc>
      <image:title>Digital Engagement B - Haptic Texture-ality</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-b/2022/8/15/death-to-the-digital</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/fd9d1358-ef0d-4765-8f99-0dcd7dd1a8a0/Image+1_+Death+To+The+Digital.png</image:loc>
      <image:title>Digital Engagement B - Death to the Digital - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1e7e7d07-dbe3-4062-9d4d-ce1541c52fd2/Image+2_+Headless+Watchman.png</image:loc>
      <image:title>Digital Engagement B - Death to the Digital - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/d957c88d-d51f-479e-9ac8-c6b4916e097b/Image+3_+Hiding.jpg</image:loc>
      <image:title>Digital Engagement B - Death to the Digital - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/42a7f10f-b5c9-4a0f-876f-343100a1ac41/Image+4_+Duck+Face.PNG</image:loc>
      <image:title>Digital Engagement B - Death to the Digital - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/170c7b59-1388-42fc-bbb4-7de9729f642a/Image+5_+All+Eyes+On+You+.jpg</image:loc>
      <image:title>Digital Engagement B - Death to the Digital - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-c</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-24</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-c/2022/8/15/can-we-trust-the-words-that-fashion-media-uses-to-talk-about-fashion-objects-a-review-of-words-on-fashion-websites-with-a-dubious-title</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/ff58c71a-34f3-4795-81fd-4ef178c884eb/%28header+image%29+Option+1++.jpeg</image:loc>
      <image:title>Digital Engagement C - Can We Trust the Words That Fashion Media Uses to Talk About Fashion Objects?: A Review of ‘Words on Fashion Websites’ with a Dubious Title - Make it stand out</image:title>
      <image:caption>Courtesy of Maria Spadoni, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/dc9d408a-160b-40a6-88fe-07729bddda1b/Image+1_+Endnote+%5B1%5D++.png</image:loc>
      <image:title>Digital Engagement C - Can We Trust the Words That Fashion Media Uses to Talk About Fashion Objects?: A Review of ‘Words on Fashion Websites’ with a Dubious Title - Make it stand out</image:title>
      <image:caption>Screenshots from WoFW, 03/07/2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/90eb7a73-3e1a-4aa8-afe4-0f68f7daad7c/Image+3_+Endnote+%5B3%5D+.png</image:loc>
      <image:title>Digital Engagement C - Can We Trust the Words That Fashion Media Uses to Talk About Fashion Objects?: A Review of ‘Words on Fashion Websites’ with a Dubious Title - Make it stand out</image:title>
      <image:caption>Screenshot of WoFW 03/07/2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/f0a99570-6fb5-4b20-abef-83d3b1da70de/Image+6_+.jpg</image:loc>
      <image:title>Digital Engagement C - Can We Trust the Words That Fashion Media Uses to Talk About Fashion Objects?: A Review of ‘Words on Fashion Websites’ with a Dubious Title - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/8c8dd23a-bd23-4f31-94d9-9902267b0714/Image+4_+Endnote+%5B11%5D+.png</image:loc>
      <image:title>Digital Engagement C - Can We Trust the Words That Fashion Media Uses to Talk About Fashion Objects?: A Review of ‘Words on Fashion Websites’ with a Dubious Title - Make it stand out</image:title>
      <image:caption>Screenshots of WoFW, 04/07/2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/63eb77ed-258f-4cb0-a93e-abd4b5b41418/Image+2_+Endnote+%5B1%5D.jpg</image:loc>
      <image:title>Digital Engagement C - Can We Trust the Words That Fashion Media Uses to Talk About Fashion Objects?: A Review of ‘Words on Fashion Websites’ with a Dubious Title - Make it stand out</image:title>
      <image:caption>Screenshots from WoFW, 03/07/2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/f2b90b3c-2022-428c-8ab9-d635c434ae6d/Image+5_+Endnote+%5B14%5D.png</image:loc>
      <image:title>Digital Engagement C - Can We Trust the Words That Fashion Media Uses to Talk About Fashion Objects?: A Review of ‘Words on Fashion Websites’ with a Dubious Title - Make it stand out</image:title>
      <image:caption>Screenshots of WoFW, 08/07/2022.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-c/2022/8/15/sight-screen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/44708c3d-8179-4331-aeab-66cfece55b0a/Header+Image+_+Illustration+by+Annabelle+Walsh.png</image:loc>
      <image:title>Digital Engagement C - Sight Screen - Make it stand out</image:title>
      <image:caption>Illustration by Annabelle Walsh.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-c/2022/8/9/generative-fashion-companion-planting-fashions-digital-futures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/56175a24-9e06-4c30-8f76-8c418036eae1/Image+1_+%28Header%29+CompanionPlanting+_+source_+Elizabeth+Bigger.png</image:loc>
      <image:title>Digital Engagement C - Generative Fashion: Companion Planting Fashion’s Digital Futures - Make it stand out</image:title>
      <image:caption>Generative fashion designs created by the author and artificial intelligence with the text prompt, “Generative fashion realities are sprouting all around, connected via modems through the earth’s soils, through complex energy systems.” (Image courtesy of Elizabeth Bigger, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/e0f160d6-f03a-4a68-8793-14c14b664210/Image+2_+CompanionPlanting+_+source_+Elizabeth+Bigger.png</image:loc>
      <image:title>Digital Engagement C - Generative Fashion: Companion Planting Fashion’s Digital Futures - Make it stand out</image:title>
      <image:caption>Regenerative fashion seeds created by the author and artificial intelligence with the text prompt, “regenerative fashion design being planted into the soils.” (Image courtesy of Elizabeth Bigger, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/b0f2fc7b-1f2b-4963-bfa4-fd3b0db521f3/Image+3_+CompanionPlanting+_+source_+Elizabeth+Bigger.png</image:loc>
      <image:title>Digital Engagement C - Generative Fashion: Companion Planting Fashion’s Digital Futures - Make it stand out</image:title>
      <image:caption>New fashion machines created by the author and artificial intelligence with the text prompt, “ tailors' hands and sewing needles with new bot machines planting fashion threads.” (Image courtesy of Elizabeth Bigger, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/91c01500-0bfd-4001-9967-f1a7dd74f221/Image+5_+CompanionPlanting+_+source_+Elizabeth+Bigger.png</image:loc>
      <image:title>Digital Engagement C - Generative Fashion: Companion Planting Fashion’s Digital Futures - Make it stand out</image:title>
      <image:caption>Digital fashion geological strata created by the author and artificial intelligence with the text prompt, “Earth’s strata, now made up of textiles and dyes, geological strata.” (Image courtesy of Elizabeth Bigger, 2022)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-c/2022/8/8/hacktivism-amp-digital-agency</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/fcd186b7-7d4b-4462-839d-a6dfbec6293d/Image+1_+Header.jpg</image:loc>
      <image:title>Digital Engagement C - Hacktivism &amp;amp; Digital Agency - Make it stand out</image:title>
      <image:caption>Image courtesy of the authors as part of their Hacktivism &amp; Digital Agency research tool.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-d</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-24</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/digital-engagement-d/2022/8/8/selfieing-together-exploring-the-wider-scope-of-the-selfie-as-self-love-praxis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1660004607486-WKYH7EZJTXKFF7THICLX/Image+1_+Selfieing+Together%2C+Visual+Essay+by+Chet+Julius+Bugter.png</image:loc>
      <image:title>Digital Engagement D - Selfieing Together: Exploring the Wider Scope of the Selfie as Self-Love Praxis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1660004607332-F1UEI07GWQZWBT9WLG1Q/Image+2_+Selfieing+Together%2C+Visual+essay+by+Chet+Julius+Bugter.png</image:loc>
      <image:title>Digital Engagement D - Selfieing Together: Exploring the Wider Scope of the Selfie as Self-Love Praxis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1660004618017-KD7LL9A064H3U38WWIPF/Image+3_+Selfieing+Together%2C+Visual+essay+by+Chet+Julius+Bugter.png</image:loc>
      <image:title>Digital Engagement D - Selfieing Together: Exploring the Wider Scope of the Selfie as Self-Love Praxis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1660004619605-Q2MULZA4N7OKL7FLV915/Image+4_+Selfieing+Together%2C+Visual+essay+by+Chet+Julius+Bugter.png</image:loc>
      <image:title>Digital Engagement D - Selfieing Together: Exploring the Wider Scope of the Selfie as Self-Love Praxis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1660004629116-6EWGYQT8NXFY6TJADL22/Image+5_+Selfieing+Together%2C+Visual+essay+by+Chet+Julius+Bugter.png</image:loc>
      <image:title>Digital Engagement D - Selfieing Together: Exploring the Wider Scope of the Selfie as Self-Love Praxis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1660004630099-1EBQN7G5WOFNZD78P9VB/Image+6_+Selfieing+Together%2C+Visual+essay+by+Chet+Julius+Bugter.png</image:loc>
      <image:title>Digital Engagement D - Selfieing Together: Exploring the Wider Scope of the Selfie as Self-Love Praxis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1660004634817-1ZPMK96VQAV6E66WJZJA/Image+7_+Selfieing+Together%2C+Visual+essay+by+Chet+Julius+Bugter.png</image:loc>
      <image:title>Digital Engagement D - Selfieing Together: Exploring the Wider Scope of the Selfie as Self-Love Praxis</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/under-construction</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-24</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/mission-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-27</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/current-issue</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2023-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/9c007c91-4131-40d2-a2bd-c77965c647d7/%283%29main+header+without+text.jpg</image:loc>
      <image:title>Home - Fashion and Digital Engagement Issue: Letter from the Editor</image:title>
      <image:caption>By Chinouk Filique de Miranda</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1537568542468-XCDZSA92K4W6L6MJ4ZCU/41527_Fashion_FashionJouralAd_300x400px_3-1.jpg</image:loc>
      <image:title>Home</image:title>
      <image:caption />
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    <lastmod>2016-09-30</lastmod>
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    <loc>https://www.fashionstudiesjournal.org/who-we-are</loc>
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      <image:title>Who We Are</image:title>
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      <image:title>Who We Are</image:title>
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      <image:title>Who We Are</image:title>
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  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/letter-from-the-editors-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-12-20</lastmod>
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      <image:title>Letter from the Editors</image:title>
      <image:caption>It's you! Our wonderful community!  We owe a huge thank you to everyone who turned out for our October launch party, as well as to Chris Rawson for lending us his gallery space, Rawson Projects. Enjoy more photos from the launch in our analog-turned-digital guestbook below.</image:caption>
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      <image:title>Letter from the Editors</image:title>
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      <image:title>Letter from the Editors</image:title>
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      <image:title>Letter from the Editors</image:title>
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      <image:title>Letter from the Editors</image:title>
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      <image:title>Letter from the Editors</image:title>
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      <image:title>Letter from the Editors</image:title>
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      <image:title>Letter from the Editors</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482242039799-IIULPIY0ZLA6IB2RWGDZ/BookScanCenter_18.jpg</image:loc>
      <image:title>Letter from the Editors</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1482242040413-PL0QCSPW1CSSXJCSN2HT/BookScanCenter_19.jpg</image:loc>
      <image:title>Letter from the Editors</image:title>
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  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501740247168-P0XS6ET9D40RQO0KUR6A/Issue+No.+1+Banner.png</image:loc>
      <image:title>Issue No. 1</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501740302972-ESL91KZK41GW2JDXBXE7/Issue+No.+2+Banner.png</image:loc>
      <image:title>Issue No. 2</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-3-letter-from-the-editors</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1491390489561-I0XNFLSXOL7IOLIRTC42/Screen+Shot+2017-04-05+at+1.06.46+PM.png</image:loc>
      <image:title>Issue No. 3 Letter from the Editors</image:title>
      <image:caption>A blurry (always a good sign that an excellent time was had) snap from our first FSJ Cocktail Hour at Bar 6 in Manhattan in February. Join us for our forthcoming cocktail hour, co-hosted with the Unravel Podcast, on April 21 at Black Door in New York!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1501740349353-CQJ1LD4W8X358W3YK39B/Issue+No.+3+Banner.png</image:loc>
      <image:title>Issue No. 3</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1518789981652-0ASJICZUA9C39NUZL82T/Issue+No.+4+Banner.png</image:loc>
      <image:title>Issue No. 4</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-5</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1537112533133-1ZAVU2FIS1SJJEYX9WAN/Issue+5+Banner.png</image:loc>
      <image:title>Issue No. 5</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-studies-programs-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-01</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-motherhood-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1612710042915-9Y5RTU6FMIYIJJZDTPA5/Screen+Shot+2021-02-07+at+9.00.28+AM.png</image:loc>
      <image:title>Fashion &amp; Motherhood - Letter from the Editor</image:title>
      <image:caption>By Laura Snelgrove</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/fashion-mental-health-issue</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1625421362668-AKDOAPVW0YNJ12FONF7S/Main+image+by+Mike+%281%29.jpg</image:loc>
      <image:title>Fashion &amp; Mental Health - Letter from the Editor</image:title>
      <image:caption>By Sara Idacavage</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-6</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1603836999052-4FROIT31KPD0HUA29E1W/Zoom-meet.png</image:loc>
      <image:title>Issue No. 6 - A Letter from the Editors</image:title>
      <image:caption>By The Fashion Studies Journal</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/takedown-requests</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-24</lastmod>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/issue-no-9-1</loc>
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    <priority>0.75</priority>
    <lastmod>2021-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/6247dc11-2397-4681-87f9-473fda307051/IMG_0746.jpg</image:loc>
      <image:title>Issue No. 9 - Letter from the Editor</image:title>
      <image:caption>By Laura Snelgrove</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.fashionstudiesjournal.org/partnership-issue</loc>
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    <lastmod>2022-04-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/15949a3f-cfb6-4984-9b1f-c30edfbfb2e3/IMG_0785.jpg</image:loc>
      <image:title>Partnership Issue - Letter from the Editor</image:title>
      <image:caption>By Anthony Palliparambil, Jr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/575085fa859fd016768e7b48/1537568542468-XCDZSA92K4W6L6MJ4ZCU/41527_Fashion_FashionJouralAd_300x400px_3-1.jpg</image:loc>
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